Seeing is believing and the hands-on training offered at the 2018 Writers’ Police Academy is second to none. It’s thrilling, heart-pounding, and a ton of fun! Add a mind-blowing new level of realism to your writing. #2018WPA

Registration opens at noon (EST) February 18, 2018. Please be ready to sign up because spots for the 10th anniversary blowout are extremely limited!

Pursuit Driving – High Speed Pursuit! You will drive the pursuit vehicle!

Wound-Packing – Police officers sustain gunshot wounds in the field and it is often up to their partners to perform life-saving first aid techniques. Now you, too, have the unique opportunity to stop an arterial bleed, seal a sucking chest wound, or to stop bleeding from a gaping wound. Never before have writers been offered this behind the scenes, hands-on experience. Bring life to your characters. Realism beyond belief (Caution – graphic images, but this is a simulation. Not a real victim!).

Emergency Driving – Experience the difficulty of multitasking while driving, observing, and communicating, and all while utilizing lights and siren.

http://www.writerspoliceacademy.com

*Above videos were filmed at the Writers’ Police Academy training facility.

Using a .38 to shoot a gun from the hand of a bank robber from a distance of eight miles away is not realistic. For that matter, neither is shooting anything from a bad guy’s hand at practically any distance, but that’s for another blog article. This one is designed to help improve the shooting skills of the heroes you develop so carefully in other ways—they’re the best interrogators on the planet and they run faster, punch harder, and jump higher than any human anywhere. But their shooting abilities are a bit lacking.

Oh sure, you have them easily take aim and pick off the wings of a gnat in the next county over. But we, the readers, all know what we’re seeing is a load of hogwash. We know this because we see how the characters hold their guns. We see how they pull those triggers.

That’s right, we’re privy to to a writer’s lack of knowledge when it comes to things such as:

  1. Weapon Selection – Choosing the weapon that’s right for you and your character is important. Shooting is not a one size fits all activity. So shop around until you find the firearm that fits your/their hand, is comfortable in the hand, and one that is easy to handle.

As you can see here, the options are many. By the way, the 2018 Writers’ Police Academy features a workshop on Weapons Selection (Explore gun types to match the personalities of various characters of different eras).

 

2. Stance and grip – Accuracy begins with a proper and solid stance.

  • Your stance should be firm and unwavering.
  • Feet approximately shoulder-width apart.
  • Your body weight – well-distributed.
  • Lean slightly into the gun.
  • Grip on the weapon should be firm and strong, but not so tight that your hands shake.

3. Sight Alignment – align the front sight between the rear posts in the rear notch with an equal amount of light on each side.

4. Sight Picture – hold the sight alignment on the target, at the spot in which you wish to strike the object with the bullet.

5. Trigger Control – This step is extremely important! The trigger is the key to accuracy. Poor trigger control leads to poorly-fired shots. The trigger should rest on the pad of the index finger, approximately half-way between the fingertip and the first joint. NOT in the fold/crease of the knuckle! To fire, squeeze the trigger/apply a slow, steady pressure.

6. Practice, Practice, Practice!!

Spend as much time on the range as humanly possible. Well, that’s if you want to improve your shooting. If not, good luck during the next foot pursuit of a crazed and heavily-armed escaped convict/masked murderer/robber/rapist/known cop-killer.

2018 Writers’ Police Academy Offers Live-Fire Workshops!

By the way, you can enjoy time at the rifle and pistol range at the Writers’ Police Academy. Click the link for details. Registration for this one-of-a-kind thrilling event opens at noon (EST) February 18, 2018. This is our 10th anniversary so expect over the top excitement!

Range time – Writers’ Police Academy

2018 marks the 10th anniversary of the Writers’ Police Academy and the event is nothing short of AMAZING! As in OMG A.M.A.Z.I.N.G.! Believe me when I say this is THE year to attend. Registration opens at noon (EST) on February 18, 2018. Please be ready to sign up the moment the clock strikes twelve because space is extremely limited!

WORKSHOP DESCRIPTIONS


INSTRUCTOR: TROY JANDA
Learn how a projectile behaves when it hits its mark and then transfers its kinetic energy to the target.

 

INSTRUCTOR: DR. KATHERINE RAMSLAND
Crime scenes always tell a story, which shows up most clearly in behavioral clues. This can mean anything from signatures that link crimes to indicators of staged crimes to predictors of dangerous future behavior. This session shows writers how to spot and interpret behavioral clues during criminal profiling or psychological autopsy.

 

INSTRUCTOR: R.J. BEAM
The science behind bloodstain patterns and spatter. Hands-on session that includes time with SPATTER HEAD! *HIT class

 

This is a HOT session. A vehicle is fully engulfed and it’s up to you and your team to extinguish the flames. *HIT class

 

INSTRUCTOR: CARRIE STUART PARKS
Forensic art – composite drawing, facial reconstruction and unknown remains, cognitive interviewing, signs of deception.

 

Experience the sights, sounds, odors, and emotions associated with rescuing victims trapped in confined spaces. *HIT class

 

INSTRUCTOR: JUDGE KEVIN RATHBURN
Officers must follow the law of the land and this session details the law as it pertains to traffic stops.

 

INSTRUCTOR: KNETZGER
Techniques used to control behavior of cooperative and uncooperative suspects. *HIT class

 

INSTRUCTOR: ZAWACKI
Session explores DNA evidence, samples, the testing process, and errors often found in books, TV, and film.

 

INSTRUCTOR: VARIOUS
Police dogs doing what they do best.

 

INSTRUCTOR: HEENAN & JOHNSON
Experience the difficulty of multitasking while driving, observing, and communicating, and all while utilizing lights and siren. *HIT class

 

INSTRUCTOR: R.J. BEAM
Dusting, fuming, and difficult to print surfaces are just a few of the fingerprinting techniques you’ll learn in this detailed hands-on session. *HIT class

 

A heart-pounding, eye-opening, and extremely realistic session where you must decide, within a fraction of a second, whether or not to use deadly force. *HIT class

 

INSTRUCTOR: KNETZGER & NEJEDLO
As police officers, you and your partner respond to an alarm at a local business. It is up to you to search clear the building. Part of “clearing” involves looking for criminal suspects who may or may not be hiding. Of course, the person you encounter could be the janitor. Or is he?? *Participants will be required to wear protective gear during this hands-on exercise.  *HIT class

 

INSTRUCTOR: STOVER & NISHIMOTO
Learn the fundamentals of a Glock pistol. Become familiar with sight picture, sight alignment, stance, grip, and trigger control. Fire live ammunition on the academy pistol range. *HIT class

 

INSTRUCTOR: STAFF
Hit List – the list of HIT workshops

 

INSTRUCTOR: STAFF
Human trafficking – Details TBA

 

INSTRUCTOR: VARIOUS

 

INSTRUCTOR: NWTC STAFF/RANGE INSTRUCTORS
Learn the basics of the .223 patrol rifle, nomenclature, field stripping, fundamentals, and live fire on the rifle range. *HIT class

 

INSTRUCTOR: ESOMA KUNG FU MASTER INSTRUCTOR HOWARD LEWIS
Learn more intricacies of the martial arts. The basics of getaways, pressure points, holds, locks and bars, multiple opponents. Learn how one defends against various weapons. Believe me there are big differences. Feel free to bring your fight scene (in your mind, not on paper) and we’ll try to work through it. Hands-on workshop.

 

INSTRUCTOR: ESOMA KUNG FU MASTER INSTRUCTOR HOWARD LEWIS
If you’re writing a character who has studied or uses martial arts, pick a discipline that matches his or her personality and physical strengths. It will make your character more credible. We’ll give you information to help you choose wisely. You’ll also learn how martial artists in various disciplines are trained. This determines how they think and react when confronted. See what they see. Hear what they hear. A perfect way to build suspense in your fight scenes.

 

INSTRUCTOR: DR. DENENE LOFLAND
Why carry a gun when you can let a microscopic creature do the job for you? A collection of my most interesting and deadly microbiology cases. This workshop provides an opportunity for audience participation. Download the student version of the Socrative app so you can provide your anonymous (if you want) opinion on these fascinating cases. www.socrative.com/

 

INSTRUCTOR: PAUL BISHOP
Behavioral science is one of law enforcement’s most powerful weapons. Profiling—mindhunting—helps not only capture predators, but can also uncover the key to their motivations. Mindhunting will explore how criminal predators work, ways to prevent them from striking again, and how to protect yourselves and others by knowing your enemy.

 

INSTRUCTOR: DR. KATHERINE RAMSLAND
More people now resort to public acts of extreme violence than in the past. Although it is still difficult to identify individuals who will act out violently, threat evaluation has improved. This session shows specific risk factors associated with the violent mind, understanding prediction limitations, and devising plans of action.

 

Opening Ceremonies by TBA

 

INSTRUCTOR: MIKE BLACK
An examination of basic police procedures and how incidents can get distorted by the media.

 

INSTRUCTOR: SPECIAL AGENT MIKE ROCHE, U.S. SECRET SERVICE
What causes PTSD? The effects on officers and their families. The symptoms of PTSD and treatments. How departments and other officers respond to those suffering the effects of PTSD. How cumulative stress can impact performance and health.

 

INSTRUCTOR: HEENAN/JOHNSON
High Speed Pursuit! You will drive the pursuit vehicle! *HIT class

 

INSTRUCTOR: SPECIAL AGENT MIKE ROCHE, U.S. SECRET SERVICE
Examining the love tendencies of law enforcement officers. From scandalous infidelity, to office romance and the sparks ignited while answering calls. We will rip the sheets off the mattress and expose the inside world of love in the cop world.

 

INSTRUCTOR: JORDAN
More than an Aerosmith song title, “Walk This Way” is a room-clearing tactic used by American Law Enforcement. Session also details how to distinguish whether or not someone is or was a police officer, and if they’re on or off-duty. Say what??

 

INSTRUCTOR: JORDAN
You will never approach or view staircases the same way again, ever! This session details how officers safely approach, explore, and evaluate stairways. Hands-on.

 

INSTRUCTOR: ATF SPECIAL AGENT RICK MCMAHAN
Workshop title and details TBA

 

INSTRUCTOR: MARCO CONELLI
Session with NYPD Detective Marco Conelli – Workshop title and description TBA

 

Each year we incorporate surprise sessions that are designed to excite the senses of WPA attendees. The purpose is to allow you to experience “events” that unfold in real time, just as officers and other first responders experience in the real world.

 

INSTRUCTOR: KNETZGER & JEDI
Ready, Set … Blow Down Those Doors! KABOOM! Yes, you and your fellow SWAT team members will learn to use explosive charges and other methods of gaining entry into “hard-to-reach” places. This is the real deal! *HIT class

 

INSTRUCTOR: GILBERT
Police officers sustain gunshot wounds in the field and it is often up to their partners to perform life-saving first aid techniques. Now you, too, have the unique opportunity to stop an arterial bleed, seal a sucking chest wound, or to stop bleeding from a gaping wound. Never before have writers been offered this behind the scenes, hands-on experience. Bring life to your characters. Realism beyond belief!

 

INSTRUCTOR: KNETZGER
Tasers will be deployed. Class participation is encouraged … if you dare.

 

INSTRUCTOR: RATHBURN
Actual courtroom testimony. Experience what it’s like to testify as a police officer, recalling incidents, responding to legal questions, etc. Learn how your testimony as a law enforcement officer affects and influences a jury.

 

You conduct the traffic stop. Various scenarios. Be prepared for … well, anything!

 

INSTRUCTOR: PAUL BISHOP
Do you know the truth when you hear it or see it? Join nationally recognized behaviorist, interrogation expert, and experience LAPD detective Paul Bishop as he guides you into the intimate world of interrogation—where success or failure is determined before the first question is asked.

 

INSTRUCTOR: JANDA
Explore gun types to match the personalities of various characters of different eras.

 

INSTRUCTOR: MIKE BLACK
How TV, movies, and fiction distort police work

 
*More workshops to be announced. Check back often to view new additions.
 
http://www.writerspoliceacademy.com

Deputy Sheriff Micah Flick, 34

El Paso County Colorado Sheriff’s Office

February 5, 2018 – Deputy Sheriff Micah Flick was shot and killed during a struggle with a suspect involved in an auto theft investigation. During the attempted arrest, the suspect produced a firearm and began shooting, fatally wounding Deputy Flick. Two other deputies were wounded as were a police officer and a bystander.

Deputy Flick is survived by his wife and seven-year-old twins.


Deputy Sheriff Steve Belanger, 52

Los Angeles County California Sheriff’s Department

February 6, 2018 – On December 10th, 1994, Deputy Sheriff Steve Belanger was ambushed while conducting a traffic stop. The attacker approached from the rear and fired a round into the back of Deputy Belanger’s head. Doctors removed the bullet but Deputy Belanger remained under a doctor’s care and was confined to a wheelchair until succumbing to the wound on February 6th. He is survived by his wife and daughter.


Officer David Sherrard, 37

Richardson Texas Police Department

February 7, 2018 – Officer David Sherrard was shot and killed while responding to a disturbance call at an apartment complex. Upon arrival, officers found a man suffering from gunshot wounds. Officer Sherrard was shot in the neck as he entered the apartment to search for the suspect.

Officer Sherrard is survived by his wife and two daughters.


Reserve Officer Jarate Condit, 23

Asher Oklahoma Police Department

February 6, 2018 – Reserve Officer Jarate Condit was killed in a vehicle crash while on his way to department training. He is survived by his child and parents.

 

 


 

Kratom, a tree native to southeast Asia—Thailand and Malaysia—can reach towering heights of 50 feet, or more. Its trunk, when fully grown, is an impressive 15 feet in diameter. Its leaves, well, the chemical compounds in kratom leaves behave like those found in opioids including morphine. This is not your average shade tree.

Users of “Biak-Biak,” as kratom is called in Malaysia, introduce the drug into the body by smoking, chewing, or brewing the leaves into a tea. Interestingly, chewing the leaves produces a milder effect than other means of consumption. And, the effects achieved when chewing the raw leaves is that of a mild stimulant.

Kratom tree

However, when ingesting kratom in higher dosages (extracts, powders, etc) it produces an effect quite similar to that of opium-like narcotic analgesics.

Kratom is a listed as a controlled substance in Thailand, Malaysia, and Myanmar (Burma). And, it is listed in Schedule 9, the most highest level, of the Australian National Drugs and Poisons Schedule. It is not, however, illegal in the U.S.

Kratom is legal in the U.S.

The DEA, the same DEA that lists marijuana as a Schedule 1 drug, took a look at kratom and decided to not include it in either of the five drug schedule categories. Shoot, even Robitussin AC, a peach-mint or grape/menthol cough syrup, is on the list of “dangerous” drugs, but not kratom, a substitute for opium.


Schedule I

Schedule I drugs, substances, or chemicals are defined as drugs with no currently accepted medical use and a high potential for abuse. Some examples of Schedule I drugs are:

heroin, lysergic acid diethylamide (LSD), marijuana (cannabis), 3,4-methylenedioxymethamphetamine (ecstasy), methaqualone, and peyote

Schedule II

Schedule II drugs, substances, or chemicals are defined as drugs with a high potential for abuse, with use potentially leading to severe psychological or physical dependence. These drugs are also considered dangerous. Some examples of Schedule II drugs are:

Combination products with less than 15 milligrams of hydrocodone per dosage unit (Vicodin), cocaine, methamphetamine, methadone, hydromorphone (Dilaudid), meperidine (Demerol), oxycodone (OxyContin), fentanyl, Dexedrine, Adderall, and Ritalin

Schedule III

Schedule III drugs, substances, or chemicals are defined as drugs with a moderate to low potential for physical and psychological dependence. Schedule III drugs abuse potential is less than Schedule I and Schedule II drugs but more than Schedule IV. Some examples of Schedule III drugs are:

Products containing less than 90 milligrams of codeine per dosage unit (Tylenol with codeine), ketamine, anabolic steroids, testosterone

Schedule IV

Schedule IV drugs, substances, or chemicals are defined as drugs with a low potential for abuse and low risk of dependence. Some examples of Schedule IV drugs are:

Xanax, Soma, Darvon, Darvocet, Valium, Ativan, Talwin, Ambien, Tramadol

Schedule V

Schedule V drugs, substances, or chemicals are defined as drugs with lower potential for abuse than Schedule IV and consist of preparations containing limited quantities of certain narcotics. Schedule V drugs are generally used for antidiarrheal, antitussive, and analgesic purposes. Some examples of Schedule V drugs are:

cough preparations with less than 200 milligrams of codeine or per 100 milliliters (Robitussin AC), Lomotil, Motofen, Lyrica, Parepectolin


 The DEA briefly considered placing kratom in the Schedule 1 category but opted not to due to public outcry from people who claim the drug helps as a treatment for pain, anxiety and drug dependence.

Others say it’s safer than opioid painkillers like OxyContin and Vicodin.

Yeah, well, so is Lyrica, a drug prescribed for fibromyalgia and epilepsy. Lyrica warning labels list minor side effects such as drowsiness, dizziness, dry mouth, constipation, difficulty concentrating, swollen arms/legs, and weight gain.

Kratom leaf

Possible side effects from using kratom include vomiting, sweating, itching, psychotic episodes, delusions and respiratory depression. The FDA has identified 44 reports of death involving kratom since 2011.

There are a large number of Kratom vendors in the United States. The drug typically enters the U.S. in shipments from Asia and from western European countries. These deliveries slip past U.S. Customs, an agency that confiscates all kratom it locates.

Kratom is sold in various forms, including raw leaves, and extracts, capsules, and powders. Vendors include convenience stores, gas stations, and even delis.

Will the DEA eventually add Kratom to the drug schedule? Will the drug be made illegal? Who knows? In the meantime, though, we can all rest easier knowing our nation’s supply of cough syrup and constipation-inducing Lyrica is kept safely under lock and key.

Processing fingerprints is not alway a simple matter of dipping a brush in a bottle of black powder and then dusting the walls of the homes of notorious bad guys, such as the charming abode of tough guy Ima Stuffstealer.

For example, here are just two of the seemingly endless methods of print development.

DFO (1,8-Diazafluoren-9-One)

DFO is used to develop latent prints on porous surfaces. (click the links throughout this article for additional information and photos)

DFO reacts with the amino acids in perspiration. When this reaction is complete, the developed latent prints will fluoresce with the use of a laser or an alternate light source.

Equipment Used

Scales, graduated cylinder, magnetic stirrer and stirring bar, glass tray, sprayer, laser or alternate light source, oven or iron, dark storage bottles

Materials and Chemicals

• DFO
• Methanol
• Ethyl acetate
• Glacial acetic acid • Petroleum ether

Mixing Procedure

DFO is mixed in two solutions—stock and working.

DFO Stock Solution

DFO … 1 g

Methanol … 200 mL

Ethyl acetate … 200 mL

Glacial acetic acid … 40 mL

Combine the ingredients and place on a stirring device for approximately 20 minutes until the DFO is dissolved.

Working Solution

Dilute the stock solution to 2 L with petroleum ether. The working solution should be a clear gold color.

Processing Procedure

DFO can be dipped or sprayed. When a specimen is processed with DFO, it must be dried and placed in an oven at approximately 100 °C (212 °F) for 20 minutes. If an oven is not available, a dry iron may be used (e.g., a steam iron with the steam turned off).


Sergeant Printz


LCV (Leucocrystal Violet)

LCV is used to enhance visual prints (click the link to read more about LCV) and develop latent prints deposited in blood.

*Cyanoacrylate fuming (Superglue) may be detrimental to this process. (click the links throughout this article for additional information and photos)

Equipment

Scales, beakers, magnetic stirrer and stirring bar, sprayer, tissues or paper towels, dark storage bottles

Materials and Chemicals

• Leucocrystal violet (dye content ≥ 90%) • 5-Sulfosalicylic acid (purity ≥ 99%)
• Hydrogen peroxide 3% solution
• Sodium acetate

Mixing Procedure

Hydrogen peroxide 3% … 1000 mL

5-Sulfosalicylic acid … 20 g

Sodium acetate … 7.4 g

LCV … 2 g

Combine ingredients in the order listed and place on a stirring device for approximately 30 minutes.

Processing Procedure

Spraying is the most effective method of application. When spraying, use the finest mist possible because excess application may cause overdevelopment or running of the bloody print. Spray the specimen(s)— the development will occur within 30 seconds—then blot the area with a tissue or paper towel. When the area is dry, the preceding steps can be repeated to possibly improve contrast.

When using the LCV process in direct sunlight, any developed print should be photographed as soon as possible because photoionization may occur, resulting in unwanted background development.


No Double-Dipping!

Prior to dusting for prints investigators should dump/pour a small amount of print powder onto a piece of clean paper. The use of this powder prevents dipping the brush back into the bottle, a means of cross-contaminating the remaining powder (in the bottle) with DNA and other foreign substances.

 

*Source – FBI “Processing Guide for Developing Latent Prints”

 

We all love those scenes in our favorite cop shows where the hero decides there’s a piece of much-needed evidence in the bad guy’s house, so he merely kicks in the door and goes in to get it. TV heroes do this at least once per episode.

Well, in the real world there’s a problem with that procedure. First of all, cops need one of two things before they can enter someone’s property—permission from the homeowner, or probable cause and a search warrant. The exceptions to this rule are when someone’s life is in immediate danger or if the evidence could be destroyed before a warrant could be obtained.

Before approaching a judge or magistrate to obtain a search warrant the officer should ask himself/herself a few basic questions. If the answers to those questions are satisfactory the officer should be able to obtain the warrant.

1. Where do they want to search?

Addresses/locations must be very specific on search warrants. The officer must also describe the property in detail (red clapboard-sided, single-story, single-family house with blue shutters. House number is painted on the front door in purple, etc.).

2. What is the officer searching for?

Blanket searches are not permitted. Officers must be very specific when listing the property they hope to find, and the details must be related to the case they’re working. For example, if the case involves a stolen refrigerator officers may not look in places where the fridge could not be hidden (nightstand, etc.). Therefore, illegal items found in the nightstand drawers, or other “drawers,” would not be admissible in court.

3. Details of the investigation that led to the search warrant request.

This is a basic narrative of what the officer has done and learned that led him to believe the evidence is inside the property listed on the paperwork.

4. Do I know what I’m doing?

Officers must convince a judge that they have enough training and experience to apply for and carry out a search warrant service. They should list that training and experience on the affidavit (application for search warrant).

5, Does this warrant need to be served under the cover of night or, is it safe to go in during the daytime?

Officers must justify their reasons for wanting to “go in” at night. And those reasons vary—wanting to catch the dangerous drug dealers while they’re asleep, the drug dealers are always at home during  certain hours, it’s safer to raid a home while everyone’s in the bed asleep.

If officers meet these very basic requirements they’ll probably come away from the judge’s office with warrant in hand. (Of course, there’s more to it than this, but you get the idea). The next step is to knock and announce their presence, serve the warrant, and then collect the evidence you were hoping to find. When finished the officer must leave a receipt for every single item seized.

Officer Glenn Doss, Jr., 25

Detroit Michigan Police Department

January 28, 2018 – Officer Glenn Doss, Jr. succumbed to gunshot wound sustained four days earlier while responding to a domestic violence call. The shooter opened fire on Officer Doss, striking him in the head, before he was able to exit his patrol car.

Officer Doss is survived by his 9-month-old child, girlfriend, and parents.


 

We’ve discussed the issue of probable cause (PC) many times, and we all know it’s one of the very few things that remains consistent in law enforcement. PC is a “gotta have it” sort of thing when making certain arrests and obtaining search warrants.

One more time – Probable Cause is the existence of facts (not mere suspicion) that will satisfy an officer of ordinary caution that a crime has been, or is being committed … and the item to be searched for is reasonably connected to the crime in question. Oh, and that evidence of the crime can be found at/in a certain place (PC for a search warrant).

Okay, with that reminder in place, let’s take a look at a few more rules regarding search and seizure.

1) Information used to obtain a search warrant absolutely must be current information. “Stale” information is not a valid basis for a search—evidence could have been moved, suspects might have moved on, other people may now be inside the residence, etc.

2) An informant’s name need not be revealed in the body of the search warrant or affidavit. That’s sort of why they call them “confidential” informants.

3) Search warrants must be served (executed) promptly. Not a week or two after the judge signs it. Actually, delays of three or four days have rendered searches unreasonable in the eyes of the courts.

Search Warrant Execution – No Knock

4) Police officers must knock and announce their presence when serving a search warrant. However, there’s no written rule/law that states a required amount of wait time before using a battering ram to gain entry. But, a good rule of thumb is to wait a few seconds, long enough for a reasonable person to open the door. Any longer allows the suspect enough time to destroy evidence.

5) Officers may obtain “no knock” warrants if there’s a threat of danger to officers should they knock and announce their presence. Also, warrants must be served during daytime hours unless otherwise specified on the warrant.

6) The law says that officers may damage private property while entering, as long as the damage was necessary under the circumstances (breaking doors and windows, etc.). And guess who’s stuck with the bill? Yep, the suspect. However, some jurisdictions have policies in place that require the municipality to cover the cost of repairs.

7) Members of the media should not be allowed to accompany officers into a private home during the execution of a search warrant.

8) Officers do not need a search warrant when conducting a search of a suspect’s personal property during the booking process at the jail. This includes any closed container found in the suspect’s pockets.

9) Officers must limit their searches of electronic devices to only the files named on the search warrant.

Sergeant Search

10) Evidence seized during an improper search may not be used during criminal proceedings. However, if the officer relies on a warrant issued by the court that was later found to be accidentally inaccurate (at no fault of the officer), it is possible that a court would allow the evidence to be introduced.

11) Evidence seized in violation of the 4th Amendment (protection against illegal search and seizure) may not be used in criminal trials. However, that very same evidence may be, and is, used in other court proceedings, such as parole violations/revocations.

12) It’s Probable Cause, NOT Probably Cause. Yes, I see and hear this (probably cause) quite often.