Tag Archive for: common sense

Common sense is a HUGE part of police work. You know, think before you act. Don’t run while holding scissors. Don’t talk with your mouth full. And …

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And, of course …

 

 

Using common sense when writing about cops

Today, when your keystrokes guide your police officer/detective/protagonist through the perils that go hand-in-hand with saving the world from total devastation, pause for just a moment and consider the lives of real-life officers. Do your characters measure up to a human officer’s abilities? Have you over-written the character? Are they mindless, superheroes? Have you given them human emotions? Is the danger level realistic? Are your action scenes believable?

I read a lot. A whole lot. Book after book after book, including tons of stories written by readers of this blog. Think about what you’ve seen on this site for the past few years—cordite, uniforms, handcuffs, Miranda, Glocks, Sig Sauers, edged weapons, revolvers, defensive tactics, etc. Where do I get my ideas? Well … mostly from the mistakes writers make in their books (smelling cordite, thumbing off safeties when there aren’t any, etc.).

The same is true at the Writers’ Police Academy and our exciting new venture “Writers” Police Academy Online” that’s scheduled to go live in October 2020. We present workshops mostly based on questions we hear from writers. We also develop sessions that stem from the inaccuracies found in various books, TV shows, and film. Several of the activities at the WPA are based upon actual events that occurred during the year , such as the Boston bombings, school shootings, etc.

Not so long ago I was reading a wonderfully written book when a paragraph stopped me dead in my tracks. So I backed up to re-read a few lines to make certain that what I’d read was actually on the page and not my mind playing tricks on my tired eyes. Nope, there it was as plain as day, one of the most impossible, unbelievable ways to kill ever written (I won’t go into detail to protect the author’s reputation). Then, to make matters even worse, the scene was followed by a few more paragraphs containing incorrect information about the weapons and materials involved in the goofy slaying. Not even close to reality, and it was obvious that reality was the intention.

This was a problem for me. I really liked this author’s voice. It was fresh, new, and exciting. However, I doubt that I’ll pick up another of this author’s books. Why not? Because he/she didn’t bother to check simple facts. They didn’t even make an effort to use common sense. I wondered if they’d ever seen a real-life cop.

Writing Reality

One of the top thriller writers of our time, Lee Child, writes some pretty over the top action, but he does so in a way that makes you believe it, even though some of it probably couldn’t happen in real life. I once asked Lee how much research he conducts before writing his books.

His answer was, “Better to ask if I do any research before I write the last word! I don’t do any general research. I depend on things I have already read or seen or internalized, maybe years before. I ask people about specific details … like I asked you what a rural police chief might have in his trunk.  But in terms of large themes I think it’s difficult to research too close to the time of writing … research is like an iceberg – 90% of it needs to be discarded, and it’s hard to do that without perspective.”

So how does Lee make Reacher’s actions believable? Simple. He uses common sense. Well, that and more talent in his little finger than I have in my dreams.

By the way, in response to Lee Child when he contacted me to ask what what a rural police chief might have in the trunk of his car, I sent him this photo (below).

I took the shot while visiting a sheriff’s office in Ohio. Yes, you may have read the scene that was based on this very image, along with the description I provided to Lee.

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The trunk of a patrol car is for the storage of evidence collection material, a defibrillator (not all departments issue defibrillators), extra ammunition, rain gear, flares, emergency signage, accident and crime scene investigation equipment, extra paperwork, riot gear, etc.

Department regulations may determine the contents of the trunk. And common sense will tell you that there are no bazookas, portable helicopters, rocket launchers, or inflatable speed boats inside the trunk of a police car.

However, you might find a baseball bat and glove, a football, or a few teddy bears. Cops often come in contact with children who need a friend.

So please, if you’re going for realism, use common sense.

Common sense will also tell you to ask an expert before plunging into a topic you know nothing about, such as “what might a rural police chief have in his car trunk?”


Lee Child teamed up with his brother Andrew Child to write the next Reacher novel, “The Sentinel.” Andrew, though, will take the reins from that book forward to continue the Jack Reacher series.

On a personal note, Lee Child has been a great friend to me and my family. We are blessed that he has been a part of our lives.

I wish Andrew all the success in the world.

Today, as your keystrokes guide your police officer/detective/protagonist through the perils that go hand-in-hand with saving the day, pause for just a moment to consider the lives of real-life officers. Do your characters measure up to a human officer’s abilities? Have you over-written the character? Are they mindless, superheroes? Have you given them human emotions? Is the danger level realistic? Are they believable?

Think about what you’ve seen on this site for the past few years—cordite (NO!), uniforms, handcuffs, Miranda, Glocks, Sig Sauers, edged weapons, defensive tactics, etc. Where do I get the ideas for blog topics? Well, I read a lot. A whole lot. Book after book after book. I read tons of books including books penned by readers of this blog. Therefore, and unfortunately so, I have a near endless supply of fodder for articles—the mistakes writers make in their books (smelling cordite, thumbing off safeties when there aren’t any, etc.).

For example, while pouring over the pages of a wonderfully written book, a paragraph stopped me dead in my tracks.

Wonderfully Written Book

So I backed up to re-read the last few lines to make certain that what I’d read was actually on the page and not my mind playing tricks on my tired eyes. Nope, there it was as plain as day, one of the most impossible, unbelievable means to kill ever written (I won’t go into detail because the book is very new). Then, to make matters even worse, the scene was followed by a few more paragraphs containing incorrect information about the weapons and materials involved in the goofy slaying. Not even close to realism.

Now I have a problem. I really liked this author’s voice. It was fresh, new, and exciting. However, I doubt that I’ll have the courage to pick up another book written by this particular author. Why? Because he/she didn’t bother to check facts. The writer didn’t attempt even the slightest effort to use common sense. Actually, I wondered if they’d ever seen a real-life cop.

Common Sense Works for Lee Child: Writing Believable Make-Believe

One of the best thriller writers of our time, Lee Child, writes a ton of over the top action, but he does so in a way that makes you believe it, even though some of it probably couldn’t happen in real life.

Lee Child – Writers’ Police Academy

I once asked Lee how much research he conducts before writing his books. His answer was (click here to read the entire interview), “Better to ask if I do any research before I write the last word! I don’t do any general research. I depend on things I have already read or seen or internalized, maybe years before.

I ask people about specific details … like I asked you what a rural police chief might have in his trunk.  But in terms of large themes I think it’s difficult to research too close to the time of writing … research is like an iceberg—90% of it needs to be discarded, and it’s hard to do that without perspective.”

So how does Lee make all that wacky action work? He uses common sense. Well, that and more talent in his little finger than I have in my dreams.