Okay, the really BIG NEWS first … the REACHER PRIZE!

Are you a fan of Lee Child’s Jack Reacher novels?

Are you also a fan of the REACHER Amazon Prime television series?

Yes?

Have you ever wondered what it would be like to meet the real-life Jack Reacher, stunningly portrayed by Alan Ritchson, and to see him in action?

Another yes?

But meeting the living, breathing, and extremely muscular Jack Reacher/Alan Ritchson could never happen to me, you say …

Well, Lee Child and I (Lee Lofland) anticipated the last statement, the one where you thought you could not in a million years see Alan Ritchson in person. So Lee and I, by way of the Writers’ Police Academy, thought the proper thing to do was to make it possible for you to meet the star of the REACHER TV series.

But meeting Alan Ritchson didn’t seem to be quite enough to satisfy the needs of diehard REACHER fans.

So here’s what we did …

We’re offering to one extremely lucky person the opportunity to join Lee Child on the set for Amazon’s Reacher Season Two, sometime in the fall, and (hopefully!) show up as a background extra in the show.

Now, here’s how you can be the winner of this jaw-dropping, once in a lifetime prize.

Each year the Writers’ Police Academy hosts a raffle and auction with proceeds helping to offset the whopping expenses of producing the event. This jackpot opportunity, the REACHER PRIZE, is available by sealed bid. You do not have to attend the Writers’ Police Academy event to enter your bid. Although, sealed bids will be accepted at the June 2-5, 2022 Writers’ Police Academy.

To submit your bid by email, please enter REACHER BID in the subject line. In the body of the email please include your bid (in U.S. dollar amount), your name, address, and phone number. Then send the email to Lee Lofland at lofland32@msn.com

Bidding ends on June 19, 2022 at midnight EST. The winner of the REACHER Prize will be notified on June 21, 2022.

*The REACHER PRIZE – “Will involve international travel to Canada (expenses paid, but winner must provide passport and any necessary paperwork) and might be canceled if Covid affects travel or local regulations. If canceled, the winning bid will be refunded.” ~ Lee Child


2022 Writers’ Police Academy Updates

Changes to the 2022 WPA Schedule

Steve Spingola, an investigator for the Oxygen Channel’s TV show Cold Justice, was scheduled to present a special session Thursday night. But he was suddenly called to testify out of state for a case he’d investigated as part of the television show.

Anne Schwartz, journalist who broke the Jeffrey Dahmer news story

Anne E. Schwartz

Replacing Steve is Anne Schwartz, the former Milwaukee Journal newspaper reporter who broke the story of serial killer Jeffrey Dahmer and wrote the book, The Man Who Could Not Kill Enough: The Story of Milwaukee’s Jeffrey Dahmer. Anne and the reporting team were nominated for a Pulitzer Prize. She’s since written and published an updated version of her book titled Monster, which is also the title of her Thursday night presentation, so hold on to your seats as Anne takes you behind the scenes and into one of the most heinous crimes of our lives.

Today, with more than 35 years’ experience, Anne E. Schwartz is the award-winning print and broadcast journalist, author, and internationally recognized trainer and advisor on strategic communication and public relations practices for Law Enforcement, Prosecutors, Tribal Police, Fire/EMS and others in Criminal Justice and Public Safety. With hundreds of presentations and training sessions internationally, Anne has a unique background in how to manage communications in a variety of scenarios as an expert in providing communication strategies in officer involved deaths and ensuing civil unrest.

Anne’s updated book was released in 2021 as “Monster: The True Story of the Jeffrey Dahmer Murders” with a new preface and final chapter, available for the first time in both audio and digital editions. Anne is featured in dozens of documentaries on the Dahmer case, on global TV networks and streaming services.

She has partnered with the U.S. Department of State Bureau of International Narcotics and Law Enforcement (INL), Department of Justice (DOJ), American Bar Association (ABA), United States Agency for International Development (USAID) and the National Association of Attorneys General (NAAG) to share communications best practices with criminal justice professionals in the U.S. and abroad. She has deployed to the countries of Albania, Armenia, North Macedonia, and the Republic of Maldives to provide training on best practices in criminal justice communications strategies. Anne has conducted training seminars for prosecutors and judges from Bosnia, Lebanon and Uzbekistan through the ABA Rule of Law Initiative. She is a communications/media trainer for the Wisconsin Department of Justice, and she is an Adjunct Professor in strategic communications at the National Criminal Justice Training Center.

 

"Monster," by Anne E. Schwartz

“Monster,” by Anne E. Schwartz


Alan Hardwick, former police chief and member of an FBI counterterrorism task force, is the new featured speaker for the Friday night special session. Alan, a guitarist, saxophonist, and singer with the popular Seattle area musical group One Love Bridge, is also the entertainer for the Friday night meet and mingle. Yes, he’s his own opening act!

Alan Hardwick, former acting police chief and member of an FBI counterterrorism task force

Allan Hardwick, former acting police chief and member of an FBI counterterrorism task force

Alan Hardwick’s presentation is:

COPS DOING COUNTERTERRORISM: LIFE IN THE JOINT TERRORISM TASK FORCE

In the aftermath of the terrorist attacks on 9/11/2001, state and local government officials around the country were faced with a sobering reality: the job of preventing and responding to terrorism was not solely the responsibility of the federal government. Moreover, the work of the 9/11 Commission revealed the problems of depending on select agencies with classified investigations: sharing the previously un-shareable with local partners was a necessary part of the solution. But should John McClaine be entrusted with exceptionally sensitive national security information? Which Jack has the need and the right to know? Bauer? Ryan? Reacher? Black? Sparrow? Retired Acting Assistant Chief Alan Hardwick discusses his experience transitioning from parking tickets and domestic disturbances to briefing the nation’s leaders on secret operations, along with the impact on local investigators who never dreamed they’d be in the middle of a secret war not only for their country, but for their own lives.

Alan is the author of Never Been This Close to Crazy.

“A poignant and heartbreaking tale of one man’s fight to save himself and his family from the ravages of mental illness. Hardwick is wise, uplifting and utterly compelling. He challenges our fundamental beliefs about good parenting.”

– Robert Dugoni, International Best-Selling Author Of the Tracy Crosswhite Series.

Book cover - Never Been This Close to Crazy, by Alan Hardwick

Never Been This Close to Crazy, by Alan Hardwick


Marco Conelli is unable to make it to the event this year. Due to the late and unavoidable timing of the cancellation (last week) we were unable to secure a replacement instructor; therefore, attendees who signed up for Marco’s class were reassigned to a substitute session. We apologize for the inconvenience.


Rain or Shine

The Writers’ Police Academy is a “rain or shine” event. Some activities take place outside, so please bring and be prepared to utilize your rain gear, if necessary. Hopefully, we’ll see clear, sunny days.


BANGS and BOOMS!

Remember, the Writers’ Police Academy provides actual hands- on law enforcement training, some of which includes gunfire, sirens, squealing tires, and yes, we will be deploying explosive devices during the tactical entry sessions. So be prepared for unexpected loud bangs and booms.

Don’t be alarmed, though, it’s just writers having fun!


Thursday Afternoon Activities are Incredible

The Thursday afternoon session at the Fox Cities Exhibition Center features indoor displays, demos, and tours of police, fire, and marine vehicles and equipment, including SWAT drones, CSI, and a demonstration of how injured police canines are treated in the field.


Raffle and Auction items

As always, fun and exciting raffle and silent auctions items will be available at the event – the REACHER PRIZE, of course, Kindles, signed books, your name appearing in the next books of international bestselling authors Karin Slaughter and Charlaine Harris, registration to the 2023 Writers’ Police Academy event (over $500 value), three registrations (up to $300 value) to 2023 Writers’ Police Academy Online classes, television scripts, and more.

And the REACHER PRIZE, of course (priceless!).


See you on June 2-5, 2022, in Green Bay and Appleton, WI

Yes, the 2022 Writers’ Police Academy is spread out over two Wisconsin cities, and Oneida Tribal Land.

The event hotel is the Hilton Paper Valley (formerly Red Lion) in Appleton. Public Safety Academy classes are in Green Bay. We provide transportation to and from the academy. We also provide lunches while at the academy.

Are you a fan of Lee Child’s Jack Reacher novels?

Are you also a fan of the REACHER Amazon Prime television series?

Yes?

Have you ever wondered what it would be like to meet the real-life Jack Reacher, stunningly portrayed by Alan Ritchson, and to see him in action?

Another yes?

But meeting the living, breathing, and extremely muscular Jack Reacher/Alan Ritchson could never happen to me, you say …

Well, Lee Child and I anticipated the last statement, the one where you thought you could not in a million years see Alan Ritchson in person. So Lee and I, by way of the Writers’ Police Academy,  thought the proper thing to do was to make it possible for you  to meet the star of the REACHER TV series.

Alan Ritchson as REACHER

But meeting Alan Ritchson didn’t seem to be quite enough to satisfy the needs of diehard REACHER fans.

So here’s what we did …

We’re offering to one extremely lucky person the opportunity to join Lee Child on the set for Amazon’s Reacher Season Two, sometime in the fall, and (hopefully!) show up as a background extra in the show.

Now, here’s how you can be the winner of this jaw-dropping, once in a lifetime prize.

Each year the Writers’ Police Academy hosts a raffle and auction with proceeds helping to offset the whopping expenses of producing the event. This jackpot opportunity, the REACHER Prize, is available by sealed bid. You do not have to attend the Writers’ Police Academy event to enter your bid. Although, sealed bids will be accepted at the June 2-5, 2022 Writers’ Police Academy.

To submit your bid by email, please enter REACHER BID in the subject line. In the body of the email please include your bid (in U.S. dollar amount), your name, address, and phone number. Then send the email to me at lofland32@msn.com.

Bidding ends on June 19, 2022 at midnight EST. The winner of the REACHER Prize will be notified on June 21, 2022.

*The REACHER Prize –  “Will involve international travel to Canada (expenses paid, but winner must provide passport and any necessary paperwork) and might be canceled if Covid affects travel or local regulations. If canceled, the winning bid will be refunded.” ~ Lee Child


Lee Child bio and photo

*I’m extremely grateful to Lee Child for his overwhelming support over the years. His extreme yet humble generosity is most often unseen by you, but will always be remembered by me.

 

Tami Hoag, the #1 international bestselling author of over thirty books, is GIVING AWAY two registrations ($515 value each) to the 2022 Writers’ Police Academy taking place on June 2-5 in Green Bay, WI. That’s right, she’s giving them away to two lucky people!
 

To enter the drawing type “I WANT TO WIN” in the comments below.
 

*Prizes cover registration fee only. Hotel, banquet, and travel are not included. Writers’ Police Academy (WPA) provide lunches at the public safety academy on Friday and Saturday. Breakfasts are included for WPA hotel guests. Winners to be selected by random drawing. Contest ends May 14, 2022 at midnight EST. Winners will be announced on May 15th.
 

Click here to view the exciting hands-on classes and other sessions offered art the 2022 Writers’ Police Academy.

WRITERS’ POLICE ACADEMY

Writers' Police Academy logo

 

 

Writers’ Police Academy
June 2-5, 2022
Green Bay, WI
Firearms Evidence

Many of the murders that occur in the U.S. involve a firearm of some type. How and what type of evidence recovered from those weapons can have a huge impact on the subsequent criminal trials. Proper evidence collection procedures … well, they can make or break a case.

Here’s a handy top six “How To” list for the heroes of your stories to use when processing firearms evidence.

1. While wearing proper gloves and a face mask to avoid contamination of evidence, safely unload all firearms prior to submitting to property room.

Revolver nomenclature - ATF photo

Revolver

If the weapon is a revolver, first make note of which chamber was in the firing position and of the type/brand/caliber of ammunition in each chamber. Also note fired and unfired cartridges and their position(s) in the cylinder.

When preparing semiautomatics or fully-automatics be sure the magazines are ejected and the chamber is empty. Make note of the safety position (on or off) and of the de-cocking lever. If there are no safeties and/or de-cocking lever, note that as well. Lock the slide to the rear and insert a plastic zip-tie into the ejection port and down through the magazine well. Then, carefully and slowly release the slide to the forward position until it rests against the plastic tie.

Semi-automatic pistol nomenclature. ATF photo

Pistol

Engage the safety, if equipped. The weapon is now inoperable and safe for storage.

2. Proper collection of trace evidence from a firearm (hair, tissue, fingerprints, blood, DNA, etc.).

Again, proper gloves and face masks must be worn during this part of the process. To avoid cross-contamination, gloves must be changed with each piece of evidence handled.

*If detective are unsure or feel they can’t obtain a good, solid fingerprint, or other trace evidence, they should submit the weapon to the fingerprint lab for processing.

Gun evidence box - Sirchi photo

Gun evidence box – Sirchi photo

3. Firearms should be stored in paper-based packaging—cardboard box, manilla envelop, etc. Never in plastic! If a firearm is to be shipped it should be securely packaged inside a appropriately labeled cardboard box.

Cardboard evidence box used for packaging firearm - Sirchie product

Sirchie photo

NOTE: If a firearm is located in water it must be packaged in the same water from where it was found. The laboratory will handle testing from that point forward.

4. Bullets. Never mark or deface a bullet, and never handle with bare hands. To avoid corrosion and other moisture-related issues never package bullets in plastic or glass containers. Always store or ship in paper-type packaging.

5. Bullets found embedded in an object—wood, drywall, etc. Do not “dig out” the bullet. If possible, submit the entire item. If it’s not possible to submit the entire article (door frame, tree stump, living room wall, etc.) remove or cut away the portion of the article containing the bullet and retain.

6. When removing a bullet from a body during autopsy, care should be taken to not alter the bullet in any way. Pathologists should use fingers or rubber-tipped forceps during the process. Never an instrument with sharp edges. X-rays of the body should be taken prior bullet removal.

Firearms evidence - Post autopsy image of close contact entry wound.

Post autopsy image of a 9mm bullet wound (entry). Note the Y-incision stitching on the upper chest area of the victim.

Finally, as always, a little common sense goes a long way. The heroes of your stories should use it whenever possible. For example, it’s practically impossible to determine caliber and weapon brand/type merely by looking at a gunshot wound. To have the hero of your story say otherwise tosses his common sense, expertise, and experience out the window.

Confused as to which fingerprinting medium is right for the task at hand? Well, Investigator G. Nome has assembled the ultimate guide for the heroes of your tall tales, and he recommends keeping it within easy reach.

Heroes such as Harry Bosch, Jack Reacher, D.D. Warren, Will Trent, or any of their peers, will never again fret over such details.Actually, the creators of those characters—Michael Connelly, Lisa Gardner, Lee Child, and Karin Slaughter—attended training classes at the Writers’ Police Academy to help their protagonists enhance their crime-solving abilities.

The icing on the cake is that many fingerprinting classes at the Writers’ Police Academy are taught by the pros from Sirchie (formerly Sirchie Fingerprint Laboratories). Sirchie manufactures fingerprinting powders, lifters, and a wide range of evidence testing and collection equipment and, well, the list of Sirchie’s products is practically endless. Other printing sessions are taught by CSI experts.


The Writers’ Police Academy and Sirchie partnered to present the unique event, MurderCon.


Anyway, here’s the scoop on processing prints.

Investigator G. Nome’s Guide to Developing Fingerprints

Before attempting to lift a print from any surface, the savvy investigator will first determine the type of surface to be printed. In addition to surface type and texture (porous, nonporous, etc.), other factors must be considered, such as the presence of foreign matters—dust, dirt, perspiration, blood, oils, grease, and moisture, to name a few.

Lighting is important, including the use of alternate light sources and lasers. The latter two can cause the perspiration and oils in found in some prints to fluoresce, making them easy to see without further developing.

Once investigators have determined the surface type and whether obstacles exist (foreign matter) it’s time to select the proper method and materials needed to properly develop the desired prints(s).

Surface Types

As always, the first order of business is to try and see the prints using only the naked eye. Sometimes they’re quite obvious.


Porous Surfaces – first attempt the naked eye approach. If no prints are obvious, then try fluorescence by laser or alternate light source. If that doesn’t quite work, then it’s time to bring out the big guns, such as…

1. Iodine fuming

2. Ninhydrin

3. DFO (1,8-Diazafluoren-9-one)

To learn about Iodine fuming and Ninhydrin, please click here to read my article “Ninhydrin and Iodine Fuming.


Non-Porous Surfaces – again, try the naked eye. If no prints are obvious, then try fluorescence by laser or alternate light source. If those steps do not produce results, then use the following to develop invisible prints.

1. Cyanoacrylate fuming (SuperGlue)

2. Cyanoacrylate dye

3. Vacuum metal deposition (VMD)

4. Powder

To learn about developing prints using SuoerGlue, please click here to read my article “Cyanocrylate Fuming – Fingerprinting with Superglue”


Still not satisfied with your options? Okay, let’s call in the specialists …


Bloodstained Specimens—Porous Surfaces

1. DFO (1,8-Diazafluoren-9-one)

2. Ninhydrin

3. Powder – amido black


Bloodstained Specimens—Nonporous Surfaces

1. leucocrystal violet (LCV) or amido black

2. Cyanoacrylate fuming (SuperGlue)

3. Cyanoacrylate dye

4. Vacuum metal deposition (VMD)


 Cardboard

1. DFO (1,8-Diazafluoren-9-one)

2. Ninhydrin

3. Silver Nitrate


Rubber Gloves—Semiporous

1. Iodine spray reagent

2. Cyanoacrylate fuming

3. Laser or alternate light source

4. Magnetic powder

5. Cyanoacrylate dye

6. Laser or alternate light source

7. Ninhydrin


Tape—Non-adhesive Side

1. Cyanoacrylate fuming

2. Cyanoacrylate dye

3. Vacuum metal deposition (VMD)

4. Powder


Tape—Adhesive Side

1. Sticky-side powder

2. Alternate black powder

3. Ash gray powder

4. Gentian violet


Dark-colored adhesive side of tape

1. Ash gray powder

2. Liqui-Drox

3. Gentian violet

* Should the investigator decide to use Cyanoacrylate fuming, it must be done on the nonadhesive side of tape first, then both sides can be processed with Liqui-Drox.


Photographs—Emulsion Side

1. Iodine spray reagent

2. Cyanoacrylate fuming

3. Cyanoacrylate dye

4. Vacuum metal deposition (VMD)

5. Powder


Photographs—Paper Side—Semiporous

1. Cyanoacrylate fuming

2. Magnetic powder

3. DFO (1,8-Diazafluoren-9-one)

4. Ninhydrin

5. Cyanoacrylate dye


Powder and Other Developer Uses

1. Alternate Black – sticky sides of labels and other tapes.

2. Gentian Violet – adhesive side of various tapes.

3. Sticky-side powder – Duh… This one’s for use on sticky sides of tape.

4. Amido Black (methanol or water based) – prints pressed into bloody surfaces. *water based includes a blood fixative.

5. Cyanoacrylate fuming (SuperGlue) – nonporous surfaces.

6. Cyanoacrylate Florescent Dye – used to enhance prints on non-porous surfaces. Best viewed using alternate light sources.

7. DAB (Diaminobenzidine) – developing prints found in blood. Also useful in this situation are Coomassie Brilliant Blue and Crowle’s Double Stain.

8. DFO (1,8-Diazafluoren-9-One) – porous surfaces; reacts with amino acids in perspiration

*Heating a fingerprint to 40 degrees Celcius forces amino acids to separate from a fingerprint. Add a special chemical to the sample and, with a 99% accuracy, the concentration indicates if the fingerprint belongs to either a male or female. Why? Because females have a different concentration of amino acids than males.

9. Iodine Fuming – porous surfaces containing grease or oils; turns yellowish color/stain

10. Ninhydrin – another product used on porous surfaces. Reacts with amino acids in perspiration.

11. Physical Developer – works on both porous and non-porous surfaces and is especially effective on paper currency.

12. Silver Nitrate – porous surfaces, especially paper. Stains caused by presence of Silver Nitrate cannot be removed. Also, prints developed by Silver Nitrate will totally disappear within a few hours, therefore it is imperative to photograph the prints as soon as they’re visible.

13. Sudan Black – a dye that stains sebaceous perspiration on surfaces contaminated by food items of greasy and oily varieties.

14. Vacuum Metal Deposition – non-porous or semi-porous, such as photographs and magazine pages. Use of VMD causes printed material to become extremely fragile.

15. Liqui-Drox – a fluorescent dye used to develop prints on the adhesive and non-adhesive sides of dark-colored tape.

16. MBD (Fluorescent Dye) – used on various colored surfaces.

17. Safranin O (a florescent dye) – used to enhance prints developed by Cyanoacrylate fuming (SuperGlue). Thenoyl Europium Chelate (Fluorescent Dye) is used to stain those prints. This dye can only be viewed under UV light.


More Graveyard Shift Articles about Fingerprinting

EYE OF NEWT AND TOE OF FROG … AND FINGERPRINTING, FROM A-D 

FINGERPRINTING: “E” BEFORE “I” IN THIS HANDY GUIDE

FINGERPRINTING: A JOURNEY FROM J-N

FINGERPRINTING: A JOURNEY FROM O-R


There’s still time to sign up for the 2022 Writers’ Police Academy. Please tell your friends, family, fellow writers. And please share the information to your social media. Thanks!


 

June 2-5, 2022

Location –  NWTC Public Safety Training Academy

Green Bay. Wi

www.writerspoliceacademy.com

 

“The Edgar Awards, or “Edgars,” as they are commonly known, are named after MWA’s patron saint Edgar Allan Poe and are presented to authors of distinguished work in various categories. MWA is the premier organization for mystery writers, professionals allied to the crime-writing field, aspiring crime writers, and those who are devoted to the genre. The organization encompasses some 3,000 members including authors of fiction and non-fiction books, screen and television writers, as well as publishers, editors, and literary agents.” ~ Mystery Writers of America
 

Congratulations to the 2022 Edgar Allan Poe Award Winners!

 

BEST NOVEL

Five Decembers by James Kestrel (Hard Case Crime)

 

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

Deer Season by Erin Flanagan (University of Nebraska Press)

 

BEST PAPERBACK ORIGINAL

Bobby March Will Live Forever by Alan Parks (Europa Editions – World Noir)

 

BEST FACT CRIME

Last Call: A True Story of Love, Lust, and Murder in Queer New York by Elon Green (Celadon Books)

 

BEST CRITICAL/BIOGRAPHICAL

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense by Edward White (W.W. Norton & Company)

 

BEST SHORT STORY

“The Road to Hana,” Alfred Hitchcock Mystery Magazine by R.T. Lawton (Dell Magazines)

 

BEST JUVENILE

Concealed by Christina Diaz Gonzalez (Scholastic – Scholastic Press)

 

BEST YOUNG ADULT

Firekeeper’s Daughter by Angeline Boulley (Macmillan Children’s Publishing – Henry Holt and Company BFYR)

 

BEST TELEVISION EPISODE TELEPLAY

“Boots on the Ground” – Narcos: Mexico, Written by Iturri Sosa (Netflix)

 

ROBERT L. FISH MEMORIAL AWARD

“Analogue,” Ellery Queen Mystery Magazine by Rob Osler (Dell Magazines)


THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD

Clark and Division by Naomi Hirahara (Soho Press – Soho Crime)


THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD

Runner by Tracy Clark (Kensington Books)


SPECIAL AWARDS

GRAND MASTER

Laurie R. King


RAVEN AWARD

Lesa Holstine – Lesa’s Book Critiques; Library Journal Reviewer


ELLERY QUEEN AWARD

Juliet Grames – Soho Press – Soho Crime


 
If you weren’t able to attend, here’s the recording of the ceremonies. Note, the audio is not the greatest quality at first but greatly improves a few minutes into the recording.