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Is Your Town a Member of the Sweet-As-Apple-Pie Club?

Everyone likes to think their hometowns are the quintessential storybook villages from days long ago, back when we left our front doors unlocked and the car keys in the ignitions of the cars parked in our driveways. The times when kids walked to school, unafraid of perverts perusing the neighborhood. The days when the TV repairman came to your house to fix your set while you were away at work. He let himself in and locked up when he left.

Those were the days before school shootings and prior to the epidemic of human trafficking we see today. They were also the days way back when police recruits thought their towns and counties and states belonged to the Sweet-As-Apple-Pie Club, an organization consisting of towns and cities whose residents are clueless about the goings-on in their beloved “AnyTowns, USA.”

Drug dealers? In our town? No way! Murderers, rapists, robbers, and terrorists? Abso-freakin’-lutely no way! Not in our town.

Sure, we read the paper, but the bad guys who broke into old man Johnson’s house and killed him and stole all his prized collectible Elvis plates, well, they must’ve traveled here from another town.

However, it doesn’t take the police recruits—rookies—very long at all to learn that their sweet little towns are often hotbeds of rampant crime. Why, there are actual drug dealers who live down the street from dear innocent Aunt Ida. The hoodlums sell their wares—crack cocaine, meth, and weed—smack dab in the middle of the street. They shoot guns and they stab people and they rob and rape and steal.

There’s even a couple of gangs who rule most of the west side of town, and another on the east. The emergency room is busy with overdoses, wounded druggies, and cab drivers who were robbed at knifepoint. Gunshot victims and victims of sexual assaults. Shooting victims. Battered children and spouses. All of this from the onset of darkness until the sun returns to push away the night.

A rookie’s first few shifts are eye-openers. Who knew Mr. Perkins, the bank president, drank moonshine and beat on Erline, his loving wife of 30 years. And Mrs. Listickenpick, a chronic shoplifter? Why? She and her husband have more money than all the gold in Fort Knox. Then there are the drug addicts. Went to school with half of them. Embezzlers, nurses addicted to pills, doctors who prescribe drugs for their friends. Fights and arson and drunk drivers. Cop haters and school shooters. Pedophiles and stalkers. Killers who have no respect for human life. Baby beaters. Animal abusers.

Yes, these folks live in our towns. Our sleepy little villages where, in our naïve minds, crime doesn’t exist. But it does. They, the bad guys, simply walk the streets at times other than when you’re out. They’re the second shift. They punch the clock, signing on to work as we go to bed.

They come out in the darkness and, like roaches, scatter when an officer’s flashlight beam strikes their flesh. They crawl through windows to feast upon the property of others. They hunt and stalk prey, hoping to catch unsuspecting victims off-guard. They attack without warning. They beat and they steal and they bruise and they kill.

You may think your town is a card-carrying member of the Sweet-As-Apple-Pie Club, but the officers in your towns know differently. And even they, at times, are surprised by things they see out there in the darkness. Things that are sometimes the makings of a good nightmare.

It is the patrol officer who stands between us and them. That’s the line, our only line of defense against those things we don’t and/or choose not to see.

 

ATTENTION!!!

Special Event

Presents

Criminal Investigations: Writing Believable Make-Believe

A live and interactive virtual seminar

January 23, 2021

10:30 a.m. – 5:00 p.m. (EST)

featuring:

 

Joshua Moulin, Senior Vice President and Deputy of Operations and Security Services (OSS)

Josh Moulin serves as Senior Vice President and Deputy of Operations and Security Services (OSS) at CIS. In this role, Moulin provides executive leadership for OSS while focusing on the mission of improving the cybersecurity posture of state, local, tribal, and territorial government organizations. Moulin is responsible for planning, developing, and executing OSS products and services, some of which include the Multi-State Information Sharing and Analysis Center (MS-ISAC), the Elections Infrastructure Information Sharing and Analysis Center (EI-ISAC), US Cyber Challenge, security operations, incident response, and the cyber research program.

Moulin has been working in the cybersecurity field since 2004. Prior to CIS, he was an Executive Partner at Gartner where he advised senior executives in the U.S. federal civilian government and Department of Defense to shape organizational strategy, improve executive leadership, change culture, drive innovation, maintain information security and assurance, and implement technology using best practices and Gartner’s research. Before Gartner, Moulin spent five years at the Nevada National Security Site, part of the Department of Energy / National Nuclear Security Administration’s nuclear weapons enterprise. Moulin served in a variety of roles including as the Chief Information Security Officer and Chief Information Officer, responsible for all aspects of classified and unclassified IT and cybersecurity for this global national security organization.

Joshua Moulin will present “Cyber Crimes and Investigations.”

Karmen Harris, BSN, RN, SANE-A – Sexual Assault Nurse Examiner, Richmond & Moore County Medical Examiner

Karmen is a native to the coast of North Carolina and is a Registered Nurse board-certified as a Sexual Assault Nurse Examiner for adult and adolescent populations as well as an appointed NC Medical Examiner for two counties. As a forensic nurse consultant, Karmen provides expertise in matters of sexual assault, domestic violence, child and elder abuse, and human trafficking. Karmen’s educational background includes graduating from East Carolina University in 2009 where she studied Anthropology and Forensic Science, an Associate Degree in Nursing from Carteret Community College in 2014, and a Bachelor of Science in Nursing from East Carolina University in 2020.

Karmen Harris will present “Sexual Assault: When a Victim Seeks Care in a Hospital Setting.”

RJ Beam, Author and Forensics/Crime Scene Investigations Expert

RJ Beam has worked as both a police officer and firefighter. During his career he served as patrol supervisor, field training officer, evidence technician, firefighter II, fire department engineer, and fire/arson investigator. He is currently the Department Chair of the Forensic Science Program at a college in the U.S.

RJ Beam will present “Using 3D Laser Scanners and Drones to Document Crime Scenes.”

 

 

Lisa Regan, USA Today & Wall Street Journal Bestselling Author

Lisa Regan is the USA Today & Wall Street Journal bestselling author of the Detective Josie Quinn series as well as several other crime fiction titles. She has a Bachelor’s degree in English and a Master of Education degree from Bloomsburg University. She is a member of Sisters in Crime, International Thriller Writers, Crime Writers Association, and Mystery Writers of America. She lives in Philadelphia with her husband, daughter and Boston Terrier named Mr. Phillip.

Lisa Regan wraps up this fabulous live, interactive seminar with her her presentation “Creating Dynamic Crime Fiction: How to Use the Elements of Fiction to Craft a Gripping Crime Novel.”

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Cops and Command Presence: What’s Up With That Look?

Cops: what's up with that look

Predatory animals watch and stalk their prey before moving in for the kill. They’re extremely patient, waiting for the perfect target—the weakest animal in the pack—because the battle is easier.

Criminals often exhibit similar behavior when interacting with law enforcement.  The cop who looks and acts weak—the meekest of the herd—often finds himself the target of all sorts of grief, from verbal abuse all the way to physical assault.

So what do cops do as a front line defense against all that unnecessary heartache? Well, for starters, they’re taught to have and demonstrate what’s known as Command Presence.

An officer who looks sharp, acts sharp, and is sharp, has an advantage over the officer who dresses sloppily and isn’t all that confident about their work. The latter are the officers who most often find themselves having the most difficulties on the street.

Command presence is all about being at the top of the game. Taking a few minutes to be sure your shoes, badge, and brass are polished goes a long way toward projecting a positive image. So does wearing a clean and neatly pressed uniform. And let’s don’t forget regular trips to the folks who cut hair for a living. The combination of these things help to make an officer look confident. Think about it … who would you trust more, the officer with the dirty, wrinkled clothing and shaggy hair, or the officer who looks fresh and sharp, stands straight and tall, and projects a solid air of authority?

Crooks size up officers the same way you do. However, they have other things in mind when they do. They, like animals culling the herd, watch, looking for the weaker officers, and those are the officers who’ll most likely be dealing with escape attempts, lies, and other criminal tricks.

Tips for developing a better command presence

  • Be professional at all times. And that includes updated training when available. A cop who knows his job inside-out projects more confidence. The same is true with physical training. Stay in shape and know, trust, and practice your defensive tactics.
  • Good posture is important. The officer who stands straight and tall has an advantage over the officer who slouches. Poor posture often comes across as weakness, especially when confronting an aggressive suspect.

Captain Randy Shepherd is a textbook example of Command Presence.

NWTC Public Safety Academy and Writers’ Police Academy firearms instructor. Another fine example of Command Presence.

  • Always make and maintain eye contact when speaking to someone.
  • Honesty and consistency are important traits. Bad guys will quickly learn that what you say is what you mean, each and every time.
  • Always treat everyone fairly and with dignity.
  • First impressions only come around once, so make it your best effort. If a suspect’s first impression of you is that you’re meek and weak, well, you can expect to have a rough day.
  • Size up everyone. Always be aware of who and what you’re dealing with, and stay one step ahead of the person in front of you. Remember, that person may want to kill you so be prepared to do what it takes to survive. Do this each and every time you come into contact with someone. No exceptions! You never know which person is the one who plans to do you harm.

Most importantly, believe in yourself. Have confidence in what you do and who you are. All the shoe-shining and training in the world will not help you if you’re playing make believe. The bad guys will see through that in a heartbeat.

Cops and Command Presence: What’s Up With That Look?

Colleen Belongea – NWTC Public Safety Academy and Writers’ Police Academy instructor, Green Bay PD (ret.), and current co-owner of Assured Private Investigations, a PI firm based in Appleton, Wi. Colleen’s partner,Jill Goffin, is also a NWTC Public Safety Academy and Writers’ Police Academy instructor. 

Remember, command presence is only the first step in the “stay safe” equation. Others include:

  • Be aware of your surroundings. What can the bad guy use as a weapon? Does he have a friend lurking in the shadows? Do YOU have an escape route, if needed?
  • Officers must be prepared, without hesitation, to do what it takes to control a situation. Many times, all that’s needed to gain and maintain control is verbal instruction, and it would be wonderful if a handful of nouns and verbs were the ultimate “fix-all” tools. However, we don’t live in an always-happy world filled only with glitter, delicious chocolate, and smile factories. So, unfortunately, use of force will come into play during an officer’s career … many times.
  • Never, ever, be in the position where you’re forced to react after-the-fact to a situation you weren’t prepared to handle. If the situation is one where you absolutely must place your hands on a suspect, then be prepared to see the arrest through until the suspect is in restraints and tucked safely away in the rear compartment of your patrol car.

Hamilton One 125

  • When encountering a violent suspect, think ahead and be prepared to increase the level of force used to effectively make the arrest. The idea is not to injure anyone. Instead, the goal is to engage, arrest, and restrain without unnecessary harm to anyone. If the suspect chooses to fight until there is only one person left standing, then be certain that person is you.

Hamilton One 019

  • Effective command presence leaves no doubt as to who’s in charge of the situation, even without speaking a single word.

New Picture (2)

So wear the badge proudly, stand tall, and do what it takes to come home at night.

By the way, civilians in authoritative positions should also exhibit a command presence, and many do so instinctively. Command presence also applies to public speakers, including writers when appearing at conferences and book signings and readings. One of the best in the business at the command presence game is author Lee Child. The moment Child enters a room you know he’s confident, poised, and in full control of each word spoken. He looks sharp, acts sharp, and, well, he is sharp. And it shows.

Lee Child – Writers’ Police Academy

Another fantastic example of someone with fantastic command presence is author/former prosecutor Marcia Clark (yes, that Marcia Clark). Clark comes across as a take charge person, always in control no matter the situation.

Marcia Clark addressing the entire group at the Writers’ Police Academy

Both Lee Child and Marcia Clark are confident in what they do, but their personalities are also warm enough to transform even the largest iceberg to a puddle, even at a homicide scene (shallow grave workshop at the 2012 Writers’ Police Academy).

Lee Child and Marcia Clark – shallow grave workshop at the 2012 Writers’ Police Academy

So, you see, having command presence does not necessarily mean a person has to be tough and gruff, but can be when the situation calls for it.

After all, even the toughest of the tough have their tender moments.

GTCC/WPA instructors Stan Lawhorne and Jerry Cooper – Writers’ Police Academy

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Murder, It Sucks The Air Out Of Living

There’s nothing in this world like entering an abandoned house in mid July to begin working a murder case, a scene where the pungent and putrid scent of rotting human flesh and organs fill your nostrils and lungs and adheres tightly to your clothing, hair, and skin like an invisible, gag-inducing, impossible-to-remove film.

If the stifling heat, humidity, and gut-wrenching stench of decomposing human don’t get to you, well, the flies, maggots, and other creepy critters that crawl in and out of the vicim’s mouth, ears, nose, open wounds and other body openings certainly will. But, it’s a job that falls into the laps of homicide cops—it’s what they do—and it’s a job that requires a special skill set. Not to mention a stomach made of cast iron and steel plating.

So let’s open the door to the house at the end of your street—the old Victorian that’s been empty for two years and is now surrounded by waist-high weeds. The once beautifully manicured lawn is now a graveyard for litter and other garbage left behind by transients and the kids who toss their empty fast food wrappers and plastic soda bottles over the rusted chain-link fence. The window panes are broken and many of the  shingles have fallen off.

For months now neighbors have seen a homeless man going and coming, but suddenly realized that he hadn’t been around in the past two weeks, and there’s that strong odor. Like something is … dead.

So they call the police and before long the neighborhood is overrun by patrol cars and crime scene tape.

Inside the murder house, detectives are doing what they do best. They’re checking all the boxes on their mental checklist. And now their focus is on the victim.

The Effects of Death on the Human Body

Prior to the removal of a body from the crime scene, homicide investigators should note (and photograph) the presence of each of the following in his/her report:

1) Livor/Lividity (color, location, blanchability, Tardieu spots, other coloring). Are these consistent or inconsistent with the current positioning of the body.

Remember, lividity is the pooling of blood/purplish staining of tissue at the lowest portions of a dead body, caused by gravity. Livor continues to form for up to 8 – 12 hours after death. This process can be slowed to as much as 36 hours in a cool environment, including a morgue cooler.

To test for blanchability, a death investigator uses a finger(s) to push against the flesh. The pressure forces blood out of the capillaries in that area, causing the flesh to present as much lighter in color. If the pressure does indeed cause a change in skin color, the flesh is blanchable. This tells the investigator the body is still within the lividity period, meaning the victim died sometime within the past 12 hours, or up to 36 hours in cool surroundings.

You can try this on your own skin. Use a finger to apply pressure to the back of your hand. Release the pressure after a second or two and you’ll see the change in skin color. Obviously you’ll use the finger of one hand to press against the skin on the back of your other hand. By the way, if you needed that instruction then the warning to remove Pop Tarts from their wrapper before heating are probably very important to you. And, if there was no change in your skin color, well, I hope your life insurance policy is up to date.

Tardieu spots are dark, circular areas—capillary ruptures.

2) Rigor

Muscles contain bundles of long, narrow cells. While we’re seated at our computers reading blogs and watching goofy videos, our muscles are, for the most part, at rest.

While resting, our muscles pump out calcium ions which build up electrical potential (energy). Then, when we’re ready to make that run to the mailbox to retrieve the latest royalty check, a nerve impulse causes those ions to hook up with actin and myosin filaments and the muscles contract (become tighter). They remain in that state until adenosine triphosphate (ATP) binds to the myosin, and before you know it the muscles once again relax.

Got it now? No, well, don’t worry. All we need to know is that ATP has an obsession with oxygen. It absolutely has to have it to survive (you know, like Justin Bieber needs bodyguards to protect his scrawny, arrogant self from being slapped into a different universe).

Actually, the body needs oxygen to produce ATP. Therefore, when a person stops breathing (no oxygen) the body ceases to make adenosine triphosphate. Without ATP our muscles can no longer relax. And when the muscles can’t relax, what happens? Yes, the body stiffens. And that, my writer friends, is called Rigor.

3) Degree of decomposition (putrefaction, adipocere, mummification, skeletonization, etc.). Everything affects decomposition, from air temperature to insects to shellfish and turtles (body in water). Even soil types and clothing can affect the rate of decomposition. Interestingly, newborns who have not yet been fed, decompose slowly since the body is basically sterile. However, an injury or being fed will cause a newborn’s body to decompose more rapidly.

a) Putrefaction – the final stage of decomposition. Presents as discoloration of tissue, disfiguration, liquefaction of tissue, bloating due to gases forming in the tissue and organs.

The general order of putrefactive changes are as follows:

First to go are the larynx and trachea, followed by …

– stomach, spleen, and intestines

– lungs and liver

–  brain

– heart

– bladder, uterus, kidneys

– skin, tendons, and muscle

– bone

*The prostate resists putrefaction for a long time.

b) Adipocere – a waxy, soap-like substance that’s sometimes formed during decomposition. Normally caused by moist or damp conditions surrounding the decomposing body.

D. Insect and animal activity. Obviously, insects and animals can and do consume body parts. Animals may also scatter human remains, sometimes making the murder scene a bit more difficult to understand at first look.

E. Scene temperature. Note the temperature at the location of the body, and the method used to obtain it.

F. Description of body temperature. Is it warm to the touch? Is the flesh cold, or frozen?

It is extremely important to preserve the security of the body. Remember, the body is most likely THE most important piece of evidence in a murder case. Investigators should oversee the labeling, packaging, and the removal of the remains by the M.E’s personnel, or EMS, etc. An identification tag should be attached to the body to prevent any mix ups later, at the morgue (yes, this has happened, and on more than one occasion).

Finally … No, detectives do NOT use thermometers of any type, including rectal thermometers, to check the temperature of a dead body. It is not in their job description to do so. Yes, I once read the rectal thermometer thing in a book. So, no, no, and NO!

By the way, the image to the left is of a grilled pork chop. Had your stomach turning for a moment, huh?

 

Happy New Year’s Eve!

Remember, Writers’ Police Academy Online has another exciting live and interactive seminar coming up on January  23rd. Details TBA in a couple of days!

 

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Going In: The Fatal Funnel

One of the most dangerous aspects of working as a law enforcement officer is not the suspect who’s standing ready to fight, the armed robber who’s decided to stop running and turns square-off with the cop who’s been in pursuit for several blocks, or even heading to a shots-fired call. Instead, the most perilous, threatening, hazardous (you pick the synonym) situation officers face is the unknown—what they can’t see. It’s the what or who is waiting for them behind a doorway, a dark alley, or somewhere within a stairwell that sends the scary-meter off the charts.

The Fatal Funnel

The entrance to these areas of “the unknown” is often called the “fatal funnel.” For example, a murder suspect was seen entering a backyard garage at the end of dead-end street. The garage is a large building and the owner tells officers that it’s packed full of antique furniture, lots of boxes of all sizes, four old cars, a tractor, lawn care equipment, and an assortment of cabinets, shelving, and other typical garage bits and bobs.

There’s only one way in and that’s a side door made of solid metal. There are a few windows, of course, but unfortunately they’re blocked by stacks of cardboard boxes.

The door, then, is the point that separates the officers from access to the concealed killer. It’s the sole point of access to the interior of the garage. It is where the wide expanse of the outdoors narrows to a single point. The doorway and immediate area leading to it is the fatal funnel.

Unfortunately, for the officers, that doorway must be breached, and they must go inside to bring out the criminal. It’s their job. It’s their duty.

The Two “Cs”

“Cover” and “Concealment” are terms drilled into the minds of rookie officers during their academy training. They’re also stressed during briefings and training sessions for SWAT and High-Risk entry teams. All officers should keep those words and their meanings at the top of the “things I must do” each and every day” list.

A cover is an object or barrier that has the capability of likely and hopefully stopping projectiles such as bullets, rocks, bottles, etc.

Concealment is something that prevents officers from being seen. It’s any place where an officer could hide to prevent a suspect from knowing their precise position, and what he/she may be doing (reloading, calling for backup, moving into a more tactically advantageous position, etc.).

Doorways are the danger end of the fatal funnel. It’s the point where an officer can be easily seen. It’s where they’re the most vulnerable to attack, and it’s the place where  it’s difficult to move out of the path of incoming projectiles. This is the place where an officer is most likely to die during a high-risk entry.

Author Lee Goldberg learns safe building entry procedures while at the 2016 Writers’ Police Academy

It’s why officers are taught to never stand in front of a doorway during a high-risk incident. After all, the advantage in these situations is definitely in the hands of the suspect. They know where the officers are positioned but it’s up to the officers to learn the bad guy’s location.

Prior to entering the home/room, the first officer to enter should take a quick peek inside using just a small portion of the head to penetrate the doorway. With firearm at ready, the shooting hand also penetrates the doorway simultaneously with the head. This action enables the officer to address an active and immediate threat. The officer should then have an idea of the layout of the room that’s immediately beyond the doorway. They may also learn the location of the suspect and other possible threats, such as animals, boobytraps, etc.

Two officers preparing to enter the fatal funnel – 2016 Writers’ Police Academy

After the quick peek it’s time to pass through the fatal funnel. It’s the decision of the first officer whether he/she goes right or left. The second officer entering must go in the opposite direction. If the first officer goes right, the second officer enters to the left. Each officer then clears the corner nearest to them.

Room clearing instruction at the 2016 Writers’ Police Academy

The eyes should be in the direction of the muzzle of the gun. Where it goes the eyes should follow. Peripheral vision is a MUST to detect movement and activity in all directions. Again, though, the immediate focus of the eyes is where the weapon is pointed.

Each area of each room must be searched in the same slow and methodical process, and each doorway within a house is its own fatal funnel.

Two techniques used to safely enter a building or room are “Criss-Crossing” and “Buttonhook.”


It is the goal of the officers to safely locate and apprehend the suspect. However, that’s not always the outcome, such as the recent shootout in Houston, where five narcotics officers serving a search warrant immediately came under fire the moment they entered the fatal funnel of the home to be searched. After the first officer entered and was shot, it was up to the remaining officers to first go in to bring out the injured officer, and then to apprehend the shooter(s). As a result, four of the officers were shot (two in the face) and a fifth suffered a knee injury.

When the first officer entered the house, he was attacked by a large pit bull. Then one of the suspects, 59-year-old Dennis Tuttle, opened fire, striking the officer in the shoulder. The officer fell and the second suspect, 58-year-old Rhogena Nicholas, tried to grab the officer’s service weapon. She was shot and killed by the officers who were on the way in to rescue their fellow officer. Tuttle was also killed during the shootout.

The officers obtained the search warrant because they knew black tar heroin was being sold from the house.

I’ve been the first officer through the fatal funnel, many times, and I can assure you that the feeling associated with doing so is practically indescribable. The adrenaline released when the decision to “go in” cannot be compared to any other. It’s a combination of fear and courage that, when teamed together, instantly forces your feet to move forward without hesitation. Your heart pounds and your vision and hearing become razor sharp. Your muscles are hard but fluid, and your mind is focused on nothing but the task at hand.

Once, when entering a house, I was attacked from the rear by man holding a steak knife in his hand. He’d been concealed behind a large piece of furniture to my right (I’d chosen to left after a quick peek). The second officer entering the room quickly stopped the attack and the third officer took the second man’s place and continued going to the right  while the attacker was pulled from the room. We located the main suspect hiding in a room at the back of the house. After clearing all the rooms and cuffing everyone inside, we located a fairly substantial supply of crack cocaine.

Looking back, I think about all the times I could’ve been shot, like the officers in Houston. Would I do it again, if in that position? Absolutely.

It’s what cops do. It’s part of the job.

Fatal funnel and all.

Sadly, on the same day I posted this article about the extreme danger associated with the fatal funnel, the Virginia State Police announced this sad news. I trained at the same academy as did this brave young trooper.

Trooper Lucas B. Dowell was a member of the Virginia State Police Tactical Team that was assisting the Piedmont Regional Drug and Gang Task Force with executing a search warrant at a residence in the 1500 block of Cumberland Road/Route 45, just north of the town limits of Farmville. The Tactical Team had made entry into the residence shortly before 10 p.m. Monday when an adult male inside the residence began shooting at them. The Tactical Team members returned fire, fatally wounding the male suspect.

Trooper Dowell was transported to Southside Community Hospital in Farmville where he succumbed to his injuries.

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Say NO to White Horses: The FBI Does This, But Not That!

Many local and state law enforcement have the luxury of maintaining laboratories for forensic testing. Within those labs scientists of various expertise carry out the examinations of a wide assortment of evidence recovered during criminal investigations.

Sometimes, though, even the best equipped labs fall short of having the ability to test certain materials. Therefore, scientists in those labs call on experts in other locations whose labs have the proper devices (and scientific know how) to carry out the needed tests.

Many times the go-to facility is the Forensics Services of the FBI Laboratory Division in Quantico, Va., one of the largest and most extensive crime labs in the world.

The Forensics Services of the FBI Laboratory Division is responsible for:

  • Biometric analysis services—Combined DNA Index System (CODIS), DNA examinations and profiles, and latent print examinations and training.
  • Crime scene documentation; evidence and hazardous evidence response; investigative/forensic photography and imaging support; scientific, technical, and forensic support for investigations involving chemical, biological, radiological, and nuclear materials; and expertise in health and safety matters.
  • Terrorist Explosive Device Analytical Center (TEDAC), the single interagency organization to receive, fully analyze, and exploit all terrorist improvised explosive devices, or IEDs, of interest to the United States.
  • Chemical and metallurgical analyses and training, expertise in cryptanalysis and firearms/toolmarks, and examinations of trace evidence and questioned documents.

Forensics Services of the FBI Laboratory Division are available to:

  • FBI field offices and attachés.
  • Federal agencies, U.S. attorneys, and military tribunals (for civil and criminal purposes).
  • State, county, and local law enforcement (criminal matters).

*Forensic services and testimony of expert witnesses are provided to the above free of charge.

Cases Not Accepted or Conducted by the Forensics Services of the FBI Laboratory Division:

  • When local and state, or other non FBI laboratories have the capabilities to conduct the requested testing/examination.
  • No expert testimony will be provided when another expert is scheduled to testify for the prosecution on the same subject.
  • Forensic services and testimony of expert witnesses is not available to private agencies or individuals, nor are requests accepted from non-law enforcement agencies in civil matters/cases.
  • Arson and explosive cases involving unoccupied buildings and property are not accepted by FBI Forensic Services (unless terrorism is suspected).
  • Vandalism and malicious mischief toward personal and commercial property.
  • Headlight examinations in cases of nonfatal traffic crashes, unless the vehicle involved is that of law enforcement or government officials.
  • Nonfatal hit and run auto accidents.
  • Vehicle theft, unless the case involves a theft ring or carjacking.
  • All breaking and entering cases.
  • Theft and fraud cases under $100,000

What the FBI investigates:

  • Public corruption
  • Civil rights
  • Organized crime
  • White collar crime
  • Violent crime such as mass killings, sniper murders, serial killings, gangs, crimes against children, Indian Country crimes, jewelry and gem theft, assisting state and local agencies in investigating bank robberies
  • Weapons of Mass Destruction (WMD)

Details are Important

It’s important for writers hoping to offer a bit of realism in their stories to at least know the basics of criminal investigations, including “who does what?” For example, absent in the list cases investigated by the FBI is MURDER. No, typically the FBI does NOT investigate local murder cases, nor do they ride into town on white horses to take over bank robbery or abduction cases. Instead, they’re available to assist local and state agencies. However, if a local department is not equipped to handle a bank robbery, for example, the FBI will indeed take the lead upon request.

In a case of child abductions there does not have to be a ransom demand nor does the child have to cross state lines or be missing for 24 hours before the FBI will become involved. When the FBI is alerted that a child has been abducted they’ll immediately spring into action and open an investigation. They will do so in partnership with state and local authorities.

Sure, I and officers/investigators across the country have investigated numerous abduction cases where the FBI was not involved. But there are times when it’s best to call on every available resource, and there’s no one better equipped or trained than the FBI. After all, the priority is the safe return of the child.

So there you have it, writers—details to help add an extra level of zing to your next twisted tale.

*Resource – FBI and, of course, my personal knowledge and experience.

 

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Working The Graveyard Shift: Shots Fired!

The call came in as “Shots fired. Several people injured.”

The news, however, was nothing new. Hell, it was Saturday night. Well, technically it was Sunday morning—2 a.m. It would be, after all, a rare occurrence if closing time at Fat Freddie’s Hip Hop Lounge passed by without some sort of fracas—cuttings, stabbings, fist-fights, shootings, or any combination thereof.

In fact, I’m the not so proud owner of a nice scar across the palm of my right hand that I received on Fat Freddie’s dance floor while taking a rather large knife from a guy who believed he was tougher than all other humans on the planet. Unfortunately for him, it was the liquor he’d consumed that placed the foolish notion in his head.

Back to the night in question. I and another deputy, Sam Steele (not his real name), were on patrol out in the county and, since closing time at Freddie’s was a part of our weekend agenda, we were already headed in that direction.

As soon as the dispatcher mentioned the name of the club. I switched on my lights and siren and stepped on the gas.

“10-4, en route,” said Sam in the typical monotone voice that’s so often heard coming from police scanners.

“I’m also en route,” I said into my mic. “Send rescue, but have them wait down the road until we send for them. It might not be safe.” A moment later the dispatcher paged EMS and fire.

A trooper who was running radar on the interstate called asking if we needed backup. I said yes and he told me that he was twenty minutes away, at best.

Freddie’s parking lot was filled with screaming and yelling people running in all directions. Looked like hundreds of angry, drunken fire ants after someone kicked over their mound. Cars nearly rammed us as they left with tires yelping against the asphalt pavement. I threaded my patrol car through the crowd and traffic, stopping near the front entrance, a set of double doors that had been freed from their hinges by the escaping crowd of panicked people.

Sam and I arrived at the same time. I from one direction and he from the opposite. The moment we stepped out of our cars we immediately heard a couple of bursts of automatic gunfire. Dirt exploded near our feet. My first thought was of my Kevlar vest lying under my bed at home. It was a hot night and I’d decided not to wear it. Dumb. Dumb. And DUMB.

Sam dove inside his car. My portable radio crackled then I heard Sam calling for backup, an almost a moot request. I saw Sam clutching his in-car mic as he began shouting “Mayday! Mayday!” Later, I learned that the gunfire sent poor Sam back to his days on the battlefield, and it was his unchecked PTSD that caused the unexpected and untimely mini breakdown. Besides, if we wanted help we’d have to wait for the lone state trooper to drive in from his ticket-writing location out on the interstate. Of course, a nearby city could send some of their officers out to help, but they were even further away. But I knew the incident would surely be over before help arrived. What “over” meant for Sam and me, I didn’t know at that point.

I ran toward the building.

With gun in hand I went up the front steps and into the building. A woman whose hairdo resembled an inverted hornets’ nest piled on top of her head, pushed past me while screeching “He gotta gun, he gotta gun! Her size too small tiger print skirt and spiked heels made for difficult running, but she deserved an “A” for effort.

The dance floor was littered with 9mm bullet casings, plastic cups, beer bottles, melting ice, crack pipes, cigarette butts, plastic baggies, and blood. Not my idea of a party.

Other than the bartenders, DJ, and a couple members of the club’s security team who emerged from a door at the side of the stage, the place was empty of people, including, the shooter. However, one of the heavily muscled bouncers identified him as Shelton Johnson, a local drug dealer. Apparently, he’d slipped outside with the stampeding herd of people exiting the building. The injured folks had also been taken away.

The unwritten rule at Freddie’s, and similar clubs, was to remove the wounded so they couldn’t talk to the police. Yet, I knew I’d soon find each of them in the hospital emergency room and they’d be easy to spot. They’re the folks at the ends of the freshly-leaked blood trails that lead from the parking lot, through the ER doors, onto the polished floor tiles, to the moaning and groaning men and women who’re dressed for a night on the dance floor. Of course, bullet wounds are also good indicators.

An hour or so after arriving at Fat Freddie’s, Sam and I located Johnson driving through one of the neighborhoods he claimed as his territory. After a brief pursuit he stopped his car and fired a short burst of bullets in our direction. He dropped the gun, a fully automatic Uzi and, as they do, he ran.

The foot pursuit was a short one, two blocks or so, and I caught him and had him cuffed just before Sam reached us. He and I helped the little darling to his feet and led him back to my car.

For all the chaos and injuries he’d caused, the judge sentenced Mr. Johnson to one year in jail with eight months suspended. Two days after his release he drove by my house and fired a single shot through our bedroom window.

And people wonder why I don’t give out my personal information. Geez …

* This is a true story. The names of the players and business have been changed to protect the innocent … me.

 

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If My Handcuffs Could Talk: Marvin The Martian Loses Control and Elvis Returns … Sort of

As police officers, we’re often presented with the opportunity to meet various celebrities and other important people. Sometimes, we’re even placed in the unfortunate position of having to arrest a few of those VIP’s.

For example, I once served as training officer to a rookie who stopped a large, fancy tour bus for speeding, and the officer was quite surprised to see one of his favorite musicians behind the wheel—a very famous musician. The singer/guitarist was quick to announce his identity, as if the verbal identification had been necessary, hoping his fame would be enough to satisfy the appetite of the officer’s squalling radar unit.

The still wet-behind-the-ears officer, totally starstruck, tongue-tied, and rubber-kneed in the presence of the legend of stage and Radioland, immediately knew what he had to do. That’s right, my babbling trainee, with the speed and grace of a wild cheetah, was quick to snag the driver’s autograph, and then send the celebrity and his bus on their way to the next concert on the tour. And, when the officer returned to our patrol car he was grinning from ear to ear, like a mule eating briars.

The rookie officer shoved the signature-clad paper into my hands so I, too, could have a look at his prize. Sure enough, scrawled across the bottom of the traffic summons was the signature of one of the all-time greats of the music world. A golden voice and fancy guitar, though, do not qualify as exemptions to posted speed limits, especially when driving 82mph in a 45mph zone. I’d taught the young officer well.

Of course, I’ve had my own share of encounters with well-known celebrities and other people of fame, and such was the case of the man from Mars who insisted his use of a rusty ax to hack his sister-in-law to death was a direct order from his superiors on the red planet.

“You see,” he told me, “she wouldn’t allow the mother ship to return to earth. I had no choice. She’s evil, you know. Besides, she wouldn’t give me no money for cigarettes.”

Then there was the time I responded to the call of a man walking in the median between the north and southbound lanes of a major interstate highway. When I finally located the man, I pulled my patrol car off the roadway and approached on foot. He stood waiting for me in the center of the median strip, in the soft light of a near full moon. My gaze was immediately drawn to his sandal-clad feet and long, wavy brown hair fluttering gently in the night breeze. He held out his right hand for me to shake and, in an unusually soothing and calm voice, introduced himself as …

I must admit, I paused for a second before moving along to serious questions, like, “Do you have any identification?” Of course, when I did ask, he gave me that look. You know the one. The “Seriously, you need to see MY identification?” look. Well, as luck would have it, the guy wasn’t the Son of God after all. Instead, he was a slightly out of touch homeless man from Richmond who actually thought he was Jesus. And to think that I could have been the first in line to meet Him when He returned.

Of course, there was Elvis, the rock and roll legend I had to remove from an elderly lady’s refrigerator once or twice each month so she could watch TV without the interruption of endless choruses of “Blue Suede Shoes” and “Jailhouse Rock.” Not to mention how annoying it can be when Elvis slips in behind the cheesecake to steal our radio and TV signals.

 

Things could have been worse, I suppose. At least I never encountered one of today’s politicians. Although, I did stop the speeding car of a diplomat, and that was a can of worms I wished I’d not opened. And then there was the time I arrested a man who was wanted by the Secret Service and FBI for threatening to kill President Clinton.

If my handcuffs could talk … oh, the stories they could tell.

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Cop Details That’ll Help Your Stories Zing with Realism: What’s in Your Underwear?

It’s often the tiniest of details that’ll pique a reader’s interest in your work. Those elements, by design, just might make a lasting fan out of someone who recognizes that you’ve done your homework, and that you know how to subtly weave fact into fiction.

Like a well-rehearsed performance of Bugs Bunny at the Symphony II by The Philadelphia Orchestra, where we as concert-goers don’t see all the behind the scenes practice time that goes into scores such as The Rabbit of Seville, and Rhapsody Rabbit, a seasoned cop’s daily motions come with ease, as should the scenes you create where officers make arrests and carry out other duties that come with the job.

Cops perform certain tactics and techniques on a regular basis—handcuffing, using the car radio, pat-down searches, etc. They do these things so often that they could almost perform them in their sleep.

They rehearse tactics and techniques at the academy through role-playing. They practice what they’re taught, in their minds. They run through scenarios in their thoughts. All of this to prepare them for the big show—the encounter with that person or people who violently resist arrest, or those who simply want to hurt or kill a police officer.

That sense of “comes naturally” is the feel that fictional characters should exhibit on the page.

Detail, detail, detail

Living, breathing, pulse-pounding detail hooks the reader by thumping their hearts and increasing their respirations. Details that cause them to grip the book a bit tighter when the danger level is high and then reduces the tension when it’s done. It’s a rollercoaster ride that hinges on a writer’s ability to conduct a harmonious symphony of words, from the first moment through the last.

So, just as conductor George Daugherty and The Philadelphia Orchestra leads the audience on a speculator journey with Bugs Bunny, Daffy Duck, Elmer Fudd, Pepe Le Pew, Tweety, Sylvester, Wile E. Coyote, and the Road Runner, writers should compose their stories in a manner that leads the reader on an eye-popping emotional journey, a trip they want to take and won’t soon forget.

Readers want writers to stimulate their senses. They want and need to know your characters on a personal level. And you definitely want readers to step into and immerse themselves into your carefully crafted stories. It’s an escape from reality that must begin with a passion to tell a tale.

 

Ask Yourself the Important Questions

So, in order to add those tiniest of important details needed to breathe true life into your cop characters, you should ask yourself a few basic questions, such as:

How should officers position themselves when making an arrest?

Answer– Always, always, always stand with their gun sides AWAY from the suspect. This is especially important when the subject is combative/resisting.

Which areas of an arrested subject should an officer search for weapons? Is there a standard procedure?

Answer – Start with the most obvious locations first—the waistband, of course, and this is especially so when dealing with male subjects. The waistband seems to be their go-to area of choice when concealing a weapon.

Each officer should establish a routine as to how they conduct searches of a person. By doing so the chance of missing an area is greatly decreased.

For example, after searching the waist and leg areas (boot knives and holsters are good hiding spots for weapons such as small guns and edged weapons).

For example, after first handcuffing the subject and then checking those main spots—the waist and leg areas (for guns and edged weapons), I moved to the top where I began the overall secondary, intensive search, starting beneath hats and working my way down until I reached the ground, leaving no area untouched, and that includes a firm hand in the groin area. This, believe me, is not the time to be shy. I’ve found more than one handgun and or/drugs hidden inside pants and underwear.

No item should be left in pockets and no portion of the body or clothing should be left untouched, including hair, mouth, hands (have them unclench closed fists, sleeves, torso, and socks and shoes!

Another point to note is that when officers hand over a suspect to another officer, the second/receiving officer should conduct another detailed search of the suspect. I know, it seems redundant, but it’s not worth risking your life by depending upon the potential sloppy search, or no search, by another human. Anyone, even the best of the best humans could make a mistake.

What are some of the danger signs officers look for when making arrests, or when simply speaking with suspects and some witnesses?

Answer – There are many, so I’ll mention only a few of the basics, such as:

A person wearing a coat during the summertime. This could indicate the subject is armed and is using the outer garnet to conceal the weapon. The same is true when a person touches an area on their waistband or moves a hand toward the area, or that a shirttail is untucked on one side. Or even when a person’s clothing “appears” a bit heavier on one side. Sometimes, the shape of a gun’s grips/an outline is noticeable  beneath the material.

Pockets that appear heavier than normal. Sagging due to a heavy object inside could indicate the presence of a weapon. Keep in mind that even heavy objects such as rocks and bottles can and are used as instruments of death. Yes, a rock can kill, and has, when used with enough force.

Many, if not most of the “killed in the line of duty” deaths occur during an officer’s initial approach to a subject. This is why it is imperative that the officer quickly, almost within the blink of an eye, size up the person and then formulate a plan. Remember, no two situations are perfectly identical nor are two people the same in every way. So quick thinking and a plan are necessary.

It’s a given that it’s rude to not look someone in the eye when speaking to them. But eyes cannot hurt us. Therefore, officers should always, always, always watch the hands of a suspect/subject. Next, watch the feet. They, too, can be used as powerful weapons.

Still, a suspect’s eye movements often telegraph their next move, such as constantly glancing toward an officer’s sidearm may indicate the person could be planning an attempt to grab the gun. Or, they could searching for an avenue of escape or that a partner is sneaking up behind the officer’s back.

The combination of potential hazards explains the need for officers to forever scan their surroundings, Ambush attacks are common, and they’re deadly.

Officers should have a backup plan in case Plan A fails. And never hesitate to retreat if a situation becomes unmanageable and/or unsafe.

When in doubt call for backup!

How important is firearm maintenance?

GUANTANAMO BAY, Cuba – Coast Guard Gunner’s Mate 3rd Class Cameron Hutchens of Maritime Safety and Security Team (MSST) 91103, deployed to Joint Task Force Guantanamo, cleans an M-9 pistol.

Answer – Officers should maintain their weapons in excellent, tip-top condition. They should make certain that all firearms are clean, oiled, and operate properly. And they should practice their shooting skills on a regular basis. Shooting practice should include scenario-based training, not simply going to the range and popping 60 holes in a stationary paper target once each year during the required annual qualifying session. After all, how many times have you heard of an officer being killed by a non-moving sheet of paper?

The same is true of vehicles and other emergency tools and equipment. Maintenance and practice, practice, practice driving skills, as well as other tactics, such as building entries, etc. PRACTICE!!

What are some things that officers overlook when making an arrest?

Answer – Officers sometime become complacent. It’s easy to do when doing the same thing day after day after day. Unfortunately, when an officer is careless and, say, skips searching the crotch area of an arrested subject because he was too embarrassed to put a hand “there,” well, it could be the last mistake he’ll ever make when the guy reaches into his pants to retrieve a hidden .380.

Working Overtime and Second and Even Third Jobs

This isn’t so much “overlooking something” as it is being careless, but many officers often tend to work while excessively sleepy and/or tired. Their pay level is sometimes not so desirable so they work a lot of voluntary overtime to help make ends meet. Some even work second or third jobs.

When I worked at a sheriff’s office I also worked extra jobs. When I signed off after working night shifts I immediately drove to a motel where I worked another shift there performing maintenance work—repairing leaky pipes, painting, drywall, electrical work, etc.  I attended classes, studied hard, and took and passed the test to become a licensed electrician. I also took care of all lawn maintenance and gardening. I did the same at a local college. And, I taught beginning, intermediate, and advanced guitar courses at the college.

Sometimes, on our days off, three of us deputies took on roofing jobs. We’d remove shingles and old paper on one day and haul them to the landfill after we’d finished (sometimes it was after dark when we were done). We’d then install new paper and shingles on the second day. It was exhausting and hot work. Making it even more tiring was that many times we were scheduled to work night shift after the second day of roofing work, or the night before the job was to begin.

I maintained this schedule for a few years, all while as a single dad. Yet, I made time to attend my daughter’s school functions and sports activities. She was a star softball player who was, during her high school years, recruited by the U.S. army to play ball for them. I can’t remember ever missing a home game, even if it meant attending in uniform with my ear glued to my radio.

I did the same (attend school function and games, etc.) when I left the sheriff’s office to work for a city police department. As a police detective, I attended many games with a gun and badge strapped to my belt with my unmarked car parked near enough that I could easily sprint to it, if necessary. I’ve left more than one game with blue lights winking and blinking and flashing.

Working a job where your life could be threatened at any time requires a person to be on top of his/her game. Working long, stressful hours with little sleep is not an idea scenario, but I, like many parents, did what I had to do to make certain my daughter had a roof over her head, clothes on her back, food in her belly, and shoes on her feet. I also practiced officer safety at all times to make certain she’d have a father.

Everything, Anyone, and Anything Could be Hazardous!

Overlooking the obvious is something that happens a lot. Just as I suggest to you that writing important details are, well, important, officers must take that to another level. For them, everything and everyone should be considered a danger until it’s proven that it’s not.

Hiding behind things such drywall and plywood works as concealment, but not as true cover. Bullets slice through both items as if they weren’t there. So find the best possible cover to protect against gunfire.

I’ve seen officers run to a downed man as if the danger ceased immediately once the suspect hit the dirt. NO!

This is an extremely perilous time. Always assume the suspect is still armed and capable of shooting and killing. Approach with caution, still using cover and concealment, if possible, until you’re certain the threat has ceased to exist. Keep in mind that the downed person may still have a hidden weapon and is pretending to be incapacitated.

Officers, never let down your guard. Not ever.

Finally, here’s Bugs to wrap up the day …

 

Don’t forget, the fabulous Writers’ Police Academy Online seminar takes place this Saturday, December 5th, 2020. Sign up today to attend this incredible live and interactive daylong session featuring acclaimed experts in their fields.

This is a unique opportunity that may never come your way again!

WritersPoliceAcademy.Online

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Don’t Fear the Reacher: Are You Writing Your Hero Into the Dreaded Cliche’ Corner?

Good action scenes—car chases, gunfights, and exploding cars and buildings—are great at keeping readers busy turning pages. But, how does your hero survive the barrage of bullets, flames, and KABOOMS?

Are you giving the star of your book a realistic way out of the tough jams you’ve tossed her way? Is what you’ve written a true tactical maneuver or, did you write yourself into a tired old cliche’ corner? You know what I mean—the karate chop to the wrist that forces the bad guy to drop his weapon. How about this doozy … shooting the gun out of the villain’s hand. Yeah, those things. The things that are not only far-fetched, they’re downright silly.

As writers of fiction it is your job and sworn duty to deliver believable make-believe, and having your character(s) shoot the gun out of someone’s hand is far from achieving that goal. So, you ask, how do real-life heroes avoid meeting untimely ends when confronted with deadly situations? Well …

  • When confronting a long-gun-wielding suspect (shotguns and rifles are long guns) it’s best to have the hero approach from the side. Doing so forces the crook to turn his entire body toward the approaching hero in order to continue the threat/potential shootout. Otherwise, the thug has no option other than to flee or surrender. The tactic also allows time for the hero to react to the threat.
  • If possible, place your hero in a good light. Make use of bright lights, such as a setting sun or bright early morning sunlight. The light should be at the hero’s back, shining into the eyes of the bad guy, making it difficult for them to see clearly. The hero, though, will have no trouble seeing the crook. However, don’t allow your protagonist to stand in a position where she/he is backlit, making their silhouette a perfect target.
  • It’s okay to have your hero experience a bit of fear because fear heightens our sense of awareness, which in turn increases the likelihood that we’ll do whatever is necessary to survive. However, fear can have a negative effect if allowed to overtake the situation. In short, a little fear is good, but too much fear combined with gunfire is the recipe for a badge-wearing babbling idiot.
  • If possible, your heroes should focus on breathing during deadly encounters. Yes, breathing properly during a tense situation can help bring things into perspective. It can also help lower the heart rate, and it can prevent fear from morphing into blind rage (sudden bursts of anger could lead to avoidable disaster—not thinking clearly and perhaps rush into a no-win situation.

Taking a moment to focus on combat breathing—breathe in slowly for a count of four, hold your breath for another count of four, and then exhale to a third four-count. Count to four and then start all over again. The heart rate should be noticeably lower after a few repetitions. Of course, I don’t recommend taking the time to perform these deep-breathing exercises during a gunfight with bullets zinging by your ears. It’s been my personal experience that “timeouts” are not allowed during gun battles.

Okay, there you have it. So no more silly karate-chop scenes or shooting guns from bad guy’s hands, right? Good. Then you’re all set.

Don’t Write Your Hero Into the Dreaded Cliche’ Corner!

I can’t recall ever seeing an extremely scared, deep-breathing Jack Reacher standing with bright sunlight to his back while walking sideways like crab toward a guy holding an AK-47.

I suppose an occasional fist to the throat, or a boot to the head is permissible, but only if you’re the hero in a Lee Child book. The trouble is, there’s only one Jack Reacher, and there’s definitely only one Lee Child. Well, now there’s Andrew Child, so …

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A Polka Dot Mini Skirt and Hot Sauce: 10 Unofficial Guidelines for Police Officers

Police officers are expected to follow and enforce many rules, laws, and ordinances. The penalties and punishments for straying from those regulations can be quite severe.

In addition to the written requirements are numerous “unwritten guidelines” to assist officers as they carry out their duties. Here’s a list of ten.

1. No matter how big, tough, or strong an officer may think they are, they should never, not ever, underestimate the strength of criminal suspects, especially those who’re hellbent on escaping custody. Even the little ones, the guys who are smaller in stature, are quite capable of inflicting enormous amounts of pain. The same is true of females of various sizes.

Even the tiniest woman who’s wearing a polka dot mini skirt has the ability to punch and kick and deliver massive amounts of pain like a seasoned MMA fighter(this one I speak of from experience). Actually, I believe the hardest I’ve ever been hit was by a woman who didn’t take too kindly to me arresting her extremely combative adult son. The young man, by the way, had just committed an armed robbery and I’d chased him on foot for several blocks. The foot pursuit ended inside the home of his dear and sweet Mama, a 225 lb. woman with a fist like steel and the punch of a jack hammer.

2. Crooks sometimes make really stupid comments, so keep your ears open. Listen to your suspects and witnesses. After all, you just may hear a few comments like I did back in the day. Such as …

“Come on, man. I spent my last twenty bucks on that rock. At least let me smoke it before you take me to jail.”

“I didn’t rob that guy. The one I robbed had blonde hair.”

“He was already dead when I shot him. I think he had a heart attack or something when he saw my gun.”

“I was not driving that get-a-way car. The one I was driving when we robbed that store was a Mustang.”

“He couldn’t have recognized me. I was wearing a mask.”

3. Never engage in a foot pursuit when you have a perfectly healthy rookie riding shotgun.

4. If you have to shoot back more than 6 times the bad guy can still see you. Move to better cover.

5. The raincoat in your trunk is meant for the rookie riding in your passenger seat. No need for both of you to stand in the downpour. Besides, someone has to listen for important radio messages and finish the coffee before it gets cold. Waste not, want not.

6. Flashlights are dual-purpose tools. The handle end is great for ending confrontations. When the delivery is just right, it sounds kind of like an aluminum baseball bat hitting a softball when the battery-filled tube connects with a forehead. The other end is perfect for helping you see (in the dark) the crook’s eyes spinning like windmills after the little “love tap.”

*Many departments forbid the use of flashlights as weapons. Sometimes, though, you’ve got to do what you’ve got to do to stay alive.

7. Never rush into a fight-in-progress. Instead, wait a few seconds to let the two goons wear themselves out. Then, like a lion after its prey, you can grab the one who’s the most tired and wounded while the rookie gets the still-fighting gorilla.

8. Never leave your patrol car, even for a second, with the keys in it. There’s nothing worse than chasing a bad guy on foot, wrestling with him for ten minutes to apply restraints, then marching the handcuffed thug back to the empty spot where you know you left your car. I promise you’ll hear howls of laughter from the bad guy, who, by the way, will remind you for the rest of your career of “the day you lost your police car.” He’ll shout it from the curbside, the jail cell, from his prison window, and from his mother’s front porch.

9. Be sure you never write a check with your mouth that your rear end can’t cash. There’s nothing worse than talking a big game only to find yourself sitting on the pavement looking up at a laughing bad guy who’s now holding your only pair of handcuffs. And, the bruised ego is far worse than the black eye.

10. When you and your fellow first responder are in the process of arresting a combative slimeball-scumbag, always know who’s spraying the “hot sauce.” It’s a real pain in the rear when the bad guy ducks at the precise moment both of you squeeze the buttons on your cans of pepper spray. Ever try arresting a guy when neither you nor your partner can see anything? It’s not pretty.

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