Castle: Swan Song

Last night’s episode was, well, bizarre. And not in a good way.

The shaky-cam filming style combined with the characters over-acting and hamming it up for the cameras was downright horrible. This was definitely the worst episode of Castle to date. In fact, had this been the first episode I’d seen I would never tune in again. Of course, there were a few funny moments. Unfortunately, the bad outweighed the good this week.

But that’s my opinion. Let’s see what Melanie has to say about what we saw last night.

Melanie Atkins

Tonight’s episode, about the death of a legendary rock and roll singer, was told documentary style like The Office and Community—a first for Castle. Nathan and Stana said in interviews that looking into the camera was hard to do, because as actors, they usually spend so much time trying not to look at it. Their characters had other ideas, of course. Rick preened for the camera, while Kate did her best to avoid it. Ryan didn’t seem too thrilled about the attention either, but like Rick, Lanie craved the spotlight… as did Esposito, who turned out to be the biggest ham of all—and pretty good singer. I thought the episode would be funnier than it was, but I did enjoy parts of it.

I wanted more romance, of course. They gave us a few tidbits, such as Rick telling one of the cameramen when talking about Kate, “I just want you to see what I see,” meaning strong, independent, capable Detective Beckett. Or at least that’s what I got out of that line. And later, when Rick and Kate were talking privately and he hooked a lock of hair behind her ear, she smiled, leaned into his touch, and put her hand over his… before noticing the camera and jerking away. Uncomfortable, much?

Then near the end of the show, Captain Gates told the whole precinct she would review the entire tape for its appropriateness… and that sent Kate into a tailspin. She was afraid Gates would see the aforementioned scene between her and Rick—an understandable fear considering she believes her boss wouldn’t approve of their relationship, especially a PDA in the precinct.

Didn’t turn out that way, since she and Rick cornered the filmmaker and convinced him to “lose” that piece of tape, but it was a close call.

Otherwise, this was just a weird episode. I laughed in spots and enjoyed Esposito’s singing and hamming it up, but don’t really enjoy the documentary style as a rule so this one didn’t really grab me. The case bored me, and I simply could not fathom why in the world Lanie would check for antibodies for polio, measles, etc, in the victim’s blood. Too odd, even for TV. I mean, please!

I can understand the producers wanting to try something new with this documentary style, and I don’t fault them for it. I’ll just be glad to get back to regular Castle episodes. Next week’s show involves a murdered priest, and the promo for it had ominous overtones. Very scary. Then comes the Christmas show, titled Secret Santa — their first holiday show ever. I can’t wait for that one. A very Castle Christmas. Teehee!

Lee Lofland

As I said above, there wasn’t much to like about this episode. And, of course, Lanie did the show no favors. However, I have to come to the actor’s defense this week, because the writers truly stuck her with horrible material. I know, that’s the trouble each and every week, but this time was far worse than before. She’s an information dump for writers who are too lazy to write necessary information into the script. A fiction writer (books) would most likely be rejected by agents and editors if he/she tried this move. Believable make-believe, it’s not.

So let’s started, and there’s no better place than…

– The film crew was standing in the middle of a bloody crime scene, contaminating and destroying the evidence. Wouldn’t happen, not in a million years, no matter how many “official letters” they possessed.

– Lanie and her use of lividity to determine the time of death. Well, here’s some information about lividity, and what it is. After reading, you be the judge. Ask yourself, could Lanie pinpoint the time of death within two hours, long after lividity is fixed?

When the heart stops beating, gravity pulls blood to the lowest point in the body. Blood pooling in those low areas stain the surrounding tissue giving the appearance of bruising. This staining of tissue is called livor mortis, or lividity. For example, a victim lying flat on his back when he dies exhibits lividity on his back, buttocks, and the back of his legs. The same is true on the front of the body, if the victim is found lying face down.

The staining of tissue normally begins within the first two hours after death. The process reaches it’s full peak in eight to twelve hours. Once lividity becomes fixed it is basically no longer useful for determining a time of death, other than to say the death most likely occurred “over twelve hours ago.” Lividity alone cannot be used to pinpoint an exact time of death.

If the victim is moved during the first six hours after death the purplish discoloration can shift, causing the new, lowest portion of the body to exhibit lividity.

After a period of six to eight hours after death, lividity becomes totally fixed. Moving the body after eight hours will not change the patterns of discoloration. Therefore, investigators know a body found lying face down with lividity on the back, has been moved.

Rookie officers have often confused lividity with bruising caused by fighting.

Remember, ambient air temperature is always a factor in determining the TOD (time of death). A hot climate can accelerate lividity, while a colder air temperature can slow it down considerably.

– Esposito, speaking about a murder suspect, stated that a preliminary test indicated that the blood found on his clothes was indeed his and not the blood of the murder victim. Well, there is no preliminary blood test (presumptive test) to determine the origin of blood. There are tests, however, to determine whether or not blood is human (Sirchie Fingerprint Laboratories offers such testing material).

– Lanie, and how she stated this while maintaining a poker face is beyond me, said the victim had no polio vaccine antibodies in his system. And, she went on to say that there were no other immunization vaccines present in his system. This, to say the least, was RIDICULOUS! There’s no way she’d have tested for any of those things. Why would she, unless maybe the victim presented with signs and symptoms of polio. This was the absolute wackiest thing Lanie has said over the years. Again, the writers used her to get this information before the viewers, and that’s lazy writing on their part.

The show wasn’t all negative. When Esposito heard gunshots and screaming coming from inside a locked apartment, he kicked in the door. Police officers may enter without a warrant if they truly believe someone’s life is in jeopardy (exigent circumstances). The same is true if they honestly believe that evidence in a crime would be lost or destroyed if they didn’t act immediately to seize it.

– It was a pleasant surprise to see C. Thomas Howell make an appearance last night as the cult leader. For those of you who don’t know, Howell plays the part of Dewey on Southland, the most realistic police show on TV (TNT).

– One final thing that bugged me…the roadie supposedly taught Swan (the murder victim) how to play guitar. In fact, Swan had stated that the roadie (sorry, I don’t remember his name) was a far better guitarist than he could ever be. So, when it was discovered that the bass player was the killer, the band replaced him with the roadie. It’s not likely that a dynamite lead guitar player would ever replace a bass guitar player. They’re two different instruments that are each played differently. Sure, it’s possible, just not likely. That would be sort of like Team USA replacing a shot putter with a swimmer. They’re both on the same Olympic team, so why not?

What do you guys think? Was it a bad episode that’s far beneath what this show is capable of producing? Or, did you love it in spite of the obvious flaws?

*ABC photo

Castle: The Final Frontier

Last night, we were treated to a fun, light-hearted episode, and that’s where the characters of Castle truly shine. Sometimes, I believe Fillion and Katic could do this show in silent-film-style (no talking) and they’d still be deliver an entertaining show. Yep, their acting is that good, and this episode was proof. Of course, the supporting cast members offered plenty of their own “moments” throughout. And we saw the return of Perlmutter last night. His presence and ability to almost sound like a real M.E. were a definite plus.

I’m curious, though, as to what Melanie thought about this episode. So, off we go…

Melanie Atkins

This episode centered around a murder at SuperNovaCon, a fan convention for Nebula 9, a fictional sci-fi franchise. Mentions from Nathan Fillion’s Firefly and just about every other sci-fi series ever aired abounded in this one, and the results were hilarious. One of my friends who loves sci-fi texted me throughout the entire show about all the references… and I didn’t catch half of them. Yes, I’ve seen several episodes of Firefly, because I love Nathan, but I’m not a big sci-fi buff.

Kate Beckett is, however… as evidenced by her dabbling in Nebula 9 sci-fi role play while in college at Stanford. A picture of her in a Nebula 9 uniform entrances Rick, and he’s blown away to learn she’s a closet sci-fi geek. The entire episode was light and fun, except maybe when they discussed the actual murder-by-laser, and I cracked up with Rick spotted Alexis at the con dressed in a skimpy costume. Too funny! Kate had to pull him away from Alexis to keep him from totally embarrassing her.

Kate and Rick were joined at the hip in this one. We didn’t get a kiss, but I love seeing them in a relationship, even if the episode wasn’t heavy on romance. Rick kept on about Kate’s costume, so by the end of the show, she finally agreed to dress up for him at the loft. The camera focused in on him on the bed, waiting for her to come out of the bathroom… and she did, foot and backside first. Then she stepped all the way into the room — in a short black skirt, a Nebula 9-looking top, and a hideous alien head with giant, bloody teeth — and Rick freaked out. Hahaha!

Not a lot of depth or actual romance in this one, but I still enjoyed it. Next week’s episode is one done documentary style (like The Office), so that will be different, too. I think we’ll get a good peek into all of the characters… and that’s not a bad thing. The previews made me smile. I just love this show.

Police procedure and forensics…hmm… Not much cop stuff in this episode. Of course, we saw the return of Perlmutter, who was pretty much believable, as usual, even when talking about unbelievable things (ray guns). Did you notice that he didn’t refer to a crystal ball?

Seriously, Perlmutter based his time of death on liver temp (good), and he suggested that the victim’s wound was not caused by a gunshot. His reason…no spatter/bloodstain patterns, and no stippling.

A great line delivered by Perlmutter was in response to Beckett’s question, “What caused the wound?” Perlmutter’s response was, “No clue. Never seen anything quite like it.” Then he went on to say he’d be able to tell more once he got the body back to the morgue. See how easy that is, and it’s believable! Why, oh why, can’t they give this stuff to Lanie? To do so would help her character tremendously. Believable make believe. That’s the key!

Oh, Perlmutter delivered another great line when he welcomed Beckett and Castle as they entered the room, “Detective Beckett…and non-Detective Castle.” Good one.

– Esposito does his usual walk-up to Beckett to deliver the latest clue, and says, “Perlmutter says the laser was definitely murder weapon.” Okay, a bit of Lanie must’ve rubbed off on good old Perlmutter, because M.E.’s do not test weapons. Nope. Their job is to determine the cause of death. I doubt seriously that examining laser weapons (Laser Weapons 202) is offered in medical school.

– I’m sure everyone is aware of this, but I’ll mention it just in case… Detectives don’t herd all the suspects into one room for a mass questioning/reveal of evidence, like they’re playing a real-life game of clue. But it worked well for this show, because that’s what this is…television. It’s supposed to be entertaining.

Finally, the costume…

Priceless!

Castle: Probable Cause

 

I was floored last night…stunned, actually, when I heard Lanie say some things that made sense. And then she said more. I turned to my wife in disbelief. Could this actually be happening? Had the writers finally trash-canned the crystal ball and Ouija Board? Well, as fate would have it, I wouldn’t see much more of the show because my service was interrupted numerous times during the hour. So much so, that I really never knew what was going on.

Since this was a rarity (Lanie speaking in a language that’s normally foreign to her, as a medical examiner), I was desperate to see more. So I hit the pause button and called technical support, where I was on hold for over 30 minutes before connecting with a very polite young man in Montana who claimed he’d have my issue corrected in a flash. Forty-five minutes later, though, he’d somehow managed to fix it so that I was unable to see anything at all, totally deleted my history and recorded shows, and he’d wiped clean my favorite channels list.

Now, I’m a man with the patience of a…well, let’s be honest, I have no patience, especially when it comes to my TV. I was livid. Therefore, taking matters into my own hands, I finally managed to return the service back to its original state of disrepair, but it was too late. The show was over and all I had to watch were bits and pieces of what looked like a pretty decent episode. So, I’ll give you my take on what little I did see, after Melanie has her say. So here goes…

Melanie Atkins

Wow! This episode wasn’t nearly as light and fun as the others so far this season. No, it contained much more angst. I was totally intrigued by the storyline, however, even if parts were hard to watch. I thought it was tightly written and well done… at least until the end, when the search for Tyson, better known as 3XK, a villain we first met in season three, was tied up just a little too quickly — except, of course, for the one major loose end of his missing body. If this had been a two hour episode, I’m sure they could have drawn it out more, but they didn’t have but about forty minutes to work with so I think they did a fabulous job.

The show starts with a little light banter between Kate and Rick, but soon morphs into a terrifying mystery that baffles Kate. Someone is framing Rick for murder… or are they? Is he really guilty? All of the evidence points to him, and at one point even she seems to doubt him. I think she was more frightened than anything, and she had to wonder how well she really knows him. Thank goodness she stood by him. But wait… I’m getting ahead of myself.

Tyson did an incredible job of framing Rick. For a while, I didn’t see how he’d get out of it — and I don’t think Kate did either, even though she so wanted to believe it. Those emails Rick supposedly exchanged with the dead woman threw her for a moment, and I ached for her. The scene between her and Lanie, when Kate cried, broke my heart. Then it hit me: Kate told Lanie about her and Rick, and Ryan told Esposito. So the only ones in the dark about their relationship now are Gates — if she truly doesn’t know, and I’m not convinced she doesn’t — and Kate’s dad, unless she’s told him off camera, of course. I’m so glad that secret keeping theme is over. Yay!

Back to the case. I found Tyson’s visit with Rick in jail to be so chilling, the hairs stood up on my arms. Such a creepy, creepy villain. He left Rick and Kate in quite a quandary. I was heartened when Kate believed Rick when he told her about Tyson’s visit, and I loved the way she fought for him, even against that hardnosed ADA. Stana did a great job portraying Kate’s fear, and I think Nathan’s dismay and fear were palpable as well.

Rick’s clever escape was classic Castle. I loved it! The scene with Kate and Rick in the library was so sweet, and so them. Kate didn’t want to lose what they had together, and she let him know she was in his corner… always.

I don’t believe Tyson is dead. No, the writers let him slip away so they can bring him back later to terrorize our dynamic duo again in the future. Just so he doesn’t succeed in killing either one of them or someone they love, that’s okay with me. He’s a worthy adversary.

Rick and Kate have something special between them. The fact that Rick’s alleged guilt couldn’t break them apart attests to that. Now that the boys and Lanie all know the truth, I think the show will get even better. Can’t wait for next week’s episode at the sci-fi convention. That should be another fun one. Bring it on!

Lee Lofland

Thanks to the poor TV reception, I began watching this episode when the murder victim was attached to the ceiling. For starters, I ask you to think about this scene for a moment. Okay, let’s say the woman weighed 110 pounds, and she’s dead. We all know that dead people are of no help whatsoever when it comes to moving them from place to place. Simply put, they’re dead weight…like a sack full of heavy, firm, Jello.

Well, the weight of this dead woman—this sack of uncooperative Jello—was equal to the weight of twenty-two very limp 5 lb. bags of sugar. Can you now imagine holding 22 bags of sugar over your head, with one hand, while using a coil of barbed wire and nails or staples to firmly attach them to the ceiling? Oh yeah, all of this must be accomplished using only your free hand to unwind the coil of wire, cut the wire, hammer/staple etc. Believable? Certainly not.

– Enter Lanie – She states that lividity and pooling (lividity is the postmortem gravity-induced pooling of blood in the lowest portions of the body) indicated the body was hung from the ceiling after she’d been killed. Well, aside from the fact that using both terms, lividity and pooling, was a bit redundant, she was absolutely correct. Had the victim been wired to the ceiling before lividity became fixed (permanently staining the flesh a purplish blue-black color at the lowest points of the body), the full front of the body would have presented with lividity. Lividity was not present, so good call, Lanie.

However, the whole bit about Lanie discovering the killer had worn gloves was totally wacky. Lanie said she’d discovered talcum powder on the victim’s body, the same kind of talc found on surgical gloves, or the gloves worn by CSI’s. Remember, everyone, medical examiners are not laboratory scientists/chemists who spend hours peering into microscopes comparing compounds and chemical compositions of dust and powder. That’s a job for the folks in the lab, not the medical examiner. Besides, discovering minute traces of glove powder on a body is a huge stretch of the imagination. And then to be able to determine the brand of glove from there…yeah, right.

– Gates made a pretty nice statement last night when she said, “…we’ll follow the evidence, no matter where it leads.” That’s how it’s done in real life. You take the evidence you have before you, and you follow it to its source. If that source just happens to be your favorite brother-in-law, so be it.

– I don’t think I need to say this, but I will just in case…no police officer would allow a murder suspect to investigate his own case. No exceptions.

– Unfortunately, I missed most of the Tyson/Castle part of the show, including Tyson’s jail visit with Castle, and Castle’s jail escape. But I did get a chance to see Beckett lose her gun to the bad guy, as usual. You know, I think Gates needs to start holding a pre-shift meeting each morning where she can safety-pin Beckett’s gun to her chest. You know, like when mothers pin mittens to their kids’ jackets so they won’t lose them. Honestly, this gun-losing schtick had grown old two seasons ago. At least Beckett and Castle weren’t kidnapped in this episode.

So, what did you think about Mr. Supernatural/Tyson taking 10-15 rounds to the torso and still manage to get away? Sure, they’re going to say he wore a vest. Still…

I almost forgot…I’m quite pleased now that the romance secret is out. I worried they’d jab that in our eye each week, like they did with the “I love you, do you love me,” thing that went on forever. After all, Beckett’s consistent gun-losing nonsense alone is enough to make cops all over the world say…”AARRRGGHHHHH!!!.

*ABC photo

Castle: Murder He Wrote

A romantic weekend in the Hamptons. Well, that was the plan. But the idea was quickly overshadowed by a murder that Castle was determined to solve.

In addition to the murder, though, the newly formed “Caskett” was forced to work extra hard to keep their relationship a secret. However, add a bungling, goofball police chief and two clueless detectives (Ryan and Espo) and, well, the romance was forced to take a backseat to yet another loosely-woven crime plot.

This one was a tiny bit odd for me, making me curious what my review partner, Melanie Atkins, thought of the episode. Were the candles, kissing, and lovey-dovey moments enough to satisfy a true shipper’s needs? Or, did this much-anticipated episode fail to deliver.

Melanie, were you happy with what you saw last night?

Melanie Atkins

A romantic weekend in the Hamptons. Blue skies, perfect weather, a gorgeous house… what could go wrong? Nothing, right? Yeah. Uh-huh. This is Caskett we’re talking about (yes, they came up with that name during this episode — a funny moment, because that’s the name Castle fans came up with ages ago).

When the story opens, Kate and Rick are still trying to keep their relationship a secret to everyone at the precinct. I’m already a bit tired of this storyline, but I understand why they’re doing it. At this point, Ryan and Esposito are intrigued that Kate’s admitted she’s going away with her new boyfriend for the weekend, and Castle claims he’s going to the Hamptons to write. Why the boys don’t put two and two together right then, I don’t know. I mean, come on! They’re detectives… and they both know how Rick feels about Kate, and that she likes him, too. Doesn’t take a genius to guess they’re together now. Still, Ryan and Esposito are dense and don’t get it.

Kate and Rick arrive at Rick’s huge Hampton’s house, and Kate is in awe. No, make that overwhelmed. Overwhelmed by the sheer size of the place, and concerned about the other women Rick has brought there in the past. She asks him about it, instead of running and hiding like she would have done in the past, and that made me smile. He reassures her by saying, “I’m not gonna deny that I’ve brought other women up here, but… none of them were you.” A nice, touching scene, but I would’ve liked a kiss. Please! They’re off on a romantic weekend. Give us more!

That evening, they head to the pool, and Kate drops her robe to reveal she left her swimsuit behind — a fun, sexy scene ruined when a man with a bullet wound staggers out of the shadows and splashes into the water.

That pretty much set the tone for this episode. A lot of near misses in the romance department, and a crazy case run by an incompetent local cop. Once he learns Kate works homicide for NYPD, both she and Rick are sucked into the mystery, and Rick won’t rest until he gets answers. This really bothered me, because he’s in love with Kate, and I wanted him to concentrate on her instead of the case. Sure, he’s a mystery writer who loves a good puzzle, but he’s also a man away for the weekend with a beautiful woman. ‘Nuff said.

While all of this is going on, Ryan and Esposito are busy interrogating Kate’s old boyfriends to try and find out who she’s gone away with for the weekend. They check out Josh first, then Demming and Sorenson. That goes all the way back to season one. And they still can’t put two and two together and get four? I wouldn’t want them investigating a case for me.

Kate and Rick finally manage to solve the Hamptons case, with a little help from NYPD, after being arrested and homing in on several suspects who turned out be not guilty, including a meth addict, a mobster, and a man who runs the local marina. I didn’t concentrate on the case too much, however, and I didn’t really care who killed that guy. I spent all my time trying to keep up with the numerous almost-moments between Kate and Rick. Sure, they kissed a few times the first night while Rick was obsessing about the man in the pool, but nothing really substantial happened on the romance front until the very end of the show. Rick was just too captivated by the case. Once it was done, Kate had finally had enough of being pushed aside by the mystery, and she pressed the issue. I loved the fireplace, the candles, and that gorgeous bedroom… very romantic. Still, I expected more from Rick. I mean, he loves her, right? So drop the case obsession and focus on the relationship. Please!

Ryan, ever the detective, finally learns the truth about Kate and Rick while interrogating a guy the two of them had already talked to in the Hamptons. To his credit, however, he hides the truth from Esposito. Nice. So now three people know about them: Alexis, Martha, and Ryan. I believe that Lanie might know, too, but she’s not talking. Esposito remains in the dark.

The next show, in two weeks, looks as if it might strain the Caskett relationship. Rick is arrested for murder, and in the promo Kate is crying. Yikes! Marlowe has said he won’t break them up, though, so I have a feeling all will work out during the show. Might be touch and go for a little while, though. That might be good, if it deepens their relationship. Come on, writers. Give us more romance!

Lee Lofland

I totally agree with Melanie. I’ve already grown weary of the “hide the relationship” storyline. I hope the writers don’t plan to drill that into our skulls for a couple of seasons like they did with the “junior-high-styled longing from afar thing Castle and Becket did for four years. If so, I don’t think I can take it. And why, please tell me why, Ryan, Espo, and Lanie have had such a difficult time figuring this out. After all, Lanie has a crystal ball, right? Wouldn’t some sort of hazy, smoky image of Caskett pop up from time to time?

Was it just me, or did anyone else feel that Beckett was way out of character in this episode? She was timid, almost mousey. Not the usual take charge, strong female detective we’ve seen for so long. A good example was during the meal with the mobster. Castle did all the talking while Beckett sat there, looking down or away most of the time. Just an observation.

Anyway, on to the cop stuff.

How did Castle immediately know the responding officer was the local police chief? Easy answer.

The four stars on his collar designated his rank as chief of police (any series of stars indicates the rank of police chief). A police chief may also opt to wear a colonel’s eagle, another insignia indicating the rank of police chief.

– The police chief was firmly convinced that the meth user on the beach was the murderer, simply because the victim’s wallet was found in his possession. Therefore, the top cop opted to skip any further investigation, such as checking for bloodstain patterns, etc. Unfortunately, this sort of thing does sometimes occur in really small departments in jurisdictions where murder is a rare occurrence. In those instances, it is slightly possible that not every single case is fully-investigated, which means no fancy CSI gadgets, no DNA testing, and no fingerprinting. However, in most of those areas, the local officers know everyone and the criminal suspects are usually the same handful of people who commit crimes over and over again. Therefore, it’s quite possible to  solve some crimes without collecting a single piece of physical evidence.

– Castle and Beckett were arrested for interfering with the police investigation. Really? For asking a simple question. Would not happen. But, if the arrest did occur, they (male and female) certainly would not be placed in the same holding cell/cage.

– The Hampton’s police officers found the original murder suspect passed out on the beach. A man they claimed was wacked out on meth. Well, I’ve never seen anyone who was still high on meth remotely doing anything that resembled sleeping or taking a nap. Instead, they’re normally extremely hyper, won’t shut up, and haven’t slept for many hours, or even a couple of days.

– We saw an attorney sitting in while his client was being intensely interrogated by Detective Ryan. No way on earth a defense attorney would allow that sort of thing. No way. Normally, they advise their clients to remain silent, to say absolutely nothing. And they certainly wouldn’t sit there like a knot on a log while the detective yelled and screamed and accused their client of of everything imaginable. This scene was totally unrealistic. However, it was funny when Ryan realized the suspect had seen Beckett and Castle together at the Hamptons.

– Did anyone “knot” know that Castle tripping over the pile of rope on the dock would be instrumental in his solving the case? Sure you did, right? After all, there may as well have been a flashing red neon sign floating above the tangle of rope.

Of course, Castle solved the crime and everyone lived happily ever after. And that brings me to one important point to note—this episode was light and funny, and it reminded me of the the earlier episodes when the show was fun to watch. No dark “save the world from destruction” plot. That—the characters doing what they do best, the light, cute, and funny—and the romantic spark, is what keeps viewers on the hook wanting more.

Anyway, overall it was a fun episode. Don’t you agree?

*Remember, we skip a week before the next episode airs. Until then…cheers.

 *ABC photos

Castle: Secret's Safe With Me

 

Let’s just say this episode was a little weird. Odd, even. But the Beckett/Castle relationship is going well, and that’s the main thing, right? So before I dig into the police procedure and equally bizarre forensics, let’s see what Melanie thought of this “eye” opening show. Melanie, are you there?

Melanie Atkins

This episode seemed kind of odd and convoluted, but most of it was about “stuff”. Alexis’ stuff, Kate’s stuff (hers had a whole different meaning to Rick, if you know what I mean), and the stuff inside the storage unit he bought. Even Gates got into the act by liking those creepy little dolls. And apparently, people with stuff have secrets. Rick and Kate have a secret, too. Their relationship. So far, no one else knows… or so they think.

When the show opens, Alexis is boxing up everything she owns in preparation for moving into her dorm room at Columbia University. Who takes all that stuff to college? No one I know, but then again, this is TV. While Martha and Rick are helping Alexis pack, Martha lets Rick know she knows about him and Kate, and she urges him to tell Alexis. How did Martha find out? She says, “A mother always knows”, but my guess is that she saw Kate in the closet that day when she came home unexpectedly. Rick does tell Alexis, and she is less than pleased. Or is she?

Rick truly believes his daughter doesn’t like Kate — that Alexis believes Kate might replace her  in her father’s heart– and he tells Kate. She offers to talk to Alexis, but he says no. Turns out that was a good idea, because later in the show we learn Alexis wasn’t upset about their relationship after all. No, she was more worried about leaving home, because her dad wouldn’t be there if she needed him. I can see that happening, I guess, but when I went to college I couldn’t wait to move into the dorm. Alexis’ father is Rick Castle, however. He’s not only been her dad, but also her playmate and her best friend. They’ve played laser tag, built forts, and practiced fencing together since she was little. So now, she’s having trouble dealing. She even got him to look under her bed to check for monsters one last time, and I thought that was sweet.

Back to the stuff. Rick finds a funny little stick man in Kate’s desk, and she doesn’t want to talk about it — even when he surmises that it’s the victim of a murder at a stickman convention. That made me laugh out loud! Later, though, Kate tells him how she got the stick man… a very sweet story involving her dad and a trip to Coney Island after her mother’s funeral. In my opinion, her sharing this story with him was another milestone in their relationship. Kate is opening up more and more.

Then they shake hands. A very sensual handshake in lieu of kissing in the precinct. A handshake that in my opinion should have drawn more attention than any kiss. Wow. Talk about sparks… That was nice, but I wanted another actual kiss like we got last week — not all of the almost kisses we got because they were always together at the precinct and never at home. They’re still together, though, and appear to be going strong. So I’m happy.

The promo for next week’s episode made me smile as well. Rick and Kate go to the Hamptons for a romantic weekend that, of course, is cut short thanks to a murder — but maybe we’ll at least get a few kisses.

Lee Lofland

Okay, before I start I want to remind everyone why I do the review of the police procedure and forensics. So please read this disclaimer before sending the scores of hate mail I normally receive after these reviews are posted. Of course, I do find many of them as entertaining as the show, such as this charmer from last week, “You’re an idiot and don’t know what you’re talking about. Instead of relying on guesses and information you’re surely reaching to outer space for, you really should buy a book on police procedure and READ IT before writing another one of your misinformed reviews.”

Really? Did you really and truly go there? Read a book on police procedure? Me? Why, I think that’s a great idea. In fact, I’ll just reach right over to my bookshelf and…hmm…let’s see…which book should I pick? Yes, here’s one on police procedure. Who’s the author? Oh yeah…ME!

Anyway, I like the show and I think the characters are fun, for the most part, especially the core four—Beckett, Castle, Ryan, and Espo. But I write the reviews on police procedure because a group of mystery writers (also fans of the show) asked me to point out the incorrect police procedure and forensics so they wouldn’t make the same mistakes in their work. So that’s how and why this review came to be. I know the show is fiction, and to the Lanie worshipers who write me regularly, yes, I know Lanie does not practice voodoo in real life (and you do realize Lanie is a fictional character, right?).

Okay, enough of that. On with this episode…

Lanie – “Victim died from a single gunshot wound to the chest.” Well, there’s no way to determine that until autopsy. Although, it would be a great guess given the bullet wound and amount of blood at the scene, but still impossible to determine for sure at that point. And, it’s darn near impossible to determine the caliber of the round at that point.

– Lanie holds up an evidence bag containing an intact round, casing and bullet. Now, I don’t mean to be picky, but normally (ALWAYS) a bullet separates from the brass when the round is fired. The bullet travels away from the weapon, leaving the brass behind. So, unless the killer manually inserted this bullet into the body of his/her victim…Well, you get the idea. Besides, where did Lanie get the bullet? Did she dig into the victim’s chest to retrieve it on scene? Silly. Just plain silly.

– Bloodstain patterns/spatter on the victim’s face and neck were not consistent with the gunshot wound. Well, unless she’d been standing on her head when the bullet struck the flesh, that is.

– Lanie is a one-stop-shop for all things forensic. I realize the writers use her as an information dump to dish out clues, but why don’t they do it in a way that’s believable? Make her a scientist or a lab rat, or any other character who’d have the skills and knowledge to determine and report findings such as fingerprints and DNA. M.E.’s are NOT fingerprint examiners. Nor do they conduct DNA testing. Sure, they’ll collect samples, but those samples are sent to labs for testing—labs with scientists who are trained to run the appropriate tests.

For Lanie to say she found a partial print on a shell casing is ridiculous. The casing would have been collected at the scene by CSI’s or detectives and then sent to a fingerprint expert at the lab. Then, the expert would submit results/findings back to the investigator. What would work just fine for this show, though, would be to have Lanie simply say something like, “Billy Bob in the lab says he found a print on the casing, and it’s not a match to anything they have on file.”

– Just for fun… Why did Castle need to break open the doll to retrieve the contents from inside? How’d the bad guy get those things in there in the first place? The doll wasn’t broken then, I wouldn’t think? Just a thought.

Okay, the glass eye thing was just plain stupid. Didn’t make sense. Didn’t fit the story. And, well, think about it… A man is driving along and rear-ends the car in front, killing the two occupants. He gets out to see what he’s done, when suddenly his glass eye pops out and rolls away. So he leaves the scene of the crime, with one eye open and the other closed. Then, years later, out of nowhere, someone breaks into the house where the hit-and-running, one-eyed-guy works as a butler. And what does the thief steal? Yep, the butler’s spare eye. So the butler a-s-s-u-m-e-s the theft is related to the accident and then kills everyone related to the past crime, hoping to retrieve the evidence (the lost eyeball) linking him to the deaths.

And, of course, super-voodoo Lanie has found DNA on the original glass eye (the one lost at the accident scene) and matched it to the butler’s DNA. Well, where did she get the butler’s DNA to use for comparison to the DNA she (which is ridiculous for a M.E. to do to start with) says she found on the lost, but now found, glass eye? And, what about…

Okay, that’s enough. I quit. No more. This one gave me a headache.

*By the way, there was a bonus in this episode for Writers’ Police Academy attendees, and that was a funny line delivered by Beckett when she and her team found one of their “red-herring” suspects in the back of a van, using a grinder to open a stolen safe.

Beckett – “Take your hand off your tool, Marco.”

WPA recruits will get it…right, guys?

Castle: Cloudy with a chance of murder

 

It was five years ago when TV viewers were treated to a fun new show about a mystery writer who tagged along with a police detective as research for his books. The show was funny, with bits of police work tossed in. Everyone loved it, and the program, Castle, quickly became one of the most talked-about TV shows on the air at the time. Then things went a bit askew. Castle somehow morphed into an after-school-special-like show, where the two stars, Castle and Beckett, focused on a junior high-ish “do you love me, check yes or no” type of relationship. For many viewers, the kid-like wannabe love affair was boring, and it was extremely frustrating to fans.

BUT…this season “fun Castle” is back. So far the episodes have returned to the original premise of funny with a little police work tossed in, albeit bad police work. But hokey police procedure and forensics is not what makes the show what it is, and that’s a great mix of core characters—Castle, Beckett, Ryan, and Esposito—who really know how to play off one another to deliver darn good entertainment.

And speaking of Castle and Beckett “playing,” here’s Melanie’s Good Cop take on this week’s episode.

Melanie Atkins

Before I get into the meat of my blog, I have to mention that I know Lee had to be rolling his eyes the second Lanie appeared on screen. Why? She mentioned lividity when talking about time of death. I flagged that one, and I’m sure Lee caught more things wrong with her assessment of the body. Anyway, that’s not my job.

I’m supposed to talk about the romance, and we got plenty of that right up front tonight. I loved that Rick was at Kate’s while she was getting ready for work — and then we finally got the kiss we missed last week. Squee! Kate’s little “wow” as she pulled away didn’t hurt, either. Those two have it bad, and I couldn’t stop smiling.

Of course, Kate fears Captain Gate’s wrath if she learns they’re together, so they decide to hide their relationship from everyone at the precinct. I think that’s kind of silly, because as Rick pointed out, he doesn’t actually work there in any official capacity. Still, their subterfuge made for some funny scenes. Lanie almost outs them, but even with her voodoo logic she couldn’t unravel the mystery.

Kate and Rick conspire to both act as if they’re single whenever they’re out in public, and Rick takes that to heart and agrees to a date with a swarmy, bikini wearing entertainment reporter — much to Kate’s chagrin. She stays at the precinct to work when he goes on the date, but she’s jumpy and keeps checking her watch. Can you say jealous Beckett? Teehee! I love it.

Bikini woman turned out to be an octopus, with busy hands and an even busier mouth. She didn’t even give Rick a chance to meet her at the restaurant. Oh, no. She showed up at his door with oysters and chocolate covered strawberries and then jumped him before they could get the food out of the bag. Who knows what she might’ve done if  Rick hadn’t accidentally butt-dialed Kate when the reporter shoved him up against the refrigerator? That cracked me up, because I’m always butt-dialing people; it’s easy to do with an iPhone unless you lock it.

Kate hears glass break, courtesy of the woman pushing Rick into the fruit bowl and knocking it to the floor, and races to his apartment. Loud voices echo in the hallway, and she bursts in with her gun raised and finds the woman straddling Rick on the couch with her bikini clad boobs in his face. He’s not really participating in the kissing — or is he? I was surprised she didn’t shoot that slutty heifer right there on the spot. Might have been messy, but what satisfaction.

Luckily for Rick, Kate finally accepts his apology. Then the two of them agree to talk about dating other people — to act single in front of others — but promise to not actually do it. I don’t know about you, but that makes me happy. They’re obviously totally smitten with each other.

Except… Kate won’t kiss Rick right away, because she can’t get over the image of that woman’s boobs in his face. I don’t blame her! Too funny. I really enjoyed this episode. I love that they’ve brought the humor back, and I think they’re doing a great job with Kate and Rick’s relationship, too.

Can’t wait for the next episode!

Lee Lofland

I, too, enjoyed this week’s episode. And I’m certainly pleased to see Castle and Beckett together, in a relationship, instead of passing imaginary notes back and forth in the rear of a 6th grade classroom. So far, having the two of them together is working nicely, although, I do worry a bit about the writers putting too much focus on hiding their (Castle and Beckett) relationship. Doing so could become as tiresome as the “look, but don’t touch” song and dance we suffered through for the past few years. For now, though, it’s fun.

Okay, on to the reason I do my part of this review. And, for those of you who don’t know, this “review” started when real-life mystery writers asked me to point out the flaws in the police procedure and forensics in the show so they wouldn’t make the same mistakes in their writing. So…

First mistake…Lanie. However, her comment about lividity last night just might have been correct. Lividity, or Livor Mortis, is the pooling of blood in the lowest portions of the body. Lividity is caused by gravity, and begins immediately after death (as soon as the heart stops pumping) causing the familiar purplish discoloration of the skin. The process continues for approximately 6-12 hours, depending upon conditions, until it becomes fixed, permanently staining the tissue in the lowest parts of the body.

Therefore, if lividity was fixed when Lanie examined the body, then her statement could have meant that the victim had been dead for at least 6-12 hours. And, I believe that time-frame fit last night’s scenario. So this time Lanie’s reference to lividity could have been correct. Now, whether or not that was done on purpose…well, who knows?

However, let’s fast-forward to the scene in the morgue. Here, Lanie reverts back to her old unbelievable self. Yes, I realize the writers are using her to dump clues on us, but why don’t they do it in a manner that’s believable? For example, Lanie stated that she’d discovered makeup on the victim’s blouse, which was a good observation. But then she said the positioning of the makeup indicated that she was close to someone, like she was fighting. REALLY? FIGHTING??? Couldn’t the discovery of makeup on a blouse indicate that someone could have hugged the victim, therefore the transfer of makeup? In fact, there are several reasonable explanations for the makeup on the blouse. Then came the real “throw the remote at the TV moment,” when Lanie said the makeup was specifically formulated for high-def TV cameras. Again…REALLY? How on earth could she possibly know this? She’s a medical examiner, not a psychic chemist!

Then there was the blood spatter on the blouse, and I’ll give Lanie a pass on this one because there’s a good possibility a medical examiner would catch those details. Lanie said the spatter indicated the shirt had been ripped after the shot was fired. Spatter patterns would definitely indicate this, and, if the shirt had been ripped prior to the shooting there would have been spatter on the exposed skin.

– Anyone notice the Y-incision, and that it started at the top of the shoulder? There are no internal organs resting on top of the shoulder, therefore, the incision does not begin waayyy up there.

You can view a photo I took of an actual Y incision post autopsy here (scroll down the page). Notice where the incision starts (not at the top of the shoulder).

WARNING – GRAPHIC PHOTO OF AUTOPSY!!! Please do not click the link if this sort of thing is offensive to you.

Moving on…

– Of course, we were treated to an entry into a suspect’s apartment, an entry that was without a warrant. Shouting, “NYPD!” does not automatically grant access to a private residence.

– Ryan and Espo each receive a black eye while attempting to connect with a suspect, a suspect who just happened to employ very large security personnel. Yep, the security dudes landed a couple of hard licks to the noggins of the dynamic duo. What I found to be realistic in this scene was that Ryan and Espo did not give up. Instead, they fought the fight until the behemoths were in cuffs, and the suspect was in custody. That’s how it’s done in real life, too. Cops don’t give up. Once they commit to an arrest, they see it through until the cuffs are on and the bad guy is in their custody. The time to worry about the bruises and cuts is later.

All in all, the episode was fun. The focus was not on the case, but on the newly budding relationship between Castle and Beckett. And that’s a good thing for Castle fans.

Lanie, on the other hand, should remember my line…good fiction is believable make-believe. Unfortunately, her character is still not believable.

*ABC photo (top)

Castle: After The Storm

Well, IT finally happened. And, from the looks of things in last night’s episode, we could be in store for a few good laughs due to the newly-added twist (hiding Castle and Beckett’s steamy-hot relationship).

The season opener also delivered closure (sort of) to the never-ending “who killed my mother” saga, another storyline that had been beaten to death by the writers.

This season, though, has the potential to be fresh and exciting, and I hope the writers take full advantage of the situation they’ve created. And, speaking of excitement… I sensed Melanie’s squeals of delight as each scene played out last night. Now, there’s no holding her back after five full days joy (four at the Writers’ Police Academy and Castle on Monday night). So let the season of our good cop/bad cop reviews begin. Melanie, the floor is all yours…

Melanie Atkins

This has been a l-o-o-o-n-g summer for me. A long, hot summer with no new Castle episodes after that delicious scene near the end of Always, last season’s bittersweet finale. I lost count of how many times I watched Kate and Rick kiss against that door. Not only did I almost wear out my Tivo, but I also read many wonderful post-Always fan-fiction stories. The Castle fandom has a plethora of excellent writers, and I think all of them wrote at least one.

Finally, however, the first day of season five arrived, and I was not disappointed in the new episode. Andrew Marlowe treated us to the morning after that riveting scene from last year… complete with proof that Beckett and Castle spending the night together was not a dream. They did indeed sleep together in Rick’s bed, and they made love. Not just once, but… how many times? And can you say “hair porn”? Kate’s hair looked darn good after she showed up so wet the night before at Rick’s door. I had to grin at that.

Kate is confidant, yet tentative about their new relationship, and Rick is cautious but ecstatic. Yes, they’re a couple now, but during that first scene they abruptly decide to keep their union under wraps — for a while, at least — a difficult task, even though it’s fun for viewers. I cracked up as Kate tried to sneak out of the loft without Alexis or Martha catching her. Too funny. Keeping the secret from Ryan and Esposito will be even more difficult, I fear. Difficult, but fun.

I enjoyed this fast moving episode — the morning after scene, the race to find the file, Ryan’s desperation, Esposito’s anger, and Kate’s kickass moment with the senator — but I also wanted Rick and Kate to kiss. I mean, seriously. We were treated to lots of heated looks and small, intimate moments between them, including a sweet hug when Rick offers to take Kate away somewhere to keep her safe and Rick waking up alone in her bed the morning she goes after the senator, but we didn’t see them share a single kiss. Bah, humbug.

At least kickass Kate came up with a solution of sorts to neutralize the threat against her — a jerk senator who wields power like a club to get what he wants. I call it “a deal with the devil”, but hopefully it’ll work… and will allow Kate and Rick to concentrate on each other instead of the case.

Kate also made a deal with Gates to allow Kate to return to the precinct after she finishes serving her suspension. We knew, of course, she’d eventually go back to the 12th.  I mean, after all, the show is about a writer shadowing a detective… and Kate has such drive and derives so much pleasure from giving victims closure, I can’t see her doing anything else. Although I’m sure Rick would be happy even if she sold magazine subscriptions, because they’re together now.

I’m reeling with happiness, too. Finally, after years and years of being disappointed, a show is giving me what I want. A true romance. The previews of next week include a kiss, too. Wahoo!

Is it Monday yet?

Lee Lofland

Sure, the lovey-dovey, mushy-gushy stuff was great. And it worked well, I thought, for the show. After all, those two have been in a “I love you, do you love me, check yes or no” junior high relationship for so long… Well, long enough that I’d begun to pray for Lanie to make an appearance on screen just to give me a different pain in my…um…side to worry about. And you all know how I feel about the Voodoo M.E.

Anyway, on with the show, as they say.

– Beckett resigned, therefore she was no longer a police officer. So…when she kicked in the door of a private apartment she had committed breaking and entering, a felony. Next, I’m assuming it was Beckett or Castle who called EMS to attend to the badly beaten Mr. Smith. But where were the cops? EMS would have immediately called them to the scene, fearing for their own safety—door kicked in with patient badly beaten and tied to a chair…

The good thing about the scene was that someone had taken the time to be sure the doorjamb broke in all the right places when Beckett kicked it.

– Beckett and Castle paw through Mr. Smith’s files. I guess they weren’t concerned about leaving fingerprints in the apartment of a badly beaten man. You know, since they were there when EMS arrived, which would probably be a red flag to the first responders…like maybe those two were the people who inflicted the wounds on their patient.

– Some things never change. Beckett got kidnapped again, losing her gun to the same guy she lost it to last season. At what point does she become a liability to the department? Losing your gun ten times in a few weeks? Getting kidnapped the same number of times? Placing a civilian in the same dangerous situations? Of course, it’s the civilian (Castle) who usually gets her out of the tight spots.

– One thing has already changed this season. Someone, Espo I think, used the term BOLO in lieu APB, as they’ve said for the past four seasons. BOLO is the acronym for Be On the Lookout, the term that is most often used by today’s law enforcement officers. APB = All Point Bulletin. I haven’t heard that one used in many, many years, well, except on Castle.

– So Mr. Smith, in pain and agony and on the verge of slipping into either death or coma, utters an address to Castle. And we all know what happened when the dynamic duo arrived there. Yep, Maddox, after taking Beckett’s gun, triggered a bomb hidden in the floor, a bomb I’m guessing that Mr. Smith had placed there. So why, then, did Mr. Smith send Castle and Beckett there? Did he want them to blown to bits like the file?

– The file. Blown into a thousands of pieces. Scattered everywhere, among tons of debris that included body parts. And what about the huge fireball that came with the explosion? Yet, in spite of all of the above, Beckett and crew were able to piece together just the parts of the file they needed to nail the Senator, the guy who killed Beckett’s mother. Puhleeze….

– How and where did Beckett get all the stuff one the whiteboard she so conveniently had at home. Remember? Montgomery’s photo, photos of the other players, etc.

– How did Beckett get by the police guard stationed at the hospital. Don’t you think the officers might have at least asked for her name and/or ID?

– Why were the bad guys (the Senator and his evil sidekicks) only after Beckett? After all, Castle and crew also knew everything Beckett knew.

Still, the show was okay. And I’m truly glad that Beckett and Castle finally got together for a little “quality time.” Maybe, just maybe, we’ll see the show get back to its roots, with the funny and quick banter. After all, that’s what this show does best.

We’ll see…

Castle: Always

 

Well, it happened. They’re together. And if what we saw last night was any indication of the intensity…well, they’re probably still together as you read this review (and I don’t mean they’re together having coffee either).

But, how it all plays out now remains to be seen, because it’s just not cool, or safe, to have your romantic partner at your side while you’re serving a high-risk search warrant (I know, Beckett and crew never bother with obtaining search warrants) or shooting it out with evil villains. Still, I’m thinking…no, I know, there are thousands of fans all over the country who are extremely happy this morning. And Melanie is one of those giggling, gushing shippers. So take it away, Mel, before you explode…

Melanie Atkins 

The episode title says it all. The Beckett-Castle catch word. Always. Never mind the angst, the pain, Beckett’s fruitless fight for justice. Marlowe and company promised satisfaction for us shippers, and they finally delivered. Did they ever!

For starters, Rick invited Kate for a movie date to help him survive the sadness/joy of Alexis’ graduation night — and she said yes. Was he shocked? Yes! Shocked… and breathless. Then she took his hand after the case broke, and he told her she wouldn’t fight alone this time. I loved that scene. So sweet, so heartfelt. So Kate and Rick. Then more came out about the murder, and who had done it, and they grew positive it was connected to Kate’s shooting/her mother’s case.

Rick tried to talk Kate down, tried to get her to step away. Nathan rocked that scene. Wow. I had tears in my eyes, too. Rick’s desperate I love yous broke my heart, because Kate, feeling betrayed by his secret and still so fixated on her mother’s case, refused to heed his warnings. Refused to back down, even though he begged her to choose him. To choose life.

So he walked away. That had to be the hardest thing he’d ever done, but he just couldn’t take it anymore… and I don’t blame him. At that point, I wanted to walk away, too. What an idiot Kate was to face that guy on that rooftop alone. Even with Esposito’s help, she was no match for that well trained assassin. If not for Ryan defying Kate and Esposito’s wishes and going to Gates, she would have died.

Gates was right to suspend them. I knew Kate was going to resign, because I’d seen the sneak peeks, but it still hit me in the gut. Didn’t seem like a Beckett thing to do. Then I saw the scene in Castle’s loft, against the door, and it all made sense. Will she try to get her job back next season? I’m betting on it. Still, the symbolism in that scene, with her staring at her badge but ultimately choosing Rick over the job, was so powerful.

I loved the juxtaposition of Alexis’ graduation speech about endings with Kate and Esposito leaving the precinct and Rick and Martha in the audience at her ceremony. Then came the swings. The same swings where Kate and Rick talked in Rise, the first episode of this season. The swings where Kate promised Rick she was going to get better. Kudos for Andrew Marlowe for having her return there… even though the rain was pouring down and sadness reigned. The symbolism here? She’d come full circle, and made an important choice.

She chose Rick. The next to last scene, when she showed up at the loft, blew me away. Talk about intensity and heat and chemistry… Nathan and Stana brought it in spades. Wow. Kisses, apologies, gentle touches… “What happened?” Rick asked after Kate apologized. “He got away, and I didn’t care,” she said. “I almost died… and all I could think about was you. I just want you.” Holy moly! I can’t tell you how many times I’ve watched that part already, because I’ve lost count. You can laugh at me, but I’ve been craving that for four long years. Finally! Kate and Rick are together… and I love it.

I did not expect the last scene, however, and the looming threat still hanging over Kate’s head. Yet I choose to believe Rick will protect her and things will work out in the end. They have to, because Marlowe declared long ago that his plan was for Castle to be “a great romance”… and all true romances end in happily ever after.

Thank you, Andrew and Terri (Andrew’s wife, Terri Edda Miller, who co-wrote the episode with him) for a stellar finale despite Beckett’s stubbornness. I already can’t wait for season five, and we have over four months to wait. Aarrgghh!

Okay, you know what’s coming. But I have no choice…the show opens with Lanie. Before I start in on her nonsensical babble, though, I want to thank those of you who sent all the absolutely marvelous hate mail last week. After reading some of those messages, well, you’d think I’m the person who writes Lanie’s crappy lines. But I’m not! So don’t blame me for the ridiculous garbage we hear spilling from her lips. However, I, too, wonder why they write this stuff for Lanie but not for the others who play similar parts.

Anyway, it was Lanie and her X-ray specs and crystal ball that we were forced to endure this week. Starting with…

“He was hit in the shoulder with what looks like a .357, but the kill shot was point blank, execution style with a 9mm.”

Well, you know, you can’t tell the caliber of bullet merely by looking at an entrance or exit wound. And that’s especially true when the shot is fired from a distance and/or from an angle. Even the close contact wound to the forehead would be difficult to narrow down to a specific round (9mm’s and .38’s are pretty close to the same size). For example, what size (caliber) rounds (bullets) made the holes in the door of the LAPD police car in the photo below? How many different weapons were fired? What calibers?

LAPD Museum image

Give up? The holes were all produced by the same weapon and same rounds. So you can see how difficult it is to make a determination by sight alone. And, at times, it can be a bit more difficult when the holes are in human flesh because flesh is pliant and can close in around the wound. Or, the flesh can tear, making the wound much larger than the object that penetrated it (like the metal around the bullet holes in the car door above).

Unfortunately, Lanie didn’t stop there. “Grooves in the shoulder indicate that he was carrying something heavy…” Okay, I’ll go along with that, but she couldn’t leave well enough alone. “…I’d say at least 30 lbs.” Why not 20lbs.? Or 70, or 43, or…?

Anyway, after all her psychic predictions she finally said, “But I’ll know a lot more when I get him back to the morgue.” Bravo, Lanie. That’s what you should’ve said in the first place.

Actually, the conversation should’ve been more like, “Well, the cause of death was more than likely the gunshot wound to the forehead. But I won’t know know for sure until I get him back to the morgue. After all, he could’ve bled out from the shoulder wound. It looks pretty nasty…probably a large caliber weapon. Maybe a .357 or .44.”

Okay, enough of Lanie. Now for the entry into the gang guy’s apartment. First of all, homicide detectives aren’t the officers who normally suit up in SWAT-type gear and then use explosives… Hey, wait a minute. Why did they use explosives to take out half the wall? Why not a battering ram? After all, the charge was so large that it certainly would have harmed the officers who were standing beside the door. Definitely overkill for dramatic TV. No, it’s not like that in real life. However, explosive charges are sometimes (rarely) used when entry absolutely cannot be made any other way, such as when attempting to breach fortified buildings. But not for thin wooden apartment doors, and especially not when there are other people living in close proximity.

– Did anyone else notice the words used by the super-tough gang leader during his interview with Beckett? Sounded like something straight from Guy Noir. ...”caught a glimpse before the night swallowed him whole.” What gang leader hood/thug talks like that? The night swallowed him whole…puhleeze.

– Castle trying to stop Beckett’s harsh interview tactics was a little off for me, unless he was playing the part of the good cop. Oh, wait a minute…HE’S NOT A COP! But now neither is Beckett, for the summer anyway.

You know, I’m not going to get into the relationship aspect of the episode. I think Melanie has that covered nicely (and boy are the two of us butting heads over this stuff!). I will say, though, that I’ve grown a little weary of Alexis acting like a 12-year-old. You’re going to college. Get over it. Grow up. And stop whining!

I almost forgot…what was up with the evil villain guy? He’s on a relentless mission to kill Kate Beckett, a single woman who lives alone in an apartment. She goes to work everyday, in the same place during the same hours. Her only partner riding in the car with her is an unarmed, goofy writer. How difficult would it be to take her out? Instead, this pitiful excuse for a hit man employs tactics like another famous villain…Wile E. Coyote. Yep, the similarities are uncanny. As simple as the task at hand should be, Wile E. orders weapon after weapon from ACME—non-exploding bombs, fake holes in mountainside, uphill-rolling boulders. And our super villain is no different. He had his own roadrunner (Beckett) hanging from a ledge by the tips of three or four fingers, when the ACME ledge-falling device backfires and Kate survives, and I think I know how she did it.

See you next season…

 

 

 

Castle: Undead Again

 

Zombies on the move in New York City can only mean one thing…fun, and lots of it. Yep, for the first time in a long time, Castle fans and viewers have been treated to two, yes, count ’em, two fun episodes in a row (you know things aren’t going well when an episode featuring zombies—the walking dead—is lighter than what’s normally served to the weekly viewing audience).

Last night, our crime-fighting duo (in this case, Zombie-fighting duo) were on the hunt for the “zombie” who killed David Lock, a rising Wall-Streeter. Of course, the writers delivered the usual number of red herring/suspects, and, of course, Beckett raked them over the coals for the standard 30 seconds before releasing them, as usual. Still, the case was lots of fun, and it was quirky, like the Castle cases from the days of old. Again, a fun and solid 40 minutes (+/-) of TV watching.

Before I get into the police and forensics aspects of this episode, let’s see what Melanie has to say. Hopefully, the zombies didn’t grab her during the night…

Melanie Atkins

Okay, I’m having trouble concentrating on writing this blog after seeing the previews of next week’s season finale. I mean… the title for it is Always. Rick and Kate’s catch word. Need I say more? Squee!

But I digress… back to this week’s episode. Zombies, the “undead”, and murder… oh, my! A classic Castle episode, with laughs, drama, and moments that made me smile. I enjoyed this one, especially for the touching moments between Rick and Kate and Rick and Alexis.

The episode opens with Alexis breaking Rick’s heart by telling him their laser tag days are over. He looked so sad. His little girl has grown up and will soon leave for college. Still smarting from her rejection, Rick talks to Martha but doesn’t get much sympathy. She pretty much reams him out for treating Kate the way he has lately — and I don’t blame her. (Go Martha!)

Still hurt and acting like a kid who’s had his candy stolen, Rick decides to work one last case with Beckett, then say goodbye for good. Please note that he stopped calling her “Kate” a while back. All of that familiarity ended when he overheard her tell the kid in interrogation during the bombing case that she remembers everything from her shooting — and then he failed to confront her or question her or say anything at all about it. Instead, he turned passive aggressive and did his best to hurt her back by bringing a flight attendant to a crime scene, teaming up with a rogue gang task force detective, and just generally being an ass. Way to go, Castle.

Rick and Kate have always said more through subtext than any other way, and their interaction tonight was no different. While discussing a suspect, they hit on Kate’s shooting… and what she does or doesn’t remember about that day. “When a life altering moment occurs, people remember,” Rick says. And Kate comes back with, “Well, maybe it’s too big to deal with. Maybe he can’t face it just yet.” “Do you think he ever will be?” Rick asks, and Kate looks at him. “Hopefully. If he feels safe.” Yes, folks, they’re talking about much more than zombies.

The end of the episode brings this full circle, when again they speak via subtext and Rick learns Kate has been seeing a therapist in an effort to get better after her shooting, to help her deal with everything she does remember — including his desperate I love you. She also tells him the wall around her heart is coming down. “Well, I’d like to be there when it does,” he says, hope finally returning to his eyes. “Without the zombie makeup.”

So… Rick hasn’t worked his last case after all. Did we really think he had? No, of course not. And we have the awesomeness that is Always to look forward to next week. And Alexis hasn’t given up laser tag. After all, it’s a Castle family tradition. She also plans to go to school at Columbia rather than Stanford or Oxford… and she even makes Rick promise not to drop in on her. Yeah, right. Like he’s going to be able to stay away. So… times they are a-changing in Castleland, and I for one am thrilled.

Lee Lofland

This week we were once again treated to a medical examiner we could believe…M.E. Perlmutter. This guy plays the part well, and he delivers his opinions and findings in such a way that makes even the “not-quite-right” seems plausible. His lines last night weren’t loaded with unnecessary and unrealistic babble like what we normally see on this show.

The writers assigned Perlmutter just enough dialog to get a point across, and that’s all that’s needed. For example, when Perlmutter said to Castle and Beckett, “I’ll have answers after I cut him open.” See how easy that was. No crystal ball. No Ouija board. And no pin-stuck dolls.

The Perlmutter actor plays a great part. I wish we’d see more of him and a whole lot less of “the other one.” The M.E. from the last episode played the part quite well, too. Somebody should take the hint…

Again, like the other fun episodes, the criminal case took a back seat last night. However, there are a couple of  things I’d like to point out for the writers out there who read this blog.

– Besides the fact that these people never get search warrants, kicking in a door is not as easy as these guys make it seem. I’ve witnessed officers, really big officers, who’ve planted their size 13’s on doors that absolutely refused to budge. Sometimes, in fact, it can even be difficult to breach a door with a steel battering ram. And, you know, I’ve never worn heels, but I sort of imagine the task of kicking in a heavy wooden door is even more difficult while wearing the shoes Beckett had on last night (image below).

– Finding and identifying a chemical on the bottom a victim’s shoe was pretty remarkable, especially in the short amount of time that we saw last night. But to narrow that chemical down to only three locations in NYC was borderline absurd. Oh, and the right warehouse was one that had been abandoned for a long, long time… Hey, who wrote that stuff…Lanie?

– Beckett worries that this case could be what every cop dreads…the perfect murder. Well, there is no such thing as a perfect murder. In fact, do you remember the old tag line from this blog… “There are no perfect murders, merely imperfect investigations.” The clues and evidence are always there. It’s up to the investigators to find them. However, that’s not always an easy task. And that difficulty (lack of manpower, lack of training, lack of funding, lack of equipment, poorly-equipped or non-existent labs, etc.) makes some cases seem unsolvable. But that’s never the case.

I suppose I should address Scopolamine since its use on the killer was the reason Beckett gave for setting the murderer free without charges (I really don’t see that happening in real life, but stranger things have happened…OJ, Casey Anthony, and PeeWee Herman is back on TV).

Anyway, Scopolamine is a real drug that’s used to treat motion sickness, among other things. The drug is derived from the nightshade family of plants (jimson weed and Angel’s Trumpets (Datura or Brugmansia), and corkwood (Duboisia). If you live in the south you’ve probably seen jimson weed growing wild on the side of the road. And I recall seeing Angel’s Trumpet everywhere in California.

I’ve seen prison inmates who ingested jimson weed seeds to get high, and the results were never pretty. For example, one young man in a youthful offender center was found sitting on a toilet making motorcycle sounds (with his mouth, not as a result of the horrible prison food). He was hallucinating…vividly, thinking he was riding a Harley out on the open road. Then, well, who knows what he encountered during the hallucination because he went absolutely berserk, thrashing about, screaming, crying, and attempting to get away from an invisible demon while violently slamming his own very-real head into the concrete walls.

Scopolamine is made from that same family of hallucination-inducing plants. And people have been known to use the powder form as a date-rape type drug. It’s also been used to render unsuspecting victims to the point of being “out of it” for the purpose of robbing them.

The drug in raw form is a highly toxic poison and its use often results in death.

There are many rumors associated with Scopolamine, including the horror story of the people passing out Scopolamine (burundanga)-laced business cards. The tale, which, by the way, is currently making its way around the internet, describes the victims being rendered unconscious after touching the cards, at which time the crooks steal, rape, and rob to their heart’s content. This story is FALSE. I repeat, it is FALSE.

But that’s enough about the police stuff. The show was Castle 101 and the only thing missing was Michael Connelly and gang at the poker table.

Here are some of the great lines from last night.

– Perlmutter after seeing Castle cringe regarding autopsy details – “We’re all meat, Castle. Get over it.”

– Ryan and Espo discussing zombies:

Ryan – “He does look like a zombie.”

Espo – “A real zombie? I’m embarrassed for you, bro.”

And the best line of the show…

– Castle while dialing 911 after the “dead” zombie bolted from the morgue – “Is there a police code for ‘zombie on the loose?'”

Well, there’s only one episode left this season, and after seeing the previews I fear we’re in store for another dark and heavy, “save-the-world-from-total-destruction type show. I hope not, because that sort of thing is simply not what makes this show work. We’ll see.

Hmm… I wonder if there’s a police code for total world destruction…

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Castle: Headhunters

 

Finally, the show that used to be so much fun was…BACK!

Yes, thanks to the partnering of Fillion and guest star and former Firefly bud Adam Baldwin, we were actually entertained for an entire episode. No angst. No pressure. No stupid goo-goo eyes. And no voodoo forensics! Just a fun, fun hour (42 minutes) of good TV-watching. Oh, did I mention this episode was fun? In fact, this episode was so good I didn’t pay a lot of attention to the case, even though I sort of guessed the killer (Michael McGrady, who also played Detective Sallinger on Southland) when I first saw him on screen.

Anyway, this is how it’s supposed to be, making fiction seem real instead of ridiculous. Good job.

What’s you think, Melanie?

Melanie Atkins

What a great episode! Finally, the writers returned to that fun mix of drama and comedy that got us hooked on this show in the first place. I’ve missed that lately. Rick continued to be borderline obnoxious with his search for new inspiration, however, and he’s also hiding college acceptance letters from Alexis. I wanted to pinch him for that alone.

He’s not getting any inspiration from Kate right now because he’s still too busy being an ass — in my opinion, anyway — so he decides to believe the old adage that the grass is always greener on the other side of the fence and bargains with a detective he sees on the news, a rogue cop dealing with a high profile case involving severed heads, until the man agrees to let him follow him.

The only problem? He’s never met Detective Ethan Slaughter. So he approaches Kate to get more info about the man. She’s startled and so very happy to see him when he appears beside her desk and greets her like he used to, with two coffees and a disarming smile. Then she learns the real reason for his charming presence, and her face falls. Not only is he giving her the cold shoulder, but now he wants to follow another detective. Stana Katic does a great job portraying Kate’s pain.

Detective Slaughter is played by Nathan Fillion’s old Firefly pal Adam Baldwyn, and although I’ve only seen a couple of episodes of that show, I got the symbolism of Rick giving Slaughter his brown leather coat. As in, the Browncoats… from Firefly. They probably wove in a few other references, but I didn’t catch those. I’m sure others did, however.

Slaughter is a rough hewn detective known as the Widowmaker because his last three partners were killed in the line of duty. His brusque, irreverent style, blatant disregard for any rules except his own, and fast car impress Rick. Then the detective asks him about Kate and wants to know if he’s tapping her, and Rick tells him no. He and Kate are just friends. Slaughter scoffs at him and says, “A man who needs a friend gets a dog. A woman like that… you storm the beaches or die trying.” Hmmm.

Slaughter gives Rick a gun and sends him in the front door of a club all by himself. I laughed out loud when Rick yells, “NPDY!” and gets in a crazy fight that ends with him getting with a bloody nose and then knocking the guy out with a beer bottle. So funny!

After the fight, Rick walks into the Twelfth with a swagger in his step and a gleam in his eye — and runs headlong into an angry Kate Beckett. Slaughter wastes no time checking out the way her jeans fit her backside, and I don’t think Rick even notices. Grrrr! She gives Rick hell for teaming up with Slaughter, and he’s a bit taken aback because… didn’t they get the guys they were after? He turns to Ryan and Esposito for help with the case when Kate turns away, and they milk it for all it’s worth.

Kate apparently still hasn’t figured out Rick overheard her in the interrogation room, and that bothers me. But at least she goes to see her therapist after her confrontation with Rick. The psychiatrist doesn’t give her any answers, but he does make her think about what she wants to do about her partner’s defection. Does she want to confront him about leaving her? To try to move on? To forget he ever existed? She has a lot to think about.

As they wait for a suspect to show up at another location, Slaughter tells Rick he’d “go all caveman on that partner of yours. Show her what time it is in real man land.” Then he says something about Alexis, who’s still interning in the morgue, and Rick punches him. I love that scene. He’s such a good dad, and he defends his daughter’s honor with clumsy grace. I believe that’s when he finally begins to realize Slaughter isn’t such a nice guy.

The boys end up saving Rick and Slaughter’s bacon when they go into yet another situation without backup — and once they return to the precinct, Rick learns Kate was in on it, too. That she was following the case and had looked up important information. “You did this for me?” he says, obviously shocked. “All this time, you had my back.” Yes, dummy… she does have your back. Open your eyes!

Kate jumps into the case with both feet, and Rick soon comes to the conclusion that Slaughter isn’t the kind of detective he wants to write about after all, that maybe the grass isn’t greener on his side of the fence. And Rick finds himself partnered again with Kate, where he should’ve been after all, and they find the real killer.

The last scene brings Rick yet another revelation, when Alexis opens all of her college letters and learns that Stanford — her first choice and the school that denied her early admission — has also accepted her. She has trouble getting over that rejection, and Rick says, “Do you want it badly enough… to get over being hurt?”

That question seems to open his eyes and make him think of Kate. So maybe, just maybe, he’s going to stop acting like such an ass and apologize to Kate. I hope so! Unfortunately, we won’t know for two weeks, because the next new Castle episode doesn’t air until April 30. Only two more episodes to go in season four. I have my shipper hat on and am ready and waiting for a little Caskett happiness.

Lee Lofland

As I said earlier, I didn’t pay a lot of attention to the police stuff because I was too busy enjoying the show. But I absolutely must mention the appearance of the new pathologist, who played her part quite well. She delivered brief, but believable lines, with authority, not as if she were reading a fairytale to the audience. And, she was actually doing stuff a real M.E. would do, complete with evidence (bullets) in a sealed evidence bag. Nope, not a pin-stuck doll or Ouija Board in the place. How refreshing!

The severed head/murder case took a back seat to the antics of Detective Slaughter and Castle, who, by the way, delivered some great one-liners throughout the show. Such as:

Slaughter on the victim’s cause of death – “Let me guess…lead poisoning.” (an old cop’s joke about being shot)

Castle naming his fists “Jake and the Fatman.”

Slaughter to Castle – “Do not use the word ‘awesome.’ You’re a grown man.”

Castle tells Slaughter that he and Beckett are just friends. Slaughter replies, “Man needs a friend he gets a dog.”

Slaughter to Castle – “I need a writer hanging around like I need a case of the crabs.” (a sentiment felt by many real-life cops).

Slaughter referring to guy in rear compartment of garbage truck – “Better stand back, this guy’s gonna pop like a grape.”

And that’s pretty much how the entire episode went, until Beckett and crew showed up. Then the show gradually oozed back into the darkness we’ve been watching for what seems like an eternity. For some reason, when those guys showed up they seemed to suck the life out of what had, up to that point, been a great deal of fun.

However, the good far outweighed the very little bad. What a great episode of Castle…the Castle we once knew. Even Nathan Fillion was back to his old self this week. There was a spring in his step and an edge on his dialog that we haven’t seen in quite a while. I wish we’d see that lightness continue, but I fear not because the characters have to somehow deal with the dark cloud of unrealistic, pre-teen romance the writers have hanging over their heads.

Actually, I’d rather see Castle and Beckett discover that they’re totally incompatible as romantic partners. Then they could go back to being friends and get this show back on track.

For now, though, I certainly hope to see more episodes like we saw last night. After all, Castle even briefly talked about writing a book, and isn’t that what the show is supposed to be about, a mystery writer tagging along with a detective as part of his research? That, not saving the world, is what made the show so much fun.

Overall, I gladly give this one a hearty thumbs-up.