Fictional characters aren’t always as savvy as they’d like us to believe. They’re not human. They make mistakes. And some of those errors, especially those made by characters in crime fiction, involve guns. For example, I’ve known a handful of make-believe cops and criminals who didn’t know the difference between smokeless powder and cordite, and that cordite use in ammunition ceased at the end of WWII.

And there’s this, the differences between revolvers and pistols.

Pistol

The term “Pistol” means a weapon originally designed, made, and intended to fire a projectile (bullet) from one or more barrels when held in one hand, and having:

  • a chamber(s) as an integral part(s) of, or permanently aligned with, the bore(s);
  • and a short stock designed to be gripped by one hand at an angle to and extending below the line of the bore(s).

Pistol nomenclature (below).





 


Revolver

The term “Revolver” means a projectile weapon of the pistol type, having a breechloading chambered cylinder so arranged that the cocking of the hammer or movement of the trigger rotates it and brings the next cartridge in line with the barrel for firing.

Revolver nomenclature (below).

 



Semi-autos and fully automatic (machine guns) automatically eject spent cartridges. Revolvers DO NOT. Therefore, writers, chances are slim and mostly none of finding empty revolver cartridges at a crime scene. Please remember this when writing the “aha” moment in your WIP.


Fun Stuff

Can you spot the errors in the text below? Hint – there are more than five, and each is something I’ve read in a book or manuscript.

Mr. Heeza Dilly, a former police captain, was a fire arms instructor back in the day. His specialty was handguns and he taught recruits how to shoot them safely and efficiently. He also showed them how to properly fit revolvers with silencers, and how to avoid being hit with hot brass at it’s automatically ejected from the chamber of a revolver.

Of course, he made it a point to highlight the importance of always keeping safeties switched to the ON position on both Glock and SIG Sauer semi-automatic pistols. After all, all cops are always trained to carry weapons with the safeties on, and without a round in the chamber. These rules are no-brainers according to Dilly, because they 100% prevent the accidental discharge of the officer’s fire arm.

Other tips shared by Dilly were:

  • Always surrender your weapon to a bad guy if he demands that you do so while aiming his gun at you or a hostage.
  • Never use two hands when firing a handgun, because you need a free hand to: operate your portable radio to call for backup, gesture to a suspect and/or fellow officers, stop traffic, or hold handcuffs in preparation of the arrest.
  • When working in plainclothes, always store your handgun tucked inside your belt and pants at the small of your back.
  • Keep in mind that all revolver cylinders rotate clockwise, never counterclockwise.
  • It’s quite easy to tell the caliber of bullet used in a homicide merely by looking at the size of an entrance or exit wound.
  • A semi-automatic weapon, such as a Glock 9mm pistol or AR-15 rifle, fires only once per pull of the trigger (only one round fired each time the trigger is pulled).
  • Machine guns (mega-expensive, fully-automatic weapons that require special, federally mandated licenses to own) fire multiple rounds with a single, continuous pull of the trigger. As long as the trigger remains depressed, a fully automatic weapon will continue to fire until ammunition is depleted.

May you legally own a machine gun (a fully-automatic weapon)? Click here to find out.


*The above pistol and revolver graphics, nomenclature, and accompanying text are from ATF (Alcohol, Tobacco, Firearms, and Explosives). Thanks to the folks at ATF for allowing the reproduction and use.

The information in the article above is factual. It’s up to writers to incorporate it into fiction as they see fit, if at all. Keep in mind that, while factually incorrect, many people refer to all handguns as pistols. Therefore, when writing dialog your characters should say things and use terminology readers expect to hear/read. Of course, if the character is a firearms expert …

So you want to be a detective?

Many people secretly long to clip a badge to their belts and then set out on the never-ending quest to save, well, everyone. But, there are a few things you should think about before giving up your day job to begin the hunt for your first serial killer. I’m betting you just might change your mind once you know that …

Don’t Shake Their Hands!

1. Bad guys and gals are rarely as attractive and well-groomed as those you see on TV. Instead, they often have poor hygiene and smell like really old gym socks.

Some love to flirt with detectives, batting their eyelashes and blowing kisses through breath laced with last night’s vodka and onion dip. Many do really disgusting things when you’re not looking. Like the guy who, when left alone in the interview room, inserted an index finger into a nostril and began working it around like an anteater uses its long, wiggly tongue to forage for termites. When finished with that ghastly task he stuck his hands down the front of his pants, rummaging around down there for a few seconds. Then, when the detective came back inside to continue the questioning, the little darling wanted to shake hands and be all “touchy-feely.” Thank goodness for video cameras. And you wonder why cops don’t shake hands with suspects? Well, now you know.

Roaches and Mice

2. Detectives spend a great deal of their time inside the homes of criminals and victims of various crimes. It’s not unusual, while questioning someone, to see insects suddenly and almost magically appear on your clothing. You then look around to see if you can locate the source of the unexpected attack of creepy-crawlers, and to your horror the walls, ceilings, countertops, and furniture seem to be undulating with a huge sea of brown, antenna-twitching roaches.

When using a flashlight while conducting a search of a closet, for example, it’s not unusual to see and hear hundreds of startled roaches falling from the ceiling to the floor and onto the head and shoulders of the searcher. The sound is much like raindrops hitting a cardboard box, or similar material, during a sudden springtime downpour.

Mice, not wanting to be excluded from the party, peek out from behind a greasy, grime-caked stove topped with a mound of dirty pots and pans. Dozens of tiny rodent footprints crisscross throughout the congealed lard at the bottom of a cast iron frying pan.

Lucky you, the mother of the little darling you think just killed someone offers you a nice, cold glass of iced tea, straight from the refrigerator that’s speckled and spattered with tons of roach feces. The spooky part of the tea offering is that, for a moment you actually considered accepting it because the house has no air-conditioning and it is nearly 100 degrees inside that sweet little abode. But the heat doesn’t stop eight bony, underfed cats from running, playing, puking up hairballs, and spraying and defecating on the furniture and well-worn linoleum floors. Oh, and the icing on the cake is the vast number of fleas that find their way onto your legs to begin gnawing away at your flesh.

Stray Body Parts

3. Investigators are the lucky folks who have the pleasure of enjoying a nice dinner at home with the spouse and kids, and minutes later find themselves standing in a room where some poor soul’s brains drip from his bedroom ceiling. This, because the victim didn’t have the decency to sleep with a man’s wife somewhere other than the married couple’s bed. And the wife, well, she’s blubbering “I’m sorrys” all over the place while her husband is escorted, in handcuffs, to a waiting patrol car.

Meanwhile, detectives have the pleasure of bagging and tagging evidence in the bloody bedroom, taking care not to step on bits of the victim’s skull, teeth, and a left ear. After all, even for you, an experienced homicide detective, it’s still a bit disgusting to get home at 4 a.m. and find a murder victim’s blood on your shirt sleeve, or a piece of the guy’s head stuck to your shoe. Even worse, your spouse makes the gruesome discovery the next day while tidying up.

Puke

4. One of the perks of becoming a detective is that you no longer have to deal with drunks, the little darlings who can be a real pain in the keister, right?

A number of criminals who commit the crime du jour are indeed intoxicated on cheap wine, liquor, or beer, or a combination of the three, or they’re high on something that promotes the undeniable urge to eat a human face.

Unfortunately, they’re often in the same condition when detectives pick them up for questioning. So, combine a lot of drinking and drug use with fear and nervousness and what do you get? Yep, last night’s chili dogs, fries, pickled pigs feet, and chocolate ice cream all over your brand new suit. Not to mention the overflow that spatters your desktop and case files.

Fighting in a Suit

5. Ever try fighting while wearing a suit and shiny shoes? How about wrestling with a 300 lb. angry mom while attempting to get a pair of handcuffs on her wrists, all while rolling around in a muddy driveway? Then, as always, junior and his three sisters jump on the pile, trying to stop you from taking the dear family matriarch into custody. After all, all she did was use a dull meat cleaver to hack grandpa to death.

I’ll be the first to say this … never underestimate the strength of women. They will slap you three ways into Sunday, if you’re not careful.

My jaw still aches today from the times when …

Cars Without Guts

6. Detectives drive really cool cars, like my old dark blue Chevrolet Caprice, the one that would reach  its top speed—80 mph—when I held the accelerator to the floor on a three-mile downhill grade. It’s not cool to be in pursuit of a wanted suspect, a guy running from you, and have every patrol car in the area, and a news reporters and cameraperson driving an old VW, pass you as if you were sitting still.

Investigators often get hand-me-down cars, like old patrol cars minus the markings—the cars that are no longer good enough for the streets. Knobs, buttons, and dials are often missing. Radios don’t work. The carpets and seats are stained with urine and puke, so much so that the cloth now feels like dirty canvas. Glamorous, wouldn’t you say?

So, there’s six reasons why it’s really cool to be a detective. And you thought all they did was sit around all day shining those pretty gold badges. Sure, they wipe them down, regularly, but not for the reasons you thought. Nope, they’re actually cleaning off vomit, roach dung, and blood.

Nice day at the office, huh?


SAVE THE DATE!

 

 

Standing ankle deep in black, slimy swamp muck, Sgt. William “Billy” Franks paused to catch his breath and to look over his shoulder, for the umpteenth time.

Nothing moving, not even a leaf. Good.

The humid jungle was silent. Even better.

They were still a ways behind him, he hoped. But they were coming. He knew so because every hair on the back of his neck stood at attention, and the neck-hair test had never been wrong before. Not ever.

Unfortunately, he was confident it wouldn’t be wrong this time, either.

Sgt. Franks was parched. His lips and throat as dry as desert sand, a reminder of the last time he’d been in a serious battle, fighting to survive. Hard to believe that conflict beneath a blazing sun had been only a week ago.

He just couldn’t seem to steer clear of trouble, no matter how hard he tried.

No time to think about it, though.

Not now.

Today’s setting sun had already begun to paint the surrounding landscape in various shades of gray and black. Giant shadows crept slowly across the forest floor, feeding on splotches of light along the way.

Night was coming as fast as they were.

Finding clean water to drink would have to wait.

It was time to move on.

He’d fought the enemy—the entire outfit—all afternoon, before finally escaping into the jungle where he’d been running for hours.

The sergeant’s hair was caked with mud and his camouflaged BDU’s were wet and filthy. His rifle, thankfully, was dry. He was exhausted and unsure how much longer he could continue.

They were relentless in their pursuit and he was sure they were closing in.

He had to find the strength to keep moving.

“I will survive,” he whispered to himself.

Suddenly he heard a voice from beyond the vines and thick, lush plants to his left. He dove for cover behind a moss-covered log. Something large and long slithered away through the undergrowth covering the forest floor.

He heard it again. This time the voice seemed closer.

Knowing his options were now few, he took a quick peek over the rotting tree and saw someone standing in a clearing just beyond the tree line.

They called out again.

“Billy, it’s time to wash up for dinner!”

Sgt. Billy Franks, knowing it would not be in his best interest to dilly-dally, stood and used his hands to brush  bits of dirt and dried leaves from his knees. Then he stepped from the small patch of woods into his backyard where his mother stood waiting. He whispered to himself, “Maybe tomorrow I’ll be a cowboy.”

Glancing back over his shoulder he saw a Native American man standing in the shadows. His next adversary appeared ready for battle.

The warrior whose face paint included two opposite-facing arrows, locked eyes with Billy for a second and then faded into the forest. A drumbeat began to thump from a place deep in the woods.

“Tomorrow, Chief, right after I’ve had my Fruit Loops and orange juice, it’s you and me. Because those woods aren’t big enough for both of us.”

Shouldering the stick he used as a pretend rifle, Billy marched toward his mother, wishing he were five again because being six was really hard work.


DIGITAL PUBLISHING ACADEMY

Date: June 24, 2023

Time: 1:00 – 2:30 p.m. EST

This, today and tomorrow morning, is your last chance to sign up to attend the Writers’ Police Academy Online session with Bookouture Commissioning Editor Susannah Hamilton. It’s a fantastic opportunity to learn about the many aspects of digital publishing, and you’ll get the inside details about Bookouture and all they have to offer authors.

You’ll also hear about Bookouture’s submission process (they’re currently accepting submissions, both from agents and directly from writers), and the types of genres they’re looking for, which is an extensive list.

 The icing on the cake is that you’ll meet and chat directly with an editor who acquires new books from both new and established authors.

This is the real deal, folks.

By the way, I know a bestselling author who publishes with Bookouture and they’re doing extremely well. I mean … EXTREMELY WELL. They describe the experience as the best they’ve seen in all the years they’ve been a published author.

Bookouture is a division of Hachette UK.

Are you interested in entering the world of digital publishing but don’t know where or how to begin? Well, I’m pleased to announce and offer an exciting Writers’ Police Academy Online course—Digital Publishing Academy. This class is a unique opportunity for writers to learn from and chat with a top industry professional, Commissioning Editor Susannah Hamilton of Bookouture, a division of Hachette UK. So, if you’ve wanted a foot in the door to a leading publisher, here’s your chance!

About the Course

Digital Publishing Academy

Date: June 24, 2023

Time: 1:00 – 2:30 p.m. EST

Registration: $15

Bookouture Editor Susannah Hamilton will talk about all things digital publishing, including what works well in digital, a look at the different stages of editing, and a brief foray into crime and thriller genre nuances for the digital market. Susannah will also give a brief overview of how Bookouture, a division of Hachette UK, works for its authors. There will be a Q&A at the end.

Click the link below to reserve your spot!

writerspoliceacademy.online

About Susannah Hamilton

Commissioning Editor Susannah Hamilton has over ten years of experience in the industry, and joined Bookouture in November 2021. Susannah’s list includes Kindle top 100 bestselling authors, such as Casey Kelleher, Elisabeth Carpenter and Amanda Lees, who have reached the charts in both the UK and the US. Susannah manages every element of the publishing strategy and process for her authors, supporting them every step of the way.