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Within the next couple of days Writers’ Police Academy Online will officially open registration for the daylong seminar called “Mystery and Murder: Transforming Reality into Fantastic Fiction.” This incredible, one-of-a-kind event is scheduled to take place on December 5, 2020.

In the meantime, we’re hard at work adding the finishing touches—bells, whistles, and shiny doodads—the brand new website. I’m anxious for you to see it.

I’ll announce in advance, on social media and on this website, when the site will go live. When it does, registration will also be live and you may immediately sign up.

As always, the quality of our programs is more important than selling a gazillion seats; therefore class size is extremely limited to allow a better learning experience for all. Registration is on a first-come, first-served basis and will close when the maximum number of attendees sign up.

The exciting December session, featuring #1 International Bestselling Author Tami Hoag and top forensics and crime scene investigation experts Dr. Katherine Ramsland, Lisa Black, and Lisa Provost, is live and interactive. Instructors will deliver their presentations and respond to questions in real time using Zoom. Class size is limited and seats will be filled on a first-come, first-served basis.

Again, registration for this fabulous and unique online event is coming within the next couple of days, so please watch for the announcements!


Mystery and Murder: Transforming Reality into Fantastic Fiction

When: December 5, 2020


Classes and Instructors:

 

Not Just the Facts, Ma’am  

How to take all your newfound knowledge of police and forensic work and carefully weave it into the tapestry of your story.

Instructor, #1 International Bestselling Author Tami Hoag

Tami Hoag is the #1 International bestselling author of more than thirty books published in more than thirty languages worldwide, with more than forty million books in print. Renown for combining thrilling plots with character-driven suspense, crackling dialogue and well-research police procedure, Hoag first hit the New York Times bestseller list in 1996 with NIGHT SINS, and each of her books since has been a bestseller, including her latest, THE BOY. She lives in the greater Los Angeles area.

Sleuthing the Clues in Staged Homicides 

Death scenes have been staged in a variety of ways, and it takes an observant investigator to spot the signs. It might be a 911 call, an inconsistency between the scene and the narrative, an uncharacteristic suicide note, or a distinctive signature that signals something not quite right. Some set-ups have been ingenious! Ramsland uses cases to illustrate actual staged scenes, and describes the types of skills investigators need to be able to spot and reconstruct staged incidents.

Instructor, Katherine Ramsland

Katherine Ramsland is a professor of forensic psychology at DeSales University in Pennsylvania, where she also teaches criminal justice and serves as the assistant provost. She holds a master’s in forensic psychology from the John Jay College of Criminal Justice, a master’s in clinical psychology from Duquesne University, a master’s in criminal justice from DeSales University, and a Ph.D. in philosophy from Rutgers. She has been a therapist and a consultant. Dr. Ramsland has published over 1,000 articles and 66 books.

Dr. Ramsland’s background in forensics positioned her to assist former FBI profiler John Douglas on his book, The Cases that Haunt Us, to co-write a book with former FBI profiler, Gregg McCrary, The Unknown Darkness, to collaborate on A Voice for the Dead with attorney James E. Starrs on his exhumation projects, and to co-write a forensic textbook with renowned criminalist Henry C. Lee, The Real World of a Forensic Scientist.

For seven years, she contributed regularly to Court TV’s Crime Library, and now writes a column on investigative forensics for The Forensic Examiner and a column on character psychology for Sisters in Crime; offers trainings for law enforcement and attorneys; and speaks internationally about forensic psychology, forensic science, and serial murder.


The Call You Get is Not Always the Call You Get: When a Routine Death Investigation Crosses State Lines and Multiple Jurisdictions

Case Study – On Valentine’s Day, 2014, the staff of a local dialysis clinic were worried. One of their elderly patients had missed three appointments. They called 911 and asked if officers could check on their patient, wondering if maybe he’d fallen and needed assistance. When officers arrived on scene, they found the elderly patient deceased from an apparent medical apparatus failure. At least that’s what it looked like at first; however, they’d uncovered a homicide. This convoluted investigation took Lisa Provost and members of her CSI team two states away during their investigation.

Instructor – Lisa Provost, Aurora Colorado Police Department Forensic Supervisor

Lisa Provost began studying Forensic Biology at Guilford College, in Greensboro, N.C., where she received a bachelor’s degree in Forensic Biology. In December 2012, she joined the Fayetteville Police Department as a Forensic Technician. 

During her time as a Forensic Technician trainee, Lisa completed a six-month instruction program with the Fayetteville Police Department which culminated with a one-week exam and oral review board. With the training and testing behind her, Lisa began working the road. Her passion for learning and for her work were the catalysts that pushed her to attend advanced training courses, in earnest. In May 2015, she was promoted to Forensic Supervisor overseeing Fayetteville PD’s Forensic Unit. 

Four years later, Lisa accepted a position with the Aurora Colorado Police Department as a Forensic Supervisor. So, she and her husband, an Air Force veteran, packed their belongings and moved to Colorado.

 In 2016. Lisa attended the Management Development Program at the N.C. Carolina Justice Academy. In its twenty-eight-year history, at the time the program was held, Lisa was the only civilian accepted into the program and, of the nineteen attendees in the program, Lisa was the only female. The five-hundred-hour leadership training program was completed over an eleven-month period and, besides the completion of her bachelor’s degree, is one of her proudest achievements.

In addition, Lisa has completed over five-hundred-hours of forensic training that includes basic death investigation, child death investigation, advanced child death investigation, and officer-involved shooting investigations.

Lisa Provost was was born and raised in NY state where she started dating the man who would later become her husband. The couple married in 1998, the time when he enlisted in the U.S. Air Force. In 2003, when her husband’s enlistment was complete, they moved to North Carolina.


Little Known Facts About Crime Scenes 

An in-depth look at the problems and challenges with crime scene evidence such as fingerprints, arson, bite marks, and more. Instructor, Lisa Black

Lisa Black is the NYT bestselling author of 14 suspense novels, including works that have been translated into six languages, optioned for film, and shortlisted for the inaugural Sue Grafton Memorial Award. She is also a certified Crime Scene Analyst and certified Latent Print Examiner, beginning her forensics career at the Coroner’s office in Cleveland Ohio and then the police department in Cape Coral, Florida. She has spoken to readers and writers at numerous conferences and will be a Guest of Honor at 2021 Killer Nashville.

In her August release, Every Kind of Wicked, forensic scientist Maggie Gardiner and homicide detective Jack Renner track down a nest of scammers. www.lisa-black.com


More spectacular online workshops, seminars, and webinars are on the way!! Details about the January and February daylong seminars are coming soon!

Research is the name of the game if a crime writer’s goal is accuracy about a particular aspect of their story, such as murder, cops, and investigations of crimes. Unfortunately, some writers avoid any and all cop-type research, believing they already have all the answers because they watch crime shows on television, and/or their BFF’s cousin’s next door neighbor once lived in the same town as a guy who used to work with a woman who dated the brother of a man who once stood in a grocery store checkout line next to a police detective’s auto mechanic. Well, that sort of connection won’t quite cut it if the desired result is realism.

So, to assist writers who may have incorrectly used one or more of the terms listed below, well, here you go. Yes, I’ve seen each of these used incorrectly. For example, no, transient evidence is not the evidence left behind by homeless criminals …

ABFO Scales: (American Board of Forensic Odontology scales). An L-shaped piece of plastic used in crime scene photography. Scales are marked with circles, black and white bars, and gray bars. These markings aid in distortion compensation and provide exposure determination. Measurements on the scales are typically marked in millimeters.

Bindle Paper: Paper that’s folded to safely contain, store, and transport trace evidence.

Crime Writer: Person who commits multiple murders within the narrow confines of book covers. Crime writers are known to leave behind scores of evidence and sometimes a handful of cliches.

Faraday Bag: Special collection bags for electronic parts. Faraday bags are lined to protect the contents from electromagnetic forces that could damage or destroy evidence.

Historical Fiction: The official residence of cordite. Actually, historical fiction is the ONLY place where cordite and its odor should be used by writers.

Latent Print: A print that’s not readily visible, or one that’s visible only by enhancement.

Odor of Cordite: An imaginary odor detected only by modern writers who should know better … but don’t.

Porous Container: Packaging through which liquids or vapors may pass (cloth, paper, etc.).

Presumptive Test: A non-confirmatory test used to screen for the presence of substances such as drugs or blood. Test kits used by officers in the field are presumptive test kits. Confirmation testing is conducted in official laboratories by trained and/or certified professionals.

Primary Crime Scene: In homicide investigations, the place where the body is found is the primary crime scene. Typically, this is where the investigation begins. Keep in mind, though, there may be multiple crime scenes (crime scene – any place where evidence of a crime is found).

Scene of the Crime: The location where a crime was committed.

Slide-Racking: The totally unbelievable action of pulling and releasing the slide on a semi-automatic pistol just prior to engaging a dangerous situation. Cops carry guns with a round in the chamber. To rack the slide would eject the pre-loaded round leaving them with one less bullet.

Tertiary DNA: DNA can be accidentally transferred from one object to another. A good example could be the killer who shares an apartment with an unsuspecting friend. He returns home after murdering someone and then tosses his blood-spatter-covered shirt into the washer along with his roommate’s clothing. The machine churns and spins through its wash cycles, an action that spreads the victim’s DNA throughout the load. Police later serve a search warrant on the home, seize the clothing, and discover the victim’s DNA on the roommate’s jeans. The innocent roommate is arrested for murder.

Tertiary Transfer of DNA Evidence

The same can occur with touch DNA. A man shares a towel with his wife and his DNA is subsequently transferred to her face and neck. Later, a stranger wearing gloves chokes the woman to death, transferring the husband’s DNA from the victim’s face to the killer’s gloves. The assailant removes the gloves and leaves them at the scene. Police confiscate the gloves, test them, and find the husband’s DNA. He is then charged for his wife’s death while the real killer is free to murder again.

The example above (the choking case) actually happened, and those of you who attended the Writers’ Police Academy session taught by DNA expert Dr. Dan Krane heard him speak of it. He was the expert who proved this was indeed possible and he testified to it in the groundbreaking case involving accused killer Dr. Dirk Grenadier.

Transient Evidence: Evidence which could lose could lose its evidentiary value if not preserved and protected from the elements or other hazards (blood, semen, etc.). This is not evidence left behind by homeless people. It could be, though, if the killer just happened to be someone who lives on the streets. If so, the items collected could then be called transient transient evidence.

White Horse Syndrome: No,  FBI special agents do not ride into town on white horses to take over cases from local cops, nor do they work local murder cases. And … they do not investigate all kidnapping cases. Many writers, bless their hearts, are infected with White Horse Syndrome (WHS). Fortunately, it’s an easily curable disease. Unfortunately, though, some refuse to seek help.

If you or someone you know is affected by WHS, immediate intervention is needed.

To help battle WHS I strongly urge you to attend the upcoming Writers’ Police Academy Online daylong seminar “Mystery and Murder: Transforming Reality into Fantastic Fiction.” In this session you’ll learn behind the scenes tips, tactics, and techniques used by top crime scene investigators Lisa Provost and Lisa Black. Also, forensic psychology expert Dr. Katherine Ramsland is scheduled to teach a fascinating workshop about staged homicide scenes.

Then, in a rare learning opportunity, #1 bestselling author Tami Hoag wraps up the event with her class “Not Just the Facts, Ma’am.” Hoag’s amazing workshop details how to carefully weave all your newfound knowledge of police and forensic work into your story.

Attending Writers’ Police Academy Online classes could be the important first step on the road to recovery from the dreaded White Horse Syndrome.

Registration details and an all new website are coming soon.

In addition to Tami Hoag’s session, other classes include:

“Little Known Facts About Crime Scenes” – instructor Lisa Black.

Lisa Black is the NYT bestselling author of 14 suspense novels, including works that have been translated into six languages, optioned for film, and shortlisted for the inaugural Sue Grafton Memorial Award. She is also a certified Crime Scene Analyst and certified Latent Print Examiner.

 

 

 

 


“Sleuthing the Clues in Staged Homicides” – instructor Dr. Katherine Ramsland.

Katherine Ramsland teaches forensic psychology at DeSales University, where she is the Assistant Provost. She has appeared on more than 200 crime documentaries and magazine shows, is an executive producer of Murder House Flip, and has consulted for CSI, Bones, and The Alienist. The author of more than 1,000 articles and 68 books, including How to Catch a Killer, The Psychology of Death Investigations, and The Mind of a Murderer, she spent five years working with Dennis Rader on his autobiography, Confession of a Serial Killer: The Untold Story of Dennis Rader, The BTK Killer. Dr. Ramsland currently pens the “Shadow-boxing” blog at Psychology Today and teaches seminars to law enforcement.


“The Call You Get is Not Always the Call You Get: When a Routine Death Investigation Crosses State Lines and Multiple Jurisdictions” – instructor Lisa Provost, Forensic Supervisor at Aurora Colorado Police Department.

Lisa has completed over five-hundred-hours of forensic training that includes basic death investigation, child death investigation, advanced child death investigation, and officer-involved shooting investigations.

 

 

 


Tami Hoag is the #1 International bestselling author of more than thirty books published in more than thirty languages worldwide, with more than forty million books in print. Renown for combining thrilling plots with character-driven suspense, crackling dialogue and well-research police procedure, Hoag first hit the New York Times bestseller list in 1996 with NIGHT SINS, and each of her books since has been a bestseller, including her latest, THE BOY. She lives in the greater Los Angeles area.

 

 

 


Here’s a brief video of crime scene processing, photography, and evidence collection.

For over a dozen years the Writers’ Police Academy has delivered sensational hands-on training, as well as the extremely popular Virtual MurderCon event that took place in August, 2020.

During those twelve-plus years, many writers, fans, readers, and law enforcement professionals requested that we develop online courses since many people would love to attend our in-person events but are unable to do so for various reasons.

A few years ago I asked our website guru, Shelly Haffly, to create an online teaching platform that would run in conjunction with this blog. Unfortunately, it has sat dormant since that day. My reason for not launching the program was that some of the pre-designed, built-in functions were a bit too complicated for my “tech-less” mind. However, with the rise of Zoom and other video conferencing and teaching programs, well, the time is now right.

So, without further delay, I’m pleased to announce that “Writers’ Police Academy Online” will officially open its virtual doors in October, 2020. The all new website is currently under construction and registration will soon be available for the first daylong seminar called “Mystery and Murder: Transforming Reality into Fantastic Fiction.”

This first session is live and interactive, meaning that instructors will deliver their presentations and respond to questions in real time. By the way, the instructors for this first seminar are fantastic!

Registration for this fabulous and unique online event is coming soon!


Mystery and Murder: Transforming Reality into Fantastic Fiction

When: October 24, 2020


Classes and Instructors:

 

Not Just the Facts, Ma’am  

How to take all your newfound knowledge of police and forensic work and carefully weave it into the tapestry of your story.

Instructor, #1 International Bestselling Author Tami Hoag

Tami Hoag is the #1 International bestselling author of more than thirty books published in more than thirty languages worldwide, with more than forty million books in print. Renown for combining thrilling plots with character-driven suspense, crackling dialogue and well-research police procedure, Hoag first hit the New York Times bestseller list in 1996 with NIGHT SINS, and each of her books since has been a bestseller, including her latest, THE BOY. She lives in the greater Los Angeles area.

Sleuthing the Clues in Staged Homicides 

Death scenes have been staged in a variety of ways, and it takes an observant investigator to spot the signs. It might be a 911 call, an inconsistency between the scene and the narrative, an uncharacteristic suicide note, or a distinctive signature that signals something not quite right. Some set-ups have been ingenious! Ramsland uses cases to illustrate actual staged scenes, and describes the types of skills investigators need to be able to spot and reconstruct staged incidents.

Instructor, Katherine Ramsland

Katherine Ramsland is a professor of forensic psychology at DeSales University in Pennsylvania, where she also teaches criminal justice and serves as the assistant provost. She holds a master’s in forensic psychology from the John Jay College of Criminal Justice, a master’s in clinical psychology from Duquesne University, a master’s in criminal justice from DeSales University, and a Ph.D. in philosophy from Rutgers. She has been a therapist and a consultant. Dr. Ramsland has published over 1,000 articles and 66 books.

Dr. Ramsland’s background in forensics positioned her to assist former FBI profiler John Douglas on his book, The Cases that Haunt Us, to co-write a book with former FBI profiler, Gregg McCrary, The Unknown Darkness, to collaborate on A Voice for the Dead with attorney James E. Starrs on his exhumation projects, and to co-write a forensic textbook with renowned criminalist Henry C. Lee, The Real World of a Forensic Scientist.

For seven years, she contributed regularly to Court TV’s Crime Library, and now writes a column on investigative forensics for The Forensic Examiner and a column on character psychology for Sisters in Crime; offers trainings for law enforcement and attorneys; and speaks internationally about forensic psychology, forensic science, and serial murder.


The Call You Get is Not Always the Call You Get: When a Routine Death Investigation Crosses State Lines and Multiple Jurisdictions

Case Study – On Valentine’s Day, 2014, the staff of a local dialysis clinic were worried. One of their elderly patients had missed three appointments. They called 911 and asked if officers could check on their patient, wondering if maybe he’d fallen and needed assistance. When officers arrived on scene, they found the elderly patient deceased from an apparent medical apparatus failure. At least that’s what it looked like at first; however, they’d uncovered a homicide. This convoluted investigation took Lisa Provost and members of her CSI team two states away during their investigation.

Instructor – Lisa Provost, Aurora Colorado Police Department Forensic Supervisor

Lisa Provost began studying Forensic Biology at Guilford College, in Greensboro, N.C., where she received a bachelor’s degree in Forensic Biology. In December 2012, she joined the Fayetteville Police Department as a Forensic Technician. 

During her time as a Forensic Technician trainee, Lisa completed a six-month instruction program with the Fayetteville Police Department which culminated with a one-week exam and oral review board. With the training and testing behind her, Lisa began working the road. Her passion for learning and for her work were the catalysts that pushed her to attend advanced training courses, in earnest. In May 2015, she was promoted to Forensic Supervisor overseeing Fayetteville PD’s Forensic Unit. 

Four years later, Lisa accepted a position with the Aurora Colorado Police Department as a Forensic Supervisor. So, she and her husband, an Air Force veteran, packed their belongings and moved to Colorado.

 In 2016. Lisa attended the Management Development Program at the N.C. Carolina Justice Academy. In its twenty-eight-year history, at the time the program was held, Lisa was the only civilian accepted into the program and, of the nineteen attendees in the program, Lisa was the only female. The five-hundred-hour leadership training program was completed over an eleven-month period and, besides the completion of her bachelor’s degree, is one of her proudest achievements.

In addition, Lisa has completed over five-hundred-hours of forensic training that includes basic death investigation, child death investigation, advanced child death investigation, and officer-involved shooting investigations.

Lisa Provost was was born and raised in NY state where she started dating the man who would later become her husband. The couple married in 1998, the time when he enlisted in the U.S. Air Force. In 2003, when her husband’s enlistment was complete, they moved to North Carolina.


Little Known Facts About Crime Scenes 

An in-depth look at the problems and challenges with crime scene evidence such as fingerprints, arson, bite marks, and more. Instructor, Lisa Black

Lisa Black is the NYT bestselling author of 14 suspense novels, including works that have been translated into six languages, optioned for film, and shortlisted for the inaugural Sue Grafton Memorial Award. She is also a certified Crime Scene Analyst and certified Latent Print Examiner, beginning her forensics career at the Coroner’s office in Cleveland Ohio and then the police department in Cape Coral, Florida. She has spoken to readers and writers at numerous conferences and will be a Guest of Honor at 2021 Killer Nashville.

In her August release, Every Kind of Wicked, forensic scientist Maggie Gardiner and homicide detective Jack Renner track down a nest of scammers. www.lisa-black.com


More spectacular online workshops, seminars, and webinars are on the way!! Details TBA.

 

Have you sent your story? Well, you’d better hurry because Tami Hoag—THE Tami Hoag—is anxious to read them.

Oh, you didn’t know?

Yes, she truly is the contest judge for this fun and challenging contest, with fantastic prizes for the winner.

Definitely. Having Tami Hoag read your work is super cool!

Okay, here are the details …

Golden Donut Short Story Contest

The Writers’ Police Academy is pleased to continue this fun contest in 2018. The rules are simple—write a story about the photograph above using exactly 200 words, including the title (each story must include an original title). The image in the photograph MUST be the main subject of the story. We will not provide clues as to the subject matter of the image, or where the shot was taken. That is for you and your imagination to decide. Remember, though, what you see in the image absolutely MUST be the MAIN subject of your tale.

*Again, the photo above absolutely MUST be the main focus of the story, not just a mere mention within the text.

All stories are to be polished and complete, meaning they must have a beginning, middle, and a twisted surprise ending. Again, all stories must be exactly 200 words. Not 201 or 199! So read the word count rules carefully. Over the years, we’ve seen some excellent tales disqualified due to an incorrect word count.

The Golden Donut contest is judged blindly, meaning each entry is assigned a number prior to sending it to the judges. Therefore, judges do not see the writers’ names.

All entries will be screened by a panel of readers who will select their twelve favorite stories and then forward their picks to the 2018 contest judge. All decisions are final and may not be contested or appealed. After reviewing each of the entries, the judge will notify the Writers’ Police Academy of the winning entry. While the winner will be announced at the WPA banquet, the winner need not be present to win. The contest is open to everyone, not just WPA attendees.

The contest winner receives the prestigious Golden Donut Award AND free registration to a 2019 WPA event!

Submission Guidelines:

Please read carefully!

All submissions MUST be submitted electronically via email to [email protected] Write Golden Donut 2018 in the subject line.

 ** Click the link below to enter **

Golden Donut Short Story Contest

Please include your story within the body of the email. Attachments will not be opened.

 Additionally, a twenty-five dollar ($25) entry fee must be submitted via Paypal PRIOR TO emailing the entry. In other words, click the link to register your entry and then follow the directions listed. Next, submit your payment (Paypal link is on the entry form), and THEN email your story(s). You do not need a Paypal account to enter.

Contest opens on February 18, 2018 (Please do not send any entries before this date).

Submission Deadline: Midnight (EST) July 1, 2018

Any entry not meeting the exact 200 word requirement will be disqualified. You will not receive notice of disqualification. Please be sure your word count is accurate and that all words are counted.

Hyphenated words, for the purpose of this contest, will be counted as two words, or three, etc., depending upon how many words make up the hyphenated phrase/word. Contractions will be counted as two words (it’s, don’t, etc.).

Every single word will be counted as a word. This includes: “a,” “and,” and “the.” To be very clear…if it’s a word, count it. If it’s part of dialog and you think it may be a word, count it. If it’s a stand-alone letter or group of letters, count it as a word. If it’s a number, count it as a word. If the number would include a hyphen if written out as a word, then count it as a hyphenated word. Social media and texting abbreviations will be counted as individual words. For example: OMG = three words. LMAO = four words. 2Nite = one word (tonight). AIAMU = five words (Am I a monkeys uncle). TCIC = 4 words (This contest is cool).

– Entries submitted after the July 1, 2018 (midnight EST) deadline will NOT be judged.

– Any entry not meeting the exact 200 word requirement will be disqualified.

No refunds for any reason!

Again, all entry fees and stories must be received on or prior to July 1, 2018. No exceptions. There is normally a mountain of entries, therefore, it is a time-consuming process for the judges. We need time to process the entries and to have the award properly engraved and shipped to the WPA.

  • Be sure to include your name, address, email address, telephone number(s), and title of your story in an opening paragraph above your story. Then, please include your story, headed by the title.
  • There is a $25 entry fee, payable via Paypal. Entries received without the appropriate entry fee will be excluded from the contest. No refunds.
  • Each author may submit up to three entries. Each entry must be accompanied by the corresponding entry fee ($25 per story).
  •  Each author may enter up to three stories. But each individual entry must be accompanied by its own $25 entry fee. (One entry = $25. Three entries = $75, etc.) You must indicate how many stories you plan to submit when you register.

By submitting an entry to this contest authors agree to allow The Graveyard Shift/Lee Lofland, the Writers’ Police Academy and/or affiliates to publish/reprint the story as a part of The Graveyard Shift blog and/or as advertisement for the Writers’ Police Academy or in other publications and media, including, but not limited to, Writers’ Police Academy books, magazines, newspaper, blogs, ebooks, online outlets, etc.

*The Writers’ Police Academy reserves the right to exclude or delete any entry without cause, reason, or explanation.

– ABSOLUTELY NO profanity, erotica, or the promotion of a specific hot-button agenda, including but not limited to politics of any type and/or racial issues. 

Please send questions to Lee Lofland at [email protected](dot)com

So there you have it. Now get busy and take us on a journey that’d scare the pants off Poe himself.

Good luck!

WritersPoliceAcademy.com

Okay writers, it’s time to sharpen the pencils and get busy studying the above image and then assembling a grouping of words that’ll knock the socks off our mega-famous judge, Tami Hoag.

Yes, you heard me, Tami Hoag—THE Tami Hoag—will read the top twelve entries and then select the winning story. The contest winner, of course, receives a slew of cool prizes including the coveted Golden Donut Award!

Here’s what you need to do to get your writing in front of one of the world’s top authors (sorry for the small font—the graphic is a photo).

This is a fun contest!

Since the graphic above is a photo, the embedded links are not active. Here are the links listed within the newsletter, in their order of appearance in the piece.

  1. Click HERE for a link to more details and contest rules.
  2. If you’d like to be a first-round judge, email us at [email protected].
  3. Don’t forget to tell your friends who are figuring out how to budget for conferences this year that Sisters in Crime is once again offering a $150 registration scholarship to all SinC members attending the Writers’ Police Academy for the first time.
  4. If you need help with your travel arrangements, feel free to contact Darek Jarmola, the agent who handles arrangements for our guest speakers and experts. Derek is well versed in transportation options for Green Bay, Wisconsin. He can be reached at [email protected] or by phoning 918-214-4582.

Tami Hoag – Writers’ Police Academy firing range

 

Tami after performing a PIT maneuver at the driving track. Intense action, and FUN! – Writers’ Police Academy

TamiHoag.com


There is still time to sign up for the 2018 Writers’ Police Academy. HURRY!

Again, If you’ve ever wanted to attend the WPA, I STRONGLY and WHOLEHEARTEDLY urge you to do so this year. Openings are available … this year. Could be your last chance. I’m just saying …

WritersPoliceAcademy.com

 

I admit, I was not aware of the Writers’ Police Academy until Longmire author Craig Johnson posted the upcoming event on his Facebook page. My curiosity led me to check out the WPA website, and I was hooked. As an aside, it is my dream to become a successful crime/mystery author. I grew up in a law enforcement family, and my role models as a boy were deputies and state troopers. More lacking in my repertoire is actual hands-on training in police procedures and methods, so the prospect of just such an experience was exciting, to say the least.

During the registration process, I had some choices to make, including the purchase of souvenir items, meal selection for the closing banquet, and an optional entry in the “Golden Donut Short Story Contest” (more on that later). The registration sells out quickly, I might add, as well as the block of rooms reserved by the conference, so procrastinators may come up short!

Ry Brooks

The real challenge came when my wife noticed I had signed up for the 2017 WPA conference.

“You’re doing WHAT?”, she asked.

“I’m going to the Writers’ Police Academy in Green Bay, Wisconsin.”

“Umm hmm.”

“No, seriously. It’s a great way to learn the details of police procedure. Also, I might get to drive a police car in emergency scenarios. Every kid’s dream!”

“So, is it a course on writing?” She was confused.

“No, not exactly. It’s a learning environment for authors to help them inject more reality into their writing.”

“Shouldn’t you get established as a writer first?”

“What’s the fun in that?”

I was registered for the conference, had requested my preferences from among the most popular workshops, and had just one thing left to do. The “Golden Donut” short story contest entries are strictly limited to exactly 200 words, not 199 or 201. My first draft was exactly 200 words, counting contractions, and it was a great story (in my mind) but for one thing – I had somehow overlooked the requirement that the subject of the story had to follow a specific provided photograph. That first effort thus was deemed a practice run, so I wrote a couple more for submission that fully met the contest rules. Truth be told, I had some concern that my fledgling foray into mystery writing might prove an embarrassment. It was comforting, however, that the identities of the submissions are kept anonymous from the judges, so if my entries were bad, I would be anonymously awful.

The first day of the conference opened with a choice of workshops, the Kooky Cop Carnival or Drones!, and I chose the latter. I later heard I’d missed some comic moments involving famous authors’ hijinks in the other workshop. Never mind, the drone presentation was awesome!

Opening ceremonies included a blessing and wonderful ceremonial dances from the Oneida nation representatives.

Oneida Nation dancers

The conference hotel, along with many of the training facilities, are situated on Oneida native lands and many of the instructors are associated with the Oneida Nation police. Host Lee Lofland opened the conference with introductions and orientation, and we were treated to writer Lisa Klink (Star Trek), who related how she went from a wanna-be script writer to having her work produced on screen.

Day two began in earnest on the campus of Northeast Wisconsin Technical College, with an exciting traffic stop takedown and wounded officer extraction demonstrated by the police instructors. After things calmed down, I proceeded to the Blood Spatter Analysis workshop (shades of “Dexter”!) — and discovered most of what I “knew” was wrong!

Bloodstain pattern investigation workshop #2017WPA

This was to be a recurring theme, and that is part of why the WPA began. We were able to participate in a realistic simulation that graphically demonstrated the way blood droplets can indicate height of the assailant, the type of weapon, even whether an attacker was right or left handed.

Bloodstain pattern session. Dexter-style

I noticed some, if not all, of the invited presenters were also participants in the WPA workshops. Many of them are published writers themselves with years of experience, but the lesson is, what you think you know may not be what you should know. I heard over and over, from conference attendees and seasoned authors, “Wow, I wish I’d known that before I wrote…”.

Over the course of the Academy, I had the chance to learn the history of police firearms, techniques of fingerprint analysis, and arson investigation scenarios, including a live demonstration fire set deliberately and surreptitiously. I got to fulfill the fantasy of driving Pursuit Intervention Technique maneuvers and received hands-on training in emergency driving situations and arrest takedown techniques.

PIT Maneuver – #2017WPA

In fact, I enjoyed being a passenger in the PIT target vehicle so much, I volunteered for extra rounds. If there was a ride at Disney World like that, it would have a five-hour waiting line.

One evening, we heard from master interrogator Paul Bishop. You guessed it, most of what we see and read of police interrogation is less than accurate. Following that was a sobering presentation of officer-down scenarios and the equipment used in those situations.

Our last full day culminated in the banquet and “An Evening With Craig Johnson”. I have had the privilege of hearing Mr. Johnson speak before, and it is always entertaining, humorous and thought-provoking. Frankly, I am a big fan of the Longmire Mystery novels and the opportunity to meet authors such as Craig Johnson and Tami Hoag was a big draw for me.

Craig Johnson and Tami Hoag

Oh, yes, I almost forgot. My “Cinderella story” as a first-time participant in the Writers’ Police Academy wouldn’t be complete without mentioning the results of the “Golden Donut” short story competition. No, it wasn’t a Hollywood ending — I didn’t win the top prize. I got Third Place, which was a Pulitzer, far as I’m concerned. See, even if you haven’t been to the WPA before, you can have beginner’s luck! That’s my story, and I’m sticking to it.