Tag Archive for: writing about cops

“Hey, Sarge,” said Officer Trevor “Curly” Barnes. “Would you do me a favor and see if you can get a clear set of prints from this guy? I’ve tried three times and all I get are smudges. I must be out of practice, or something.”

“You rookies are all alike,” said Sergeant Imin Charge. “Always wantin’ somebody to do the dirty work for you.”

“But—”

Sgt. Charge dropped his fat, leaky ballpoint pen on a mound of open file folders. “But nothing,” he said. “All you “boots” want to do is bust up fights and harass the whores.”

The portly “three-striper” pushed his lopsided rolling chair away from his desk and placed a bear-paw-size hand on each knee. Then with a push and a grunt, he stood. The sounds of bone-on-bone poppings and cracklings coming from his arthritic knees were louder than the Buck Owens song—I’ve Got a Tiger by the Tail-–that spewed from the portable radio on his desk.

“Well,” said the sergeant. “Paperwork and processing evidence, including fingerprinting people, comes with the job too. You might as well get it in your head right now that police work is not all about flashy blue lights, driving fast cars, and chasing after badge bunnies.

“I’m serious, Sarge. I can’t get a good print. I think the guy’s messing with me, or something.”

Charge sighed and rolled his deep-set piggy eyes. Everyone in he department knew the eye roll as Charge’s trademark “I don’t want to, but will” expression.

“All right,” said Charge. “Go finish up the paperwork and I’ll take care of the prints and mugshot. But hurry up and get your ass back down to booking. I get off in thirty minutes and I’ve got plans. There’s a documentary on tonight about how they made the Smoky and the Bandit movies, and I don’t aim to miss it.”

“That’s right, it’s Thursday night, huh?” said Officer Barnes. “What was it last week, The Best of Swamp People?”

“Real funny, you are. No, it was the last part of that series about those beavers that suddenly showed up over in England after being extinct for over 400 years. It was real interesting, it was. Me and Betty Lou never miss those specials. You should check it out. Never hurts to learn something new. Yep, every Thursday nights at 8:00, a pan of peanut butter fudge, and our behinds planted on the sofa. You can set your watch by it. Now, get to working on those reports if you ever want to see day shift again, and you’d better be back here in fifteen minutes to take this slimeball off my hands.”

The sergeant reached over and grabbed the suspect’s right hand, pulling it toward the ten-print card. “Relax, fella’, and let me do the work,” he said while pressing the pad of the man’s index finger onto the ink pad and then rolling it from left to right in the appropriate box on the card.

Twenty minutes later, Sergeant Charge was on the phone with Captain Gruffntuff, the shift commander. “That’s right, Captain. The guy doesn’t have any prints. Not a single ridge or whorl. Nothing.”

A pause while Charge listened. Officer Barnes, back from completing the incident report, leaned toward his boss, trying to hear the other side of the conversation. The sergeant waved him away as if swatting away an annoying fly or mosquito. “No, sir. Not even as much as a pimple.”

Another pause.

“Nope, not on either finger.” Charge leaned back in his chair. “All as smooth as a baby’s bottom. Beats everything I’ve ever seen.”

“Yes, sir. I checked his toes, too. Nothing there either. Slick as a freshly buffed hospital floor.”

Sergeant Charge opened a pouch of Redman and dug out a golfball-size hunk of shredded black tobacco leaves.

“Nope. He’s not from around here. Says he’s from Sweden. Says his whole family’s like that. Not a one of them has any prints. Says it’s a condition called adermatoglyphia. I had him spell it for me.”

Charge shoved the “chew” inside of his mouth, maneuvering it with his tongue until it came to rest between his teeth and cheek.

“Looks like a hamster with a mouth full of sunflower seeds,” Barnes mumbled to himself.

“Yes, sir. Beats everything I’ve ever seen,” Sergeant Charge said into the phone’s mouthpiece. “Will do, sir.

A beat passed, then he said, “Yes, sir. I’ll stay to see it through.”

Another beat.

“Right, sir.”

Sergeant Charge placed the phone receiver back in its cradle without saying goodbye. His typical pinkish cheeks were the color of a shiny new fire truck. He sat silent for a second, thinking.

“Won’t be watching the television tonight, I guess,” he said.

The man from Switzerland, the prisoner, sighed, knowing it was going to be a long night. He’d been through this many times.

“Better call the little woman,” said Sergeant Imin Charge as he reached for the phone to give her the bad news. “And she ain’t going to be happy. No, sir. I’d bet a dollar to a doughnut that she’s already made a dozen or so of those little meatball sandwiches that I like so much. Probably has an ice cold can of Blue Ribbon waiting for me too. And the fudge, well, it’ll have to wait.”

After a few “Sorry, dears,” Charge returned the receiver back to its resting spot and then turned to the prisoner who sat handcuffed to a wooden bench with the back of his head against the mint green wall. Another grease stain added to the collection, thought Charge.

“Okay,” he said to the man who’d been arrested for breaking into home of an Hazel Lucas, an elderly woman who’d whacked the intruder with a rolling pin as he climbed through a kitchen window. “Lemme see those fingers, again.”

The burglar held up his hands and said to the sergeant, “Good luck.”

Photo Credit: Nousbeck et al., The American Journal of Human Genetics (2011)

Adermatoglyphia, or “immigration delay disease” as it’s also known, is an extremely rare and unique condition found in members of only four Swiss families. What’s so unique about the condition? For starters, people with adermatoglyphia produce far less hand sweat than the average person. But, perhaps the most startling characteristic is that people with adermatoglyphia do not have fingerprints.

In one instance, a female member of one of the affected families traveled to the U.S. but was delayed by border agents because they couldn’t confirm her identity. Why? No prints to compare.

The cause of adermatoglyphia has, until recently, been a mystery. Now, however, scientists have learned that the affected members of the Swiss families all had a mutation in the gene called Smarcad1. And this mutation is in a version of the gene that is only expressed in skin.

So yes, for that added twist to your tales, there are people who do not have fingerprints.



By the way, no one knows how or why that family of beavers mysteriously showed up in the the Otter River in Devon, southwest England. They’re doing well, though, and they are the only beavers in England after being hunted to extinction 400 years ago.

The name of the river where they live is a bit ironic since no otters live there.

See, like Sergeant Charge and his wife Betty Lou, some of you learned something new.

 



There’s still time to sign up!

www.writerspoliceacademy.com

Writers are a curious bunch of folks who should never let walls, doors, locks, or the word NO stop them from producing high quality books.

The tellers of both tall and short tales, in fact, go to great lengths to find detail—the perfect setting, great, believable characters, and those wonderfully juicy tidbits of information that stimulate a reader’s senses.

With pen in hand and minds wide open, a writer will do whatever it takes to reach the last page of their work-in-progress, including hopping on a plane, train, car, or truck to travel to wherever information can be found. They walk, they talk, they telephone, they email, they read blogs and books, they ride with cops, attend court proceedings, and they attend awesome events such as the Writers’ Police Academy and/or Writers’ Police Academy Online courses. Again, they do what it takes and they do it all in the name of pleasing readers.

Many stories include prison and/or jail settings, as well as the residents and/or employees of each. So what do writers do? They meet with jail officials and arrange to tour their facility. Sure, it can sometimes be a very steep uphill battle to get a foot in the door to some places of incarceration. But, as it’s been said, where there’s a will there’s a way inside, or something along those lines.

Suppose, though, that you, a writer, find yourself incarcerated for a long, long time. Perhaps for the remainder of your life. What would you do? After all, your passion is the written word. You have so many stories to tell, especially the one that landed you behind bars. You’ve gotta write!

So how on earth would you obtain the information you need for your book(s)? The internet is often not available. No modern library (in many lockups you’d be fortunate if there’s anything more than a few tattered paperbacks stacked in what used to be a mop closet). You’d have very little, if any, contact with people on the outside. And, if your story involves law enforcement, forensics, etc., you can pretty much rule out the assistance of cops and CSI experts.

What would you do?

Well, one such writer, a prisoner, once reached out to me back a while back via my publisher. He sent a three page handwritten letter, complete with a very nice, well-written one-page introduction that explained the reason for his incarceration—murder. He went on to say that he’d been sentenced to life for killing a woman (a close associate of a well-known outlaw motorcycle club) during a heated argument. He also said he feels no ill will toward police. In short, he did what he did and accepted full responsibility for the act, but the circumstances hadn’t stopped his desire to write.

Interestingly, this fellow, the convicted murderer, subscribes to Writer’s Digest Magazine, which is where he read an article I wrote (published in the September 2014 issue). Yes, WD is delivered to prisons.

My article is what prompted the lifer to write me with an unusual research request. A request that I strongly considered. It was a consideration that went against the very grain of my being. However, I was inclined to help because his story could’ve very well been a good one … a life-changer for someone on the outside.

There was a small problem, however, with delivering my information to this prisoner. You see, he had no idea where I lived at the time and I didn’t want him to know (return addresses are required on all inmate mail at this and other facilities). In fact, the bio in my book about police procedure states that we reside in Boston. This is a book the inmate has in his possession and he mentions it his introductory letter to Writer’s Digest.

howdunit_PPI

Non-prisoners may also purchase my book!

Therefore, when the inmate wrote my publisher, he was under the impression that I lived somewhere in New England. However, it had been quite a while since we’d resided in Boston.

20141105_113239

As many of you know, we’re frequent re-locators (and that’s putting it mildly), so imagine my surprise to see a return address that just happened to be that of a state prison located very near where we lived at the time I received the letter. Very. Very. Near. As in less than fifteen miles away.

I finally came up with with a means to give him the information he needed, via an online source. I used the internet instead of snail mail to prevent him from learning our home address. After all, he had family and friends and “business associates” on the outside.

Anyway, the point of this long-winded story with no real end is that writers should never settle for an “okay” book when overcoming small obstacles is all that stands in the way of producing a really great story.

What are some of those barriers?

  • Too chicken to make contact with cops and/or other experts. Believe me, cops love to talk about their work and, if you let them, they’ll talk about it until the cows come home. So please don’t hesitate to approach a police officer. Of course, you may have to extend an offer of a cup of coffee to start the ball rolling, but after that, hold on because your mind will soon be filled with real-life tales of car chases, shootouts, drug raids, puking drunks, and struggles with the biggest and baddest bad guys who ever walked a dark alleyway. Of course, you should probably avoid weird and scary opening lines, such as, “Hi, my name Wendy Writer and I’m wondering if you would please tell me how to kill someone and get away with it?” Or, “Hi, my name Karla Killer and I’d really like to hold your gun so I can see how heavy it is.”
  • Procrastination (I was too busy to attend the Writers’ Police Academy. Maybe next year. In some instances, “next year” may never arrive. After all, we can’t do this forever!)
  • Fear of rejection by agents and editors. Settle for nothing less than a big fat YES, and don’t stop working and writing and bettering your craft until you reach your goals.
  • Television (Please STOP using TV as a source of information!! Easy isn’t always best).
  • Allowing life to run you instead of you running your life.

I guess what I’m getting at is that if a murderer who’s serving a life sentence in a harsh prison setting is willing to go far beyond the extra mile for a scrap of important information needed for his book, then why shouldn’t all writers at least make some sort of effort to “get it right?”

How about you? Do you go the extra mile for the details in your tales?

Speaking of details …

Coming January 23, 2021, a live and interactive seminar featuring crime scene mapping using lasers and drones, sexual assault investigations, the craft of writing with USA Today & Wall Street Journal bestselling author Lisa Regan, and more!

writerspoliceacadey.online

Using common sense when writing about cops

Today, when your keystrokes guide your police officer/detective/protagonist through the perils that go hand-in-hand with saving the world from total devastation, pause for just a moment and consider the lives of real-life officers. Do your characters measure up to a human officer’s abilities? Have you over-written the character? Are they mindless, superheroes? Have you given them human emotions? Is the danger level realistic? Are your action scenes believable?

I read a lot. A whole lot. Book after book after book, including tons of stories written by readers of this blog. Think about what you’ve seen on this site for the past few years—cordite, uniforms, handcuffs, Miranda, Glocks, Sig Sauers, edged weapons, revolvers, defensive tactics, etc. Where do I get my ideas? Well … mostly from the mistakes writers make in their books (smelling cordite, thumbing off safeties when there aren’t any, etc.).

The same is true at the Writers’ Police Academy and our exciting new venture “Writers” Police Academy Online” that’s scheduled to go live in October 2020. We present workshops mostly based on questions we hear from writers. We also develop sessions that stem from the inaccuracies found in various books, TV shows, and film. Several of the activities at the WPA are based upon actual events that occurred during the year , such as the Boston bombings, school shootings, etc.

Not so long ago I was reading a wonderfully written book when a paragraph stopped me dead in my tracks. So I backed up to re-read a few lines to make certain that what I’d read was actually on the page and not my mind playing tricks on my tired eyes. Nope, there it was as plain as day, one of the most impossible, unbelievable ways to kill ever written (I won’t go into detail to protect the author’s reputation). Then, to make matters even worse, the scene was followed by a few more paragraphs containing incorrect information about the weapons and materials involved in the goofy slaying. Not even close to reality, and it was obvious that reality was the intention.

This was a problem for me. I really liked this author’s voice. It was fresh, new, and exciting. However, I doubt that I’ll pick up another of this author’s books. Why not? Because he/she didn’t bother to check simple facts. They didn’t even make an effort to use common sense. I wondered if they’d ever seen a real-life cop.

Writing Reality

One of the top thriller writers of our time, Lee Child, writes some pretty over the top action, but he does so in a way that makes you believe it, even though some of it probably couldn’t happen in real life. I once asked Lee how much research he conducts before writing his books.

His answer was, “Better to ask if I do any research before I write the last word! I don’t do any general research. I depend on things I have already read or seen or internalized, maybe years before. I ask people about specific details … like I asked you what a rural police chief might have in his trunk.  But in terms of large themes I think it’s difficult to research too close to the time of writing … research is like an iceberg – 90% of it needs to be discarded, and it’s hard to do that without perspective.”

So how does Lee make Reacher’s actions believable? Simple. He uses common sense. Well, that and more talent in his little finger than I have in my dreams.

By the way, in response to Lee Child when he contacted me to ask what what a rural police chief might have in the trunk of his car, I sent him this photo (below).

I took the shot while visiting a sheriff’s office in Ohio. Yes, you may have read the scene that was based on this very image, along with the description I provided to Lee.

OLYMPUS DIGITAL CAMERA


The trunk of a patrol car is for the storage of evidence collection material, a defibrillator (not all departments issue defibrillators), extra ammunition, rain gear, flares, emergency signage, accident and crime scene investigation equipment, extra paperwork, riot gear, etc.

Department regulations may determine the contents of the trunk. And common sense will tell you that there are no bazookas, portable helicopters, rocket launchers, or inflatable speed boats inside the trunk of a police car.

However, you might find a baseball bat and glove, a football, or a few teddy bears. Cops often come in contact with children who need a friend.

So please, if you’re going for realism, use common sense.

Common sense will also tell you to ask an expert before plunging into a topic you know nothing about, such as “what might a rural police chief have in his car trunk?”


Lee Child teamed up with his brother Andrew Child to write the next Reacher novel, “The Sentinel.” Andrew, though, will take the reins from that book forward to continue the Jack Reacher series.

On a personal note, Lee Child has been a great friend to me and my family. We are blessed that he has been a part of our lives.

I wish Andrew all the success in the world.